Pushkin introduces two heroines into the novel - sisters Tatyana and Olga. But this elusive image of a thin girl that arises in the reader's imagination is like the opposite of Olga's younger sister, whose features can be found in any novel of that time. The frivolity of the verse in which Olga is described is suddenly replaced by a serious intonation:

Allow me, my reader,
Take care of your big sister.
And she appears on the pages of the novel.
Nor the beauty of his sister,
Nor the freshness of her ruddy,
She would not attract eyes.
Dika, sad, silent,
Like a forest doe is timid,
She is in her family
Seemed like a stranger girl

This is not the heroine to whom the novel is dedicated. There is another, to which "we will arbitrarily dedicate the tender pages of the novel." Olga's beauty is familiar, and Tatyana is different, memorable. But Pushkin nevertheless notes a certain relationship between the sisters. And besides the external similarity (“movement, voice, light camp” is inherent in both), there is a spiritual unity between them:

... a friend of so many years,
Her dove is young
Her confidante is dear ...

Tatyana is not round and not red-faced, she is pale, but at the same time there is life in her features. Paleness is Tatyana's constant epithet: “pale color”, “pale beauty”. Already being a princess, eclipsing the “brilliant Nina Voronskaya” in the world. Tatyana is still the same “old Tanya, poor Tanya” “sitting untidy, pale.” Pushkin does not give a direct description of Tatyana's appearance, does not resemble a painter with his specific image of the subject, but "based on a specific force, conveys the impression made by the subject." The poet creates the image by a method inherent only in verbal art. The image is transmitted through the impressions, sensations, attitude of the author. 3. The time has come, she fell in love.

The image of the moon in "Eugene Onegin" is inextricably linked with the inner experiences of the main character. Tatyana is under the influence of the moon when, seeing her
...two-horned face...
In the sky on the left side
She trembled and turned pale.”
illuminated by the moon,
Tatyana writes a letter to Onegin.
And my heart rushed far
Tatyana looking at the moon...
Suddenly a thought popped into her mind...
... the moon shines on her.
Leaning on, Tatyana writes.

Tatyana writes without a lamp. The state of mind takes her away from the world of reality, which generates daylight. This is the highest degree of abstraction.
Tatyana's letter is in front of me;
I keep it holy
I read with secret anguish
And I can't read.

It should be noted that Tatyana's letter is a translation from French. Writing in French, thinking in a foreign language is an indicator of high education, which is typical for any Russian nobleman of that time. Of course, there was no original in French, and the letter is “a mythical translation from the wonderful original of Tatiana’s heart.” Researchers of Pushkin's creativity, in particular Lotman, argue that "a whole series of phraseological clichés goes back to Rousseau's New Eloise." For example, “That is the will of heaven; I am yours”, “... Souls of inexperienced excitement.

for example, “This is the will of heaven; I am yours”, “... Souls of inexperienced excitement. Reconciled with time (who knows?)”. Pushkin defines such clichés as Gallicisms:
Gallicisms will be nice to me,
Like the sins of past youth
Like Bogdanovich's poetry.

In addition to the influence of "Eloise" Rousseau, Tatiana may have read poetry, a French poetess. Tatyana understands what she is condemning herself to if Onegin divulges the secret of the letter. Both “shame” and “contempt” will really fall on Tatyana. In the 19th century, it is a shame to write to a young man you don't know, confessing your love. But Tatyana writes with a firm hand, this is her choice. She always decides her own fate. Subsequently, the decision to marry and move to Moscow depended only on her.

Me with tears of spell
Mother prayed; for poor Tanya
All were equal in lots ... Mother did not order, but prayed. Tatyana is sure that after reading the letter, Eugene will not reject her: “Though keeping a drop of pity, you will not leave me.” So she knew she would be loved. Intuition? Or it's not confidence at all, but hope, a plea. Belinsky will say: “Onegin did not recognize his own soul; Tatyana recognized in him her soul mate, not as in its full manifestation, but as a possibility…”. Tatyana guessed about this possibility. At the beginning of the letter, Tanya's self-evident unity with her loved ones comes through childishly ingenuously. Yes, Tatyana saw Eugene briefly, several times, she listened to him attentively, but is this enough for true high love to arise? Who is this stranger to whom Tanya refers to you, he is much older than the 18-year-old heroine, brought up by the capital. She is right:

In the wilderness, in the village, everything is boring for you.
All that remains for her is “Think everything, think about one thing
And day and night until a new meeting.

An essay about " Comparative characteristics Olga and Tatyana" 4.67 /5 (93.33%) 6 votes

Pays much less attention to Olga than to Tatyana. Tatyana Larina is described with all psychologism, unlike Olga, who is a typical heroine of Western sentimental novels. He treats Tatyana with sympathy, but describes her character without embellishments. Tatyana is a heroine who is beautiful, first of all, with her soul. She learns from her mistakes, unlike Onegin, she knows how to change, but at the same time she is true to her principles. Tatyana expresses all the features of an ideal Russian woman according to a. The girl is close to the author in her thoughts and worldview.

Olga is unlike her sister. Her image emphasizes the depth of Tatyana's image, contrasting a cheerful girl, a silly woman with a thoughtful woman with a huge and complex inner world. Tatyana is initially presented as a dreamer detached from the world, but as her image is revealed, we see that Tatyana is a realist and not insensitive. Olga, who at first attracted the reader with her cheerful disposition, opens up for us as a carefree girl who does not understand serious things. The author describes Olga as a porcelain doll - an ideal girl, cheerful, beautiful ... but nothing more. Olga has a poor inner world, and although she also has positive qualities, the image of Tatyana is still a real woman with whom you can connect fate, start a family and raise children. With Olga, you can only have fun and have a short romance. skillfully describes the cloying image of Olga. A woman full of virtues is a picture, not a living person. He thinks so, and he skillfully expressed his opinion by describing the female images of the novel, the heroes of which chose Tatyana.

In conclusion, we can say that he conveyed the depth of the image of Tatiana, showing her through the prism of the image of Olga. Both images are found in our days, but, unfortunately, there are fewer of them spiritually deep. Monotony is boring, the image of Tatyana is not the only true one, you just need to strive so that your worldview and principles are closer to the ideal and do no harm to you or others.

It is also important that even the morally pure Tatyana also turned out to be a victim of that “disease” of the entire nobility, which Klyuchevsky would later call “intercultural mezheumok”. Yevgeny really suffered from this “disease”. The symptoms of the “illness” are the contempt of one's culture, the loss of roots. In Europe, the Russian nobleman was not accepted, he was still a stranger. And it turned out that a whole generation stood in the middle of the river, because both banks turned out to be alien. Tatyana, however, remained, unlike Evgeny, at a moral height: "but I am given to another and I will be faithful to him for a century." She remained the "Russian soul". The proximity to the people and the simple village wisdom absorbed with the stories of the nanny also affected here. Even having been in the highest society, Tatyana remains an internally real Russian woman, who really understands the importance of duty. Her morality, despite the all-encompassing "disease" of the nobility, comes from the people, from provincial simplicity, but no less honest and wise simplicity.

STATE OF SOUL:

Tatyana: she was closed and silent, removed from society and even from her family: "she seemed like a stranger in her own family." She liked the calmness and solitude, in which she found a certain comfort, which also adorned her dreams. At heart, she was still a child. She fell in love with the "deceptions of Richardson and Rousseau" - with novels that replaced everything for her. With their help, she created her own world, fictional and ideal, not like the real world.

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She did not understand THEM and THEY did not understand her - Tatyana was completely different from secular girls. Falling in love with Onegin, she suffered, worried, suffered like a heroine French novels on which Tatyana grew up.

Olga: When reading the description of Olga in the novel, an image of easy ease is created. She is always cheerful, "like morning"; simple-hearted, "like the life of a poet", simple. Even her movements and voice were light, and she had a "ruddy freshness" characteristic. However, Onegin believed that "Olga has no life in features." She was not alarmed by anything - Pushkin in the novel does not talk about any of her mental anguish, tragedies. "Like a windy hope, frisky, carefree, cheerful." At one ball, her frivolous attitude, frivolity, quite characteristic of many secular ladies, is especially revealed: "Just a little from a diaper, a coquette, a windy child! She knows cunning, she has learned to change." Quite simply, Olga reacted to the death of Lensky: "Weeping, she did not cry for long. Alas! The bride, young in her sadness, is unfaithful. Another attracted her attention." And soon she got married.

Tatyana: Pushkin loved her very much, he could not stop writing about her. Even if we compare the description, the poet gave the older sister a more voluminous characterization, several times more than the younger one. Pushkin treated her very tenderly, with love and understanding: "Tatyana, dear Tatyana! Now I shed tears with you." And he confesses, apologizing to the reader: "Forgive me, I love my dear Tatyana so much."

Olga: Pushkin in the very first lines of Olga's description gives her a very pleasant characterization. However, he considers her windy, frivolous, in the end he admits that she is very tired of him. Pushkin concluded all her beauty in her appearance, but nothing was left for her soul. She was not a bad person for the poet, he just saw her empty.

COMMUNICATION, RELATION WITH SOCIETY:

Tatyana: She was alien to the society to which her sister was drawn. Ever since childhood, she "was a child herself, did not want to play and jump in a crowd of children, and often sat silently by the window all day long." Even in the family, she was like not her own, did not consider the interests of society similar to her own. And "from the most lullaby days, thoughtfulness is her friend." She didn't look for other friends.

Olga: She corresponded to secular society, was sociable, cheerful, as a child, the nanny collected for Olga wide circle all her friends, they played merrily. She was her own in this society, she loved evenings, balls, she was flirtatious with guys, friendly with her friends.

INDIVIDUALITY:

Tatyana: absolutely not like the others. Even her name is used for the first time on the pages of a Russian novel. While others preferred fun, Tatyana chose solitude and reflection. She was incomprehensible to everyone, she tried to understand herself and life, she often felt sad, she was "wild" (as the author writes) in the sense that "alien, unknown to people." She was an excellent dreamer.

Olga: Pushkin says that Olga "is sweet like a kiss of love, eyes like the sky, blue, a smile, linen curls, movements, voice, a light camp - everything is in Olga ..." However, you will meet such a person in any novel, there are plenty of them, because She bored Pushkin immeasurably. He met her more than once on the pages of books. Olga is just like everyone else, under the influence public opinion and a desire to integrate into secular society.

INTERESTS, FAVORITE ACTIVITIES, EDUCATION:

Olga: she loved fun, holidays, balls, classes for secular youth of that time, games and fun, entertainment, fashion, friends. Raised by society, adjusted to its laws.

• Compositions
• On literature
• Pushkin

Such relatives, but completely different - this statement is consistent with the characterization of Pushkin's heroines in the novel "Eugene Onegin". The daughters of respected parents, the Larins, who at that time received the best education, were respected among those around them. However, their character, behavior and actions differ.

Pushkin's attitude towards girls

The opinion of Pushkin himself towards young girls is the opposite: Tatyana is for him a sweet ideal of a girl, a wife, and Olga's presence and behavior bothers, and she becomes a lived character. Why is that?

Character and position in society

The dreaminess that Tatyana possessed shaped her inner world. She knew about love by reading novels, and firmly believed them. Tatyana, despite her young age, has a poetic, spiritual nature. It is, as it were, above all secular fuss, talk about fashion and signs. Nobility, purity, fidelity were clearly visible in her facial features.

Unlike her sister, Olga was distinguished by a violent and cheerful disposition. Men liked her, she was loved, however, for others she was a momentary episode. talking in simple terms, she was like everyone else: she went to balls, dreamed of a rich betrothed and carried on empty secular conversations. There was a lot of her everywhere, so it is not surprising that she bothered many. In the image of Olga Larina we see frivolity, a beautiful appearance behind which lies emptiness.

relationship to love

Tatyana is the ideal of fidelity in love, she loves selflessly, trying to understand Onegin's thoughts. And even when she was one step away from her dream, Onegin sincerely fell in love with her, remained true to her tradition. A sense of duty, the greatest nobility combined in this woman.

Olga was everything for everyone, she flirted with everyone, but she did not have happiness. After the murder of Lensky, without hesitation for a long time, she married a military general, forgetting about everything. This frivolous act shows that there was no real love either, her feelings are shallow and changeable.

In the image of Olga, Pushkin shows pettiness, commercialism, earthiness and contrasts the truly noble qualities of Tatyana.

Tatyana was special, one might say unearthly, and this made the author, Onegin, and later readers fall in love with herself. In her image, the whole meaning of the Pushkin girl is collected: pure and friendly, a faithful keeper of the hearth and a friend. This is new type women.

Comparative characteristics of Tatiana and Olga Larin with quotes

The main goal of Pushkin in the novel "Eugene Onegin" is the image of advanced personalities and their attitude to Russian reality. With special tenderness, he draws female images. These are Tatyana and Olga Larina, two sisters and two complete opposites.

They differ from each other externally and different internally. Both grew up in a poor noble family, where they keep the "habits of sweet antiquity." That's all they have in common. If Olga is “always as cheerful as morning”, then Tatyana is “wild, sad, silent”. Olga is sociable, plays with her friends, indulges in noisy fun. Tatyana, or retires with books, or admires nature.

Olga is very attractive in appearance, she has blue eyes, a beautiful smile and “linen curls”, but there is “no life” in her features. The author considers the younger sister a beautiful, but empty and stupid girl. This manifests itself in her love story with the young poet Lensky. Although she reciprocates, love for Olga is a game. Her flirting with Onegin led to tragedy. After a short mourning, she finds new love and marries a lancer. “My poor Lensky! Exhausted, she did not cry for long, ... the other attracted her attention, ”the author gives Olga the last characteristic.

Against the backdrop of a soulless and ordinary sister, Tatyana's rich spiritual world is even brighter. She is no different external beauty, thin, with a pale face, with cold features. She is alien to secular parties. Brought up by a nanny, communicating with serf girls, Tatyana honors folk traditions. She likes Christmas divination, she believes in prophetic dreams and reads romance novels, "they replaced everything for her." This gives it a special originality and sincerity. Pushkin calls Tatyana "dear" and clearly sympathizes with her, because she is endowed with:

rebellious imagination,
Mind and will alive,
And wayward head
And with a fiery and tender heart.

Tatyana wanted to meet a person who would be close to her in terms of inner content. She considered Onegin to be such a person and sincerely fell in love with him. She writes him a letter in which she reveals her feelings. But Eugene prefers "liberty and peace." She accepts Onegin's refusal with dignity and understands that she is doomed to suffering. Having married an elderly general, she becomes a rich princess, but this does not bring her happiness. Tatyana is ready to exchange secular life for books, for "a wild garden and our poor dwelling." She, remaining faithful to her husband, rejects Onegin's advances.

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Pushkin with his work "Eugene Onegin" often uses the technique of antithesis. The ironic Onegin is opposed to the ardent Lensky, the way of life of the capital high society- the mores of provincial society. Larina's sisters, Olga and Tatyana, are also opposed to each other. These are two completely different girls.

Olga is modest, cheerful and cheerful, obedient and affectionate daughter. The poet Lensky is passionately in love with this girl. She accepts his courtship, but Olga's love is fickle. When the admirer died, she did not grieve for long and got married pretty soon. Olga's appearance is described in some detail. She has the features of a classic love story heroine: flaxen curls, a chiseled figure, beautiful blue eyes, a lovely smile. But there is some neglect in this description - the girl is beautiful, but at the same time superficial. She is “round, red-faced,” but there is “no life” in her features. I think this image was created by the author specifically to emphasize the spiritual qualities of her sister.

Tatyana has a quiet disposition, she is silent and withdrawn into herself. The girl is different from the girlfriends around her. While everyone else is busy filling out albums or embroidering, she reads novels and is imbued with the beauty of nature. Tatyana does not even fit into the family circle: "she seemed like a stranger in her own family."

In the novel, this heroine is an example of the mysterious Russian soul. Tatyana's appearance is almost not described, only a few times the author indicates that she is not endowed with catchy beauty. There is nothing beautiful in this girl, but at the same time she is almost perfect. All thanks to the fact that the heroine is pure and gentle.

The fate of the Larin sisters develops in different ways. Olga becomes the wife of a brilliant lancer, and Tatyana marries a noble man and becomes an influential lady. For a long time, an unrequited love for Onegin lived in her, and when he finally realized that he also loved her, Larina was already a married woman. And, despite her undiminished feelings, she remained faithful to her husband, embodying best qualities female soul.

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About Tatyana Larina, the beloved heroine of A.S. Pushkin, the reader knows much more than about her sister Olga. These images are not antipodes, but they so accurately reflect the author's attitude to the role of a woman in a noble society that they are perceived only in a comparison that is less beneficial for Olga than for Tatyana.

About the characters

Olga Larina – literary character novel in verse "Eugene Onegin", the younger sister of the main character of the work Tatyana Larina, a typical representative of the noble environment, who inherited her morality and moral values.

Tatyana Larina- the main character of the novel, who became the embodiment of the best human qualities and the moral ideal of the poet, who endowed her with exceptional virtues and integrity of character.

Comparison

They are almost the same age, brought up in the same conditions, surrounded by love and care of loved ones.

But Olga grew up as an ordinary girl, a little spoiled, but cheerful, perceiving with liveliness the world in all its manifestations.

Tatiana s early years distinguished by isolation, did not like noisy games and entertainment, listened with pleasure to the nurse's stories about the old days, read the novels of Richardson and Rousseau, dreamed of romantic love and waited for her hero.

The meeting with Eugene Onegin shocked Tatyana and awakened a deep feeling in her inexperienced heart. Love revealed in her an extraordinary strength of character, brought up a feeling dignity, forced to think, analyze, make decisions.

Simplicity and sincerity of Tatyana are not perceived as a weakness. To preserve these qualities in the false splendor of the palace halls, with the same indifference perceiving secular flattery and the pompous arrogance of high society, only an outstanding woman could. It was this that Yevgeny Onegin saw her years later, who did not consider in the young Tatyana spiritual subtlety and selfless readiness to share any fate with him.

Olga is also capable of love, but her feeling for Vladimir Lensky is neither deep nor dramatic. She is prone to coquetry and gladly accepts the courtship of Onegin, who decided to annoy his friend for the awkward situation in which he had to explain himself to Tatyana, refusing her naive confession.

The death of Lensky did not overshadow Olga for a long time: a year later she got married and left her parents' house quite happy.

Tatyana's marriage was a balanced step: having no hope for Onegin's reciprocal feeling, she gave her consent to a man with undoubted merits. Not wealth, not secular brilliance, but the honor of her husband, she learned to value and protect above all, despite emotional drama, whose hero remained Eugene Onegin.

Findings site

1. Tatyana is a deep nature with strength of character and strong will. Olga perceives life superficially, easily endures shocks and appreciates pleasures too much.
2. Tatyana reads a lot, thinks, analyzes. Olga loves entertainment, without a shadow of a doubt accepts male courtship and does not show a tendency to seriously evaluate her actions.
3. For Tatyana, love is a test of spiritual strength. For Olga, this is a romantic feeling that does not leave a truly deep mark on her soul.
4. Tatyana is a bright personality, her virtues are recognized by the exacting secular society. Olga is one of many, nothing but her appearance and easy disposition, not attracting the attention of others.