Oblomov's character
Roman I.A. Goncharov "Oblomov" was published in 1859. It took almost 10 years to create it. This is one of the most outstanding novels classical literature our time. So famous people spoke about the novel literary critics of that era. Goncharov was able to convey realistically objectively and reliable facts of the reality of the layers of the social environment historical period. It must be assumed that his most successful achievement was the creation of the image of Oblomov.
He was a young man of 32-33 years old, of medium height, with a pleasant face and an intelligent look, but without any definite depth of meaning. As the author noted, the thought walked across the face like a free bird, fluttered in the eyes, fell on half-open lips, hid in the folds of the forehead, then completely disappeared and a careless young man appeared before us. Sometimes boredom or fatigue could be read on his face, but all the same, there was a softness of character in him, the warmth of his soul. Oblomov's whole life is accompanied by three attributes of bourgeois well-being - a sofa, a dressing gown and shoes. At home, Oblomov wore an oriental soft capacious dressing gown. He spent all his free time lying down. Laziness was an integral feature of his character. The cleaning of the house was done superficially, giving the appearance of cobwebs hanging in the corners, although at first glance one might think that it was a well-cleaned room. There were two more rooms in the house, but he did not go there at all. If there was an uncleaned dinner plate with crumbs everywhere, an unsmoked pipe, one would think that the apartment is empty, no one lives in it. He always marveled at his energetic friends. How can you spend your life like that, spraying on dozens of things at once. His financial condition wanted to be the best. Lying on the sofa, Ilya Ilyich always thought of how to fix it.
The image of Oblomov is a complex, contradictory, even tragic hero. His character predetermines an ordinary, uninteresting fate, devoid of the energy of life, its bright events. Goncharov draws the main attention to the established system of that era, which influenced his hero. This influence was expressed in the empty and meaningless existence of Oblomov. Helpless attempts at rebirth under the influence of Olga, Stolz, marriage to Pshenitsyna, and even death itself are defined in the novel as Oblomovism.
The very character of the hero, according to the writer's intention, is much larger and deeper. Oblomov's dream is the key to the whole novel. The hero moves to another era, to other people. A lot of light, a joyful childhood, gardens, sunny rivers, but first you have to go through obstacles, an endless sea with raging waves, groans. Behind him are rocks with abysses, a crimson sky with a red glow. After an exciting landscape, we find ourselves in a small corner where people live happily, where they want to be born and die, it cannot be otherwise, they think so. Goncharov describes these inhabitants: “Everything in the village is quiet and sleepy: the silent huts are wide open; not a soul is visible; only flies fly in clouds and buzz in stuffiness. There we meet young Oblomov. As a child, Oblomov could not dress himself; servants always helped him. As an adult, he also resorts to their help. Ilyusha grows up in an atmosphere of love, peace and excessive care. Oblomovka is a corner where calmness and imperturbable silence reign. This is a dream within a dream. Everything around seemed to freeze, and nothing can wake up these people who live uselessly in a distant village without any connection with the rest of the world. Ilyusha grew up on fairy tales and legends that his nanny told him. Developing daydreaming, the fairy tale tied Ilyusha more to the house, causing inactivity.
In Oblomov's dream, the hero's childhood and upbringing are described. All this helps to know the character of Oblomov. The life of the Oblomovs is passivity and apathy. Childhood is his ideal. There in Oblomovka, Ilyusha felt warm, reliable and very protected. This ideal doomed him to an aimless further existence.
The key to the character of Ilya Ilyich in his childhood, from where direct threads stretch to the adult hero. The character of the hero is an objective result of the conditions of birth and upbringing.
Oblomov Roman laziness character
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Goncharov's novel "Oblomov" was written during the transition Russian society from obsolete, domostroevsky traditions and values to new, enlightening views and ideas. This process became the most difficult and difficult for representatives of the landlord social class, as it required an almost complete rejection of the usual way of life and was associated with the need to adapt to new, more dynamic and rapidly changing conditions. And if a part of society easily adapted to the renewed circumstances, then for others the transition process turned out to be very difficult, since it was essentially opposed to the usual way of life of their parents, grandfathers and great-grandfathers. Ilya Ilyich Oblomov is the representative of just such landlords, who failed to change along with the world, adapting to it. According to the plot of the work, the hero was born in a village far from the capital of Russia - Oblomovka, where he received a classic landowner, house-building upbringing, which formed many of Oblomov's main character traits - lack of will, apathy, lack of initiative, laziness, unwillingness to work and the expectation that someone will do everything for him. Excessive guardianship of parents, constant prohibitions, the peacefully lazy atmosphere of Oblomovka led to a deformation of the character of a curious and active boy, making him introverted, prone to escapism and unable to overcome even the most insignificant difficulties.
The inconsistency of Oblomov's character in the novel "Oblomov"
The negative side of Oblomov's character
In the novel, Ilya Ilyich does not decide anything on his own, hoping for outside help - Zakhar, who will bring him food or clothes, Stolz, who can solve problems in Oblomovka, Tarantiev, who, although he will deceive, will figure out the situation of interest to Oblomov, etc. The hero is not interested in real life, it causes him boredom and fatigue, while he finds true peace and satisfaction in the world of illusions invented by him. Spending all his days lying on the couch, Oblomov makes unrealizable plans for arranging Oblomovka and his happy life. family life, in many ways similar to the calm, monotonous atmosphere of his childhood. All his dreams are directed to the past, even the future that he draws for himself are echoes of a distant past that can no longer be returned.
It would seem that a lazy, lumberjack hero living in an untidy apartment cannot arouse sympathy and disposition in the reader, especially against the background of an active, active, purposeful friend of Ilya Ilyich - Stolz. However, the true essence of Oblomov is revealed gradually, which allows you to see all the versatility and inner unrealized potential of the hero. Even as a child, surrounded by quiet nature, care and control of his parents, subtly feeling, dreamy Ilya was deprived of the most important thing - the knowledge of the world through its opposites - beauty and ugliness, victories and defeats, the need to do something and the joy gained by one's own work. From an early age, the hero had everything he needed - helpful courtyards carried out orders at the first call, and parents spoiled their son in every possible way. Once outside the parental nest, Oblomov, not ready for the real world, continues to expect that everyone around him will treat him as warmly and affably as in his native Oblomovka. However, his hopes were destroyed already in the first days in the service, where no one cared about him, and everyone was only for himself. Deprived of the will to live, the ability to fight for his place in the sun and perseverance, Oblomov, after an accidental mistake, leaves the service himself, fearing punishment from his superiors. The very first failure becomes the last for the hero - he no longer wants to move forward, hiding from the real, "cruel" world in his dreams.
The positive side of Oblomov's character
The person who could pull Oblomov out of this passive state, leading to the degradation of the personality, was Andrei Ivanovich Stolz. Perhaps Stolz is the only character in the novel who thoroughly saw not only negative, but also positive features of Oblomov: sincerity, kindness, the ability to feel and understand the problems of another person, inner peace and simplicity. It was to Ilya Ilyich that Stoltz came in difficult moments when he needed support and understanding. Pigeon tenderness, sensuality and sincerity of Oblomov are revealed during the relationship with Olga. Ilya Ilyich is the first to realize that he is not suitable for the active, purposeful Ilyinskaya, who does not want to devote herself to Oblomov's values - this betrays a subtle psychologist in him. Oblomov is ready to give up his own love, as he understands that he will not be able to give Olga the happiness she dreams of.
The character and fate of Oblomov are closely connected - his lack of will, inability to fight for his happiness, along with spiritual kindness and gentleness, lead to tragic consequences - fear of difficulties and sorrows of reality, as well as the hero’s complete departure into a pacifying, calm, wonderful world of illusions.
National character in the novel "Oblomov"
The image of Oblomov in Goncharov's novel is a reflection of the national Russian character, its ambiguity and versatility. Ilya Ilyich is the same archetypal Emelya the Fool on the stove, about which the nanny told the hero in childhood. Like a character in a fairy tale, Oblomov believes in a miracle that should happen to him by itself: a benevolent firebird or a kind sorceress will appear who will take him to beautiful world honey and milk rivers. And the chosen one of the sorceress should not be a bright, hardworking, active hero, but always “quiet, harmless”, “some kind of lazy person whom everyone offends”.
Unquestioning faith in a miracle, in a fairy tale, in the possibility of the impossible - main feature not only Ilya Ilyich, but also any Russian person brought up on folk tales and legends. Falling on fertile ground, this belief becomes the basis of a person’s life, replacing reality with an illusion, as happened with Ilya Ilyich: “he had a fairy tale mixed with life, and sometimes he unconsciously feels sad, why a fairy tale is not life, and life is not a fairy tale.”
At the end of the novel, Oblomov, it would seem, finds that "Oblomov" happiness that he had long dreamed of - a calm, monotonous life without stress, a caring kind wife, an arranged life and a son. However, Ilya Ilyich does not return to the real world, he remains in his illusions, which become more important and significant for him than real happiness next to a woman who adores him. In fairy tales, the hero must pass three trials, after which he will expect the fulfillment of all desires, otherwise the hero will die. Ilya Ilyich does not pass a single test, first succumbing to failure in the service, and then to the need to change for Olga. Describing Oblomov's life, the author seems to be ironic about the hero's excessive faith in an unrealizable miracle, for which there is no need to fight.
Conclusion
At the same time, the simplicity and complexity of Oblomov's character, the ambiguity of the character himself, the analysis of his positive and negative sides, allow you to see in Ilya Ilyich eternal image unrealized personality "not of his time" - " extra person", who failed to find his own place in real life, and therefore gone into the world of illusions. However, the reason for this, as Goncharov emphasizes, is not in a fatal combination of circumstances or the difficult fate of the hero, but in the wrong upbringing of Oblomov, who is sensitive and gentle in character. Grown like " indoor plant”, Ilya Ilyich turned out to be unadapted to reality, which was hard enough for his refined nature, replacing it with the world of his own dreams.
Artwork test
It is no coincidence that Ivan Aleksandrovich Goncharov wrote his famous novel"Oblomov", recognized by his contemporaries as a classic after the publication, after ten whole years. As he himself wrote about him, this novel is about "his" generation, about those barchuks who came to St. Petersburg "from kind mothers" and tried to make a career there. They had to change their attitude to work in order to really make a career. Ivan Alexandrovich himself went through this. However, many local nobles and adult life remained idle. AT early XIX centuries, this was not uncommon. The artistic and holistic display of a representative of a nobleman degenerating under serfdom became the main idea of the novel for Goncharov.
Ilya Ilyich Oblomov - a typical character at the beginning of the 19th century
The appearance of Oblomov, the very image of this local nobleman-loafer absorbed so much characteristic features, which has become a household name. As the memoirs of contemporaries testify, in the time of Goncharov it became even an unwritten rule not to call the son "Ilya", if the name of his father was the same ... The reason is that such people do not need to work to provide for themselves. after all, capital and serfs already provide him with a certain weight in society. This is a landowner who owns 350 souls of serfs, but is absolutely not interested in agriculture, which feeds him, does not control the thief-clerk who shamelessly robs him.
Expensive mahogany furniture covered in dust. His entire existence is spent on the couch. He replaces the whole apartment for him: living room, kitchen, hallway, office. Mice run around the apartment, bedbugs are found.
Appearance of the main character
The description of Oblomov's appearance testifies to the special - satirical role of this image in Russian literature. Its essence lies in the fact that he continued the classical tradition of superfluous people in his Fatherland, following Pushkin's Eugene Onegin and Lermontov's Pechorin. Ilya Ilyich has an appearance corresponding to such a way of life. He dresses his old, full, but already loose body in a rather worn dressing gown. His eyes are dreamy, his hands are motionless.
The main detail of the appearance of Ilya Ilyich
It is no coincidence that, repeatedly describing Oblomov's appearance in the course of the novel, Ivan Alexandrovich Goncharov focuses on his plump hands, with small brushes, completely pampered. This artistic technique- men's hands not busy with work - additionally accentuates the passivity of the protagonist.
Oblomov's dreams never find their real continuation in business. They are his personal way of nurturing his laziness. And he is busy with them from the very moment he wakes up: the day in the life of Ilya Ilyich, shown by Goncharov, for example, begins with an hour and a half of motionless dreaming, of course, while not getting off the couch ...
Positive traits of Oblomov
However, it should be recognized that Ilya Ilyich is more kind, open. He is friendlier than the high society dandy Onegin, or the fatalist Pechorin, who brings only trouble to those around him. He is not able to quarrel with a person over a trifle, much less challenge him to a duel.
Goncharov describes the appearance of Ilya Ilyich Oblomov in full accordance with his lifestyle. And this landowner lives with his devoted servant Zakhar on the Vyborg side in spacious four-room apartments. A plump, loose 32-33-year-old balding brown-haired man with brown hair, a pleasant enough face and dreamy dark gray eyes. Such is the appearance of Oblomov in short description, which Goncharov presents to us at the beginning of his novel. This hereditary nobleman from a once well-known family in the province came to St. Petersburg twelve years ago to pursue a career in bureaucracy. He started with a rank. Then, out of negligence, he sent a letter instead of Astrakhan to Arkhangelsk and, frightened, quit.
His appearance, of course, disposes the interlocutor to communication. And it is not surprising that guests come to visit him every day. Oblomov's appearance in the novel "Oblomov" cannot be called unattractive, it even to some extent expresses the remarkable mind of Ilya Ilyich. However, it lacks practical tenacity and purposefulness. However, his face is expressive, it displays a stream of continuous thoughts. He utters sensible words, builds noble plans. The very description of Oblomov's appearance leads the attentive reader to the conclusion that his spirituality is toothless, and plans can never come true. They will be forgotten before reaching practical implementation. However, new ideas will come in their place, just as divorced from reality ...
Oblomov's appearance is a mirror of degradation...
Note that even Oblomov's appearance in the novel "Oblomov" could be completely different - if he had received a different home education ... After all, he was an energetic, inquisitive child, not inclined to be overweight. As befits his age, he was interested in what was happening around him. However, the mother assigned vigilant nannies to the child, not allowing him to take anything in his hands. Over time, Ilya Ilyich also perceived any work as the lot of the lower class, the peasants.
Appearances of opposite characters: Stolz and Oblomov
Why would a physiognomist come to this conclusion? Yes, because, for example, the appearance of Stolz in the novel "Oblomov" is completely different: sinewy, mobile, dynamic. It is not typical for Andrei Ivanovich to dream, instead he rather plans, analyzes, formulates a goal, and then works to achieve it ... After all, Stolz, his friend from a young age, thinks rationally, having a legal education, as well as rich experience in service and communication with people .. His origin is not as noble as that of Ilya Ilyich. His father is a German who works as a clerk for landowners (in our current understanding, a classic hired manager), and his mother is a Russian woman who received a good humanitarian education. He knew from childhood that a career and a position in society should be earned by work.
These two characters are diametrically opposed in the novel. Even the appearance of Oblomov and Stolz are completely different. Nothing similar, not a single similar feature - two completely different human types. The first is an excellent interlocutor, a man of an open soul, but a lazy person in the last form of this shortcoming. The second is active, ready to help friends in trouble. In particular, he introduces his friend Ilya to a girl who can "cure" him of laziness - Olga Ilyinskaya. In addition, he put things in order in Oblomovka's landlord agriculture. And after the death of Oblomov, he adopts his son Andrei.
Differences in the way Goncharov presents the appearance of Stolz and Oblomov
In various ways, we recognize the appearance features that Oblomov and Stolz possess. The appearance of Ilya Ilyich is shown by the author in a classical way: from the words of the author who tells about him. We learn the features of the appearance of Andrei Stolz gradually, from the words of other characters in the novel. This is how we begin to understand that Andrei has a lean, wiry, muscular physique. His skin is swarthy, and his greenish-colored eyes are expressive.
Oblomov and Stolz also relate to love differently. The appearance of their chosen ones, as well as the relationship with them, are different for the two heroes of the novel. Oblomov gets his wife-mother Agafya Pshenitsyna - loving, caring, not bothering. Stolz marries the educated Olga Ilyinskaya - wife-companion, wife-assistant.
It is not surprising that this person, unlike Oblomov, squanders his fortune.
Appearance and respect of people, are they related?
The appearance of Oblomov and Stolz is perceived differently by people. Smear-Oblomov, like honey, attracts flies, attracts the swindlers Mikhei Tarantiev and Ivan Mukhoyarov. He periodically feels bouts of apathy, feeling obvious discomfort from his passive life position. The collected, far-sighted Stolz does not experience such a decline in spirit. He loves life. with his insight and serious approach to life, he frightens the villains. Not in vain, after meeting with him, Mikhey Tarantiev "goes on the run". For
Conclusion
Ilyich's appearance fits perfectly into the concept of "an extra person, that is, a person who cannot realize himself in society. Those abilities that he possessed in his youth were subsequently ruined. First, by wrong upbringing, and then by idleness. The previously nimble little boy was flabby by the age of 32, lost interest in the life around him, and by the age of 40 he fell ill and died.
Ivan Goncharov described the type of a feudal nobleman who has the life position of a rentier (he regularly receives money through the work of other people, and Oblomov does not have such a desire to work himself.) It is obvious that people with such a life position have no future.
At the same time, the energetic and purposeful commoner Andrei Stolz achieves obvious success in life and a position in society. His appearance is a reflection of his active nature.
Goncharov's novel "Oblomov" was written during the transition of Russian society from outdated, house-building traditions and values to new, enlightening views and ideas. This process became the most difficult and difficult for representatives of the landlord social class, as it required an almost complete rejection of the usual way of life and was associated with the need to adapt to new, more dynamic and rapidly changing conditions. And if a part of society easily adapted to the renewed circumstances, then for others the transition process turned out to be very difficult, since it was essentially opposed to the usual way of life of their parents, grandfathers and great-grandfathers. Ilya Ilyich Oblomov is the representative of just such landlords, who failed to change along with the world, adapting to it. According to the plot of the work, the hero was born in a village far from the capital of Russia - Oblomovka, where he received a classic landowner, house-building upbringing, which formed many of Oblomov's main character traits - lack of will, apathy, lack of initiative, laziness, unwillingness to work and the expectation that someone will do everything for him. Excessive guardianship of parents, constant prohibitions, the peacefully lazy atmosphere of Oblomovka led to a deformation of the character of a curious and active boy, making him introverted, prone to escapism and unable to overcome even the most insignificant difficulties.
The inconsistency of Oblomov's character in the novel "Oblomov"
The negative side of Oblomov's character
In the novel, Ilya Ilyich does not decide anything on his own, hoping for outside help - Zakhar, who will bring him food or clothes, Stolz, who can solve problems in Oblomovka, Tarantiev, who, although he will deceive, will figure out the situation of interest to Oblomov, etc. The hero is not interested in real life, it causes him boredom and fatigue, while he finds true peace and satisfaction in the world of illusions invented by him. Spending all his days lying on the couch, Oblomov makes unrealizable plans for the arrangement of Oblomovka and his happy family life, in many ways similar to the calm, monotonous atmosphere of his childhood. All his dreams are directed to the past, even the future that he draws for himself are echoes of a distant past that can no longer be returned.
It would seem that a lazy, lumberjack hero living in an untidy apartment cannot arouse sympathy and disposition in the reader, especially against the background of an active, active, purposeful friend of Ilya Ilyich - Stolz. However, the true essence of Oblomov is revealed gradually, which allows you to see all the versatility and inner unrealized potential of the hero. Even as a child, surrounded by quiet nature, care and control of his parents, subtly feeling, dreamy Ilya was deprived of the most important thing - the knowledge of the world through its opposites - beauty and ugliness, victories and defeats, the need to do something and the joy gained by one's own work. From an early age, the hero had everything he needed - helpful courtyards carried out orders at the first call, and parents spoiled their son in every possible way. Once outside the parental nest, Oblomov, not ready for the real world, continues to expect that everyone around him will treat him as warmly and affably as in his native Oblomovka. However, his hopes were destroyed already in the first days in the service, where no one cared about him, and everyone was only for himself. Deprived of the will to live, the ability to fight for his place in the sun and perseverance, Oblomov, after an accidental mistake, leaves the service himself, fearing punishment from his superiors. The very first failure becomes the last for the hero - he no longer wants to move forward, hiding from the real, "cruel" world in his dreams.
The positive side of Oblomov's character
The person who could pull Oblomov out of this passive state, leading to the degradation of the personality, was Andrei Ivanovich Stolz. Perhaps Stolz is the only character in the novel who thoroughly saw not only negative, but also positive features of Oblomov: sincerity, kindness, the ability to feel and understand the problems of another person, inner peace and simplicity. It was to Ilya Ilyich that Stoltz came in difficult moments when he needed support and understanding. Pigeon tenderness, sensuality and sincerity of Oblomov are revealed during the relationship with Olga. Ilya Ilyich is the first to realize that he is not suitable for the active, purposeful Ilyinskaya, who does not want to devote herself to Oblomov's values - this betrays a subtle psychologist in him. Oblomov is ready to give up his own love, as he understands that he will not be able to give Olga the happiness she dreams of.
The character and fate of Oblomov are closely connected - his lack of will, inability to fight for his happiness, along with spiritual kindness and gentleness, lead to tragic consequences - fear of difficulties and sorrows of reality, as well as the hero’s complete departure into a pacifying, calm, wonderful world of illusions.
National character in the novel "Oblomov"
The image of Oblomov in Goncharov's novel is a reflection of the national Russian character, its ambiguity and versatility. Ilya Ilyich is the same archetypal Emelya the Fool on the stove, about which the nanny told the hero in childhood. Like a character in a fairy tale, Oblomov believes in a miracle that should happen to him by itself: a benevolent firebird or a kind sorceress will appear who will take him to the wonderful world of honey and milk rivers. And the chosen one of the sorceress should not be a bright, hardworking, active hero, but always “quiet, harmless”, “some kind of lazy person whom everyone offends”.
Unquestioning faith in a miracle, in a fairy tale, in the possibility of the impossible is the main feature not only of Ilya Ilyich, but also of any Russian person brought up on folk tales and legends. Falling on fertile ground, this belief becomes the basis of a person’s life, replacing reality with an illusion, as happened with Ilya Ilyich: “he had a fairy tale mixed with life, and sometimes he unconsciously feels sad, why a fairy tale is not life, and life is not a fairy tale.”
At the end of the novel, Oblomov, it would seem, finds that "Oblomov" happiness that he had long dreamed of - a calm, monotonous life without stress, a caring kind wife, an arranged life and a son. However, Ilya Ilyich does not return to the real world, he remains in his illusions, which become more important and significant for him than real happiness next to a woman who adores him. In fairy tales, the hero must pass three trials, after which he will expect the fulfillment of all desires, otherwise the hero will die. Ilya Ilyich does not pass a single test, first succumbing to failure in the service, and then to the need to change for Olga. Describing Oblomov's life, the author seems to be ironic about the hero's excessive faith in an unrealizable miracle, for which there is no need to fight.
Conclusion
At the same time, the simplicity and complexity of Oblomov's character, the ambiguity of the character himself, the analysis of his positive and negative sides, make it possible to see in Ilya Ilyich the eternal image of an unrealized personality "out of his time" - an "extra person" who failed to find his own place in real life, and therefore left into the world of illusions. However, the reason for this, as Goncharov emphasizes, is not in a fatal combination of circumstances or the difficult fate of the hero, but in the wrong upbringing of Oblomov, who is sensitive and gentle in character. Grown as a "houseplant", Ilya Ilyich turned out to be unadapted to a reality that was hard enough for his refined nature, replacing it with the world of his own dreams.
Artwork test
Oblomov's character
Roman I.A. Goncharov "Oblomov" was published in 1859. It took almost 10 years to create it. This is one of the most outstanding novels of classical literature of our time. This is how well-known literary critics of that era spoke about the novel. Goncharov was able to convey realistically objectively and reliable facts of the reality of the layers of the social environment of the historical period. It must be assumed that his most successful achievement was the creation of the image of Oblomov.
He was a young man of 32-33 years old, of medium height, with a pleasant face and an intelligent look, but without any definite depth of meaning. As the author noted, the thought walked across the face like a free bird, fluttered in the eyes, fell on half-open lips, hid in the folds of the forehead, then completely disappeared and a careless young man appeared before us. Sometimes boredom or fatigue could be read on his face, but all the same, there was a softness of character in him, the warmth of his soul. Oblomov's whole life is accompanied by three attributes of bourgeois well-being - a sofa, a dressing gown and shoes. At home, Oblomov wore an oriental soft capacious dressing gown. He spent all his free time lying down. Laziness was an integral feature of his character. The cleaning of the house was done superficially, giving the appearance of cobwebs hanging in the corners, although at first glance one might think that it was a well-cleaned room. There were two more rooms in the house, but he did not go there at all. If there was an uncleaned dinner plate with crumbs everywhere, an unsmoked pipe, one would think that the apartment is empty, no one lives in it. He always marveled at his energetic friends. How can you spend your life like that, spraying on dozens of things at once. His financial condition wanted to be the best. Lying on the sofa, Ilya Ilyich always thought of how to fix it.
The image of Oblomov is a complex, contradictory, even tragic hero. His character predetermines an ordinary, uninteresting fate, devoid of the energy of life, its bright events. Goncharov draws the main attention to the established system of that era, which influenced his hero. This influence was expressed in the empty and meaningless existence of Oblomov. Helpless attempts at rebirth under the influence of Olga, Stolz, marriage to Pshenitsyna, and even death itself are defined in the novel as Oblomovism.
The very character of the hero, according to the writer's intention, is much larger and deeper. Oblomov's dream is the key to the whole novel. The hero moves to another era, to other people. A lot of light, a joyful childhood, gardens, sunny rivers, but first you have to go through obstacles, an endless sea with raging waves, groans. Behind him are rocks with abysses, a crimson sky with a red glow. After an exciting landscape, we find ourselves in a small corner where people live happily, where they want to be born and die, it cannot be otherwise, they think so. Goncharov describes these inhabitants: “Everything in the village is quiet and sleepy: the silent huts are wide open; not a soul is visible; only flies fly in clouds and buzz in stuffiness. There we meet young Oblomov. As a child, Oblomov could not dress himself; servants always helped him. As an adult, he also resorts to their help. Ilyusha grows up in an atmosphere of love, peace and excessive care. Oblomovka is a corner where calmness and imperturbable silence reign. This is a dream within a dream. Everything around seemed to freeze, and nothing can wake up these people who live uselessly in a distant village without any connection with the rest of the world. Ilyusha grew up on fairy tales and legends that his nanny told him. Developing daydreaming, the fairy tale tied Ilyusha more to the house, causing inactivity.
In Oblomov's dream, the hero's childhood and upbringing are described. All this helps to know the character of Oblomov. The life of the Oblomovs is passivity and apathy. Childhood is his ideal. There in Oblomovka, Ilyusha felt warm, reliable and very protected. This ideal doomed him to an aimless further existence.
The key to the character of Ilya Ilyich in his childhood, from where direct threads stretch to the adult hero. The character of the hero is an objective result of the conditions of birth and upbringing.
Oblomov Roman laziness character
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Roman Goncharov "Oblomov" as a very important social event. The feudal nature of Oblomovka, the spiritual world of the Oblomovites. Inactive lying, apathy and laziness Oblomov on the couch. The drama of the history of Oblomov's relationship with Olga Ilyinskaya.
abstract, added 07/28/2010
The comic and poetic beginning in the image of I.I. Oblomov, correlation with the character of Stolz. Olga Ilyinskaya before and after Oblomov's confession, her life goals. The image of Agafya Pshenitsyna: principles, love, relationships with others. Portraits of Oblomov's guests.
term paper, added 11/10/2015
Analysis of the novel American writer Jerome David Salinger "The Catcher in the Rye" Features of the character of the main character Holden Caulfield. The expression of the individual's protest against social apathy and conformity. Holden's conflict with the surrounding society.
abstract, added 04/17/2012
An essay on whether Oblomov and Stolz, the main characters of Goncharov's novel Oblomov, should be re-educated. The author comes to the conclusion that the way of life is his purely personal matter, and re-educating Oblomov and Stolz is not only useless, but also inhumane.
creative work, added 01/21/2009
Biography and creative way Jerome David Salinger - one of the most mysterious and enigmatic writers of the twentieth century. The content and analysis of the novel "The Catcher in the Rye". Thinking, psychology and character of Holden Caulfield - the protagonist of the novel.
composition, added 05/21/2013
Disclosure of the character of the protagonist of the novel by E. Burgess Alex, his vicious philosophy and its origins. Analysis of his space-time point of view on the world. Consideration of Alex's position in the context of B.A. Uspensky about plans for expressing a point of view.
article, added 11/17/2015
Image literary hero novel by L.N. Tolstoy "Anna Karenina" by K. Levin as one of the most complex and interesting images in the work of the writer. Features of the character of the protagonist. Levin's connection with the name of the writer, the autobiographical origins of the character.
abstract, added 10/10/2011
Consideration of the problem of the relationship between the protagonist of Jack London's novel "Martin Eden" and representatives of bourgeois society. Beliefs and worldview of D. London. Features of the individualism of the protagonist. Techniques and methods of image formation.
term paper, added 06/16/2012
The central problem of Lermontov's novel "A Hero of Our Time". Features of the composition and plot of the work. The origins of Pechorin's individualism. life positions and moral principles of the protagonist, character traits. The meaning of the image of Pechorin.