They are embodied in the outer beauty of man. Our ideas about the ideal are embodied in external human beauty.

To use the preview of presentations, create an account for yourself ( account) Google and sign in: https://accounts.google.com


Slides captions:

Preparation for task C Theory and practice

Time obviously goes faster than a person thinks. Note: if you ask anyone how long it takes to get to such and such a place, they will never tell you more, but they will tell you less. If you are told that it will take twenty-five minutes to go there, then know that in fact you will spend at least forty on the road. But it is even more noticeable on the other side. "I'll be back in five minutes," the man says. Rest assured that he will arrive in the best case in 15 minutes, although when he spoke, it seemed to him that he would come in exactly five minutes. It always seems that we have more time than we actually have, and that it goes slower than we think. (V. Soloukhin) Original text

Theme of the text Formulation of the problem Accurate Narrow Wide Time Perception of time by a person Why people are late Person and time Formulation of the problem of the text

About a thousand years ago in Kyiv, under the reign of Yaroslav the Wise, under the vaults of the St. Sophia Church, our first library was created. It employed translators, scribes and artists. Many overseas books were then translated into Slavonic. At first, books were copied in Kyiv and Novgorod, and then in other places of Russia - Chernigov, Galich, Suzdal, Rostov the Great, in Vladimir, old Ryazan, and, finally, book light came to Moscow. Enthusiastic praise for books was created in Kyiv. It was repeated for several centuries in a row and is remembered in our time: “Great is the benefit of the teaching of the book.” Books are “rivers that water the universe” with wisdom. In books there is an uncountable depth, with them we are “consoled in sadness ...” The life of a book, like the life of a person, was full of dangers. Handwritten creations perished during the invasions of enemies, during campaigns and wanderings, during fires, floods and other disasters. When the enemy approached, people carried away not only bread and water, but also books behind the reliable fortress walls. Books strengthened the spirit, consoled, inspired hope. Source text

The text of the fragment of the essay Block Remarks Famous writer and bibliophile Yevgeny Osetrov devotes the text to the theme of the book. Reading it, I realized that the problem of attitude to the book is always relevant. Formulation of the problem The topic is named, the problem is correctly formulated, its relevance is indicated. There is no explanation why the problem is always relevant. The historical excursus undertaken by the author is interesting in that the reader of the text is given the opportunity to understand that from time immemorial "there is great benefit from the teaching of the book." The author's attention is drawn historical aspect problems, because the historical book is inextricably linked with the history of the people, its study allows you to see the origins of the respect for the book that was shown to it educated people Anytime. The author of the text - Commenting on the problem The problem of attitude to the book, the importance of the author's historical approach to the topic are commented. The moral meaning of the text and its educational value. There are no distortions in the sense of the text. The correct interpretation of the text is indicated by relevant references to specific Analysis of a fragment of the essay according to the source text

The text of a fragment of the composition Block Remarks is a true connoisseur and connoisseur of books. Considering the problem, he mentions interesting facts, for example, about the creation of the first Sophia Library in Russia in Kyiv. Perhaps the author has visited this unique place or wants to visit holy places for us in Kyiv. It seems to me that the problem that the author raises is relevant today because interest in the book is falling, this is especially noticeable among young people. However, the author does not read notations, but tries to interest the reader, to inspire respect for the book. Commenting on the problem of the proposal. The examinee tries to understand the reason for the author's interest in this problem. Perhaps changing the order of the sentences would improve the text.

Reflection of the position of the author source code Correctly, without distortion, the understood position of the author reflects his conviction, his opinion on the problem under consideration. The author can either give an assessment to some events or phenomena, and along with an open assessment, there is also a hidden one, when the author's opinion should be sought in the subtext. To do this, one must be able to see the hidden meaning, understand metaphors, reveal allegories, feel the purpose for which the author uses specific words and expressions. In other texts, the author does not limit himself to assessments, but suggests ways to solve the problem. Both the author's conclusions and the ways he proposes to solve the problem - all this reflects his position. The following expressions can be used to formulate a position: The author believes that ... The author is deeply convinced that ... It is difficult to argue with the author regarding ... The author's position is formulated very clearly: ... The author opposes ...

Genuine science is always connected with life, it is, in fact, born from it, and not from bare brain actions. Any abstract thought, devoid of connections with nature, with life, bleeds itself, clogs up, loses vital juices, truly human insight. After all, creative thought is not only an intellectual effort. This is a manifestation of the fullness of the personality of a scientist (or artist), the combination of his spiritual-mental, strong-willed, emotional-spiritual, moral efforts. Without the "human feelings" of a scientist, without his qualities of a citizen and patriot, creative thought itself becomes impoverished. (M. Lobanov) Original text

No. Texts of fragments of works Block Remarks 1. M. Lobanov's text is devoted to the topic of science. The problem that the author considers lies in the connection of science with life, in the non-viability of the science that is called "abstract". The author's opinion is extremely clear: Lobanov believes that scientific discoveries are born from life itself. A true scientist, according to the author, collects the experience accumulated by mankind, passes it through his own beliefs and moral foundations, and only on the basis of this makes generalizations. The text negatively assesses the separation of science from moral foundations. Formulation of the position of the author Formulation of the problem The topic is named, the problem is correctly formulated. The position of the author is formulated correctly, the author's arguments are commented. Analysis of essay fragments according to the source text

No. Texts of fragments of works Block Remarks 2. The problem considered by M. Lobanov is to determine the true science, its origins. Formulation of the problem The problem of the text is formulated, there are no factual errors. The author believes that intellectual effort is not of paramount importance for true science. It is much more important for a researcher to be a citizen and a patriot. Statement of the author's position The author's position is distorted. The author does not belittle the role of the scientist's intellectual efforts, but says that this is not the only basis of scientific research. 3. The author of the text I read talks about what science is. Formulating the problem The examinee expanded the problem of the text.

No. Texts of fragments of essays Block Remarks The author believes that science is connected with life. Statement of the author's position The author's position is formulated very generally.

Thus, the correct reflection of the author's position in the text of the essay is associated with the ability to determine the author's positive, negative, ambiguous attitude to the problem under consideration, as well as the ability to highlight and comment on the author's arguments that explain the position. Conclusion

Argumentation structure Thesis Argument 1 Argument 2 Illustration(s) Illustration(s) Conclusion Examinees' argumentation of their own opinion on the problem

A thesis can only be a controversial thought, regarding which different judgments are put forward. “You can’t litter” is a moral axiom and it’s pointless to prove it. But in life, this principle is often violated, which is contrary to common sense, the laws adopted by people, and moral norms. This means that it is necessary to prove the inviolability of this truth and the harm that can be done if it is violated. The work on the arguments consists of several stages. First, two or three statements should be formulated that prove the validity of the thesis. Secondly, pick up illustrations for them, specific examples.

Thesis The true beauty of a person is determined by his wealth inner world Argument 1 If a person has kind heart, he is generous, noble, able to think and create, he is beautiful. If he, endowed by nature with good external data, is cold, arrogant, able to live at the expense of others, his beauty fades and is not appreciated. Argument 2 Only in creativity and activity is true beauty manifested. A person is beautiful in moments of creative upsurge, emotional tension. Argument 3 The beauty of a person with a rich inner world does not fade with time.

Thesis The true beauty of a person is determined by the richness of his inner world. Illustration 1 The heroines of the novel "War and Peace" Natasha Rostova and Helen Kuragina. Figure 2 Real life examples famous actresses who do not have external data that meet accepted ideas about beauty. They have achieved success and are considered stars, including playing the role of beauties (for example, Barbara Streisand). Illustration 3 Examples from the life of great people, relatives and friends, who, even in old age, retained the ability to be surprised, love, live a bright emotional life and can be called beautiful.

Arguments should be arranged in ascending order so that their strength gradually increases, the strongest argument should be the last. The argument necessarily ends with a conclusion that is directly related to the thesis. But if the thesis is perhaps a fair idea that has yet to be proven, then the conclusion is a proven idea, the validity of which is difficult to doubt. Therefore, the conclusion is a paraphrased thesis, equipped with words of confidence (for example, introductory word expressing confidence). The transition from a thesis expressing a position to arguments can be carried out with the help of phrases: - I will try to prove it. - I can prove the validity of my own position with the help of such arguments.

Consider examples of argumentation. Block Fragment of the composition Expression of agreement with the author of the source text I fully agree with the author's opinion regarding the dangers of computer addiction. Formulation of one's own position It seems to me that the Web has a detrimental effect on many people, despite the fact that in general it allows you to save time and quickly find the information you need, exchange messages. Bundle I'll try to prove my own opinion. Argument 1 Firstly, virtual communication is more addictive than real communication, because it allows you to hide your own complexes.

Block Fragment of the composition Illustration 1 For example, shy person, critically evaluating his own appearance, experiencing problems in real communication, can, communicating on the network, feel like a hero of the day, a wise adviser, an interesting conversationalist. This feeling begins to please, and a person spends hours, days in the network. And relatives, friends, relatives lose him, they lack communication, they are offended. Argument 2 Secondly, the Internet is not a free pleasure. Figure 2 Of course, one hour won't take much away from the family budget, but dependent people spend so much time online that it hits them in the wallet. Argument 3 Thirdly, from many hours of sitting in front of the monitor, vision deteriorates.

Block Fragment of an essay Illustration 3 When a person communicates in chats for 5-7 hours, the vision is so strained that the eyes hurt, they turn red. I personally know people who wear glasses as a result of prolonged sitting at the computer. Conclusion Thus, the Internet can harm a person if it is used immoderately, if you do not find the strength to stop in time.

Possible errors in argumentation Perhaps I agree with the author that we have stopped writing letters, replacing them with phone calls or SMS, and we have lost a lot from this. Earlier, I received letters from a friend from Saratov, and I was very pleased to receive an envelope. We exchanged news, sent each other postcards and photographs, and waited for letters to arrive. I also sent letters to my grandmother. True, letters take a long time to reach the addressee, but it is pleasant to receive them. Let's start writing letters again! The argument looks one-sided: the examinee did not compare letters with other methods of transmitting information (e-mails, calls), did not show why, despite the long way to the addressee, it is pleasant to receive a letter, which we lost with the destruction of the tradition of writing letters. The arguments are based only on the personal impressions of the examinee, they are not bright. The argument is not structured, 2 arguments are of the same type, there is no conclusion.

Our ideas about the ideal of beauty are embodied in external human beauty. External beauty is not only the anthropological perfection of all elements of the body, not only health. This is inner spirituality, a rich world of thoughts and feelings, moral dignity, respect for people and for oneself ... The higher the moral development and the general level of a person’s spiritual culture, the brighter the inner spiritual world is reflected in external features. This glow of the soul, according to Hegel, is increasingly understood, manifested and felt. modern man. Inner beauty is reflected in the outer appearance... The unity of inner and outer beauty is an aesthetic expression of the moral dignity of a person. There is nothing shameful in the fact that a person strives to be beautiful, wants to look beautiful. But, it seems to me, it is necessary to have a moral right to this desire. The morality of this aspiration is determined by the extent to which this beauty expresses the creative, active essence of man. The beauty of a person manifests itself most clearly when he is engaged in his favorite activity, which, by its nature, emphasizes something good in him, inherent in his personality. Source text

At the same time, his external appearance is illuminated by internal inspiration. It is no coincidence that Miron embodied the beauty of the discus thrower at the moment when the tension of internal spiritual forces is combined with the tension of physical forces, in this combination - the apotheosis of beauty ... External beauty has its own internal, moral origins. Favorite creativity makes a person beautiful, transforms the features of his face - makes them subtle, expressive. Beauty is also created by anxiety, care - what is usually called the "throes of creativity." Just as grief leaves indelible wrinkles on the face, so creative worries are the subtle, most skillful sculptor that makes the face beautiful. And vice versa, the inner emptiness gives the outer facial features an expression of dull indifference. If inner spiritual wealth creates human beauty, then inactivity and even more immoral activity destroy this beauty. Immoral activity disfigures. The habit of lying, hypocrisy, idle talk creates a wandering look: a person avoids looking into the eyes of other people4 it is difficult to see a thought in his eyes, he hides it ... Envy, selfishness, suspicion, fear that "I will not be appreciated" - all these feelings gradually coarsen facial features, give him sullenness, unsociableness. Be yourself, value yourself

dignity is the living blood of true human beauty. The ideal of human beauty is also the ideal of morality. The unity of physical, moral, aesthetic perfection - this is the harmony about which so much is said. (V. A. Sukhomlinsky)

The author of this text, the Soviet teacher Vasily Alexandrovich Sukhomlinsky, is known not only as a theoretician of pedagogical science, but also as a practical teacher who life experience and moral convictions sought to convey to children. He considers actual problem: what is the true beauty of man. Each new generation tries in its own way to comprehend the origins of human beauty. This is what happens today: twenty years ago, the idea of ​​organizing beauty contests was not relevant, while today it shocks the imagination of many, and not only the fair sex. Is there justice in judging a person's beauty? Where can I find the criterion for such an assessment? In search of an answer to these questions, the arguments of V. A. Sukhomlinsky can be of great help. The author builds reflections on true beauty on a comparison of two types of beauty - internal and external. Contrasting the anthropological perfection of all elements of the body, devoid of internal spirituality, with true beauty as a harmonious combination of the external.

and internal, the author is convinced that the desire to be outwardly beautiful then has a proper assessment when it reflects the "creative, active essence of a person." It is creativity, a favorite thing that contributes to the disclosure of beauty in a person: his face becomes expressive, thin. The author contrasts this work of the “sculptor of beauty” – creativity – with a different, destructive effect of immoral acts. I cannot but agree with the conclusions of the author: people who do not see the point in moral improvement and labor seem faceless to me. In these assessments, I am a supporter of the ideas of V. A. Sukhomlinsky. I see a beautiful person who knows how to express his inner world not through outrageous accessories or a shocking hairstyle, but through creativity. The sense of taste that is brought up from childhood, the efforts expended on creating one's own image, sophistication of manners and, of course, kindness, respect for people, generosity - this is what makes a person beautiful. Moreover, such beauty does not age - remember Alla Bayanova or Maya Plisetskaya! “External beauty has its own internal moral origins,” the author writes. And this wisdom is perceived by me as an axiom.

The composition of part "C" is a special speech work, which is a synthesis of the analysis of the source text and the presentation of one's own opinion on the problem raised by the author. This is a hidden dialogue between the examinee and the author of the source text. This is a text that must meet the given criteria, because it is according to these criteria that the work is scored. Otherwise, no matter how merits the work has, it will not be given high marks. Results

References E. S. Simakova. Russian language. Express tutor to prepare for the Unified State Examination "Composition". AST- Astrel. Moscow. T. I. Maksimovich, Yu I. A. Pugachev. A guide to preparing for the exam. Russian language: Implementation of part 3 (part C). AST- Astrel. Moscow.



What is beauty? What can she be? Speaking about the beauty of a person, first of all, we mean the external data of a person. So what makes a person beautiful? This is what Sukhomlinsky considers in his text.

The author draws the reader's attention to the fact that the inner world of a person leaves a seal on his appearance. So, he cites as an example a discus thrower, which Miron captured at the moment when the tension of a person’s internal spiritual forces is in harmony with the tension of his physical forces.

But Sukhomlinsky also draws attention to the fact that beauty is created by worries, worries - what is usually called the "throes of creativity."

Let's remember the heroine of Leo Tolstoy's novel "War and Peace" Natasha Rostova. The author deliberately shows Natasha's outward ugliness, but none of those around her could call her ugly: everyone was delighted with the young lady, her pure and bright soul. Speaking about this novel, it is impossible not to correlate the image of Natasha with the image of Helen Kuragina. AT this case behind a beautiful appearance hides a petty, greedy and selfish nature, this is evidenced by her numerous betrayals and lies, which cannot be justified by anything. Her external beauty only spoiled, Helen could not hide her meager inner world behind her.

Thus, we can conclude that the appearance of a person plays an important role in his fate, but the soul will still be the most important. It is spiritual beauty that leaves an imprint on the appearance of a person, on his actions and behavior.

Updated: 2018-02-14

Attention!
If you notice an error or typo, highlight the text and press Ctrl+Enter.
Thus, you will provide invaluable benefit to the project and other readers.

Thank you for your attention.

.

Useful material on the topic

  • The real beauty of a person according to the text of V. A. Sukhomlinsky "Our ideas are embodied in external human beauty ..."

Reflecting on this eternal moral and aesthetic problem, the author tries to convey to the reader the idea that beauty is not only external perfection, it is, first of all, “internal spirituality: a rich world of thoughts and feelings, moral dignity, respect for people and for oneself” . According to Sukhomlinsky, handsome man they make the "torments of creativity", a favorite thing illuminates the external appearance with inner inspiration, "the glow of the soul." On the contrary, inactivity and immorality destroy beauty, moreover, they disfigure, give facial features rudeness, unsociableness, gloom.

The point of view of Sukhomlinsky is close to me. External beauty is not always an indicator of the true, genuine beauty of a person. Suffice it to recall a classic example - the heroine of Leo Tolstoy's novel, Helen Bezukhova. A dazzling secular beauty, with marble shoulders, a heavy scythe around her head, a radiant smile, turns out to be internally unclean, depraved, hypocritical and vile.

The complete opposite of her is Princess Marya Bolkonskaya. Outwardly ugly, she is internally illuminated by the light of love, endless care for her loved ones. This light radiates through Princess Mary's large, beautiful eyes and makes her face, especially in moments of some spiritual uplift or tension, extraordinarily beautiful.

We are always attracted to people with a beautiful appearance. It seems that they are endowed with some extraordinary qualities. But if, after a closer acquaintance, you suddenly see that a person is arrogant, selfish, envious, you are disappointed in him, and external beauty fades. There are opposite situations: an outwardly unattractive person turns out to be nice in communication, friendly, ready to support in difficult times. And you understand that better than a man not met, external flaws fade into the background, become invisible.

“No external beauty can be complete if it is not enlivened by the beauty of the inner,” said the French writer V. Hugo. And there is nothing to add to these words.

Updated: 2018-03-11

Attention!
If you notice an error or typo, highlight the text and press Ctrl+Enter.
Thus, you will provide invaluable benefit to the project and other readers.

Thank you for your attention.

  • The true beauty of a person does not depend on his appearance
  • Beautiful is the one who performs moral deeds
  • The most important thing in a person is sometimes impossible to see with your eyes.
  • External beauty is not always a reflection of the rich spiritual world of the individual
  • It happens that people who seem attractive outwardly commit absolutely immoral acts.
  • A person with a truly beautiful soul creates a special, incomparable atmosphere with his presence.

Arguments

L.N. Tolstoy "War and Peace". As a child, Natasha Rostova, one of the heroines of the great epic novel, was not beautiful. The attention riveted to her is impossible without inner beauty: both in childhood and in adulthood, she was distinguished by her love of life, spontaneity, and a pure soul. Another heroine that should be paid attention to is Princess Marya Bolkonskaya. In appearance, she was clearly inferior to the beauties, only her eyes were beautiful. But people who are able to feel real beauty, appreciated its inner qualities. Marya Bolkonskaya and Natasha Rostova can be contrasted with Helen Kuragin: her beauty was admired in society. But this beauty is only external. In fact, Helen Kuragina is a stupid, callous, selfish, prudent, self-serving person. The external charm of the heroine does not compensate for her immoral behavior.

A.I. Solzhenitsyn "Matryona Dvor". Matryona has a completely ordinary appearance. The only part of her appearance that attracts attention is her beautiful smile. But for us, it is not external beauty that is important, but internal. It is not for nothing that the author writes that the face is good only for someone who is at odds with his own conscience. Matrena is a person from whom comes inner light, warmth. This is much more important than external attractiveness.

F.M. Dostoevsky "Crime and Punishment". Svidrigailov, a rather rich and well-groomed man, in fact, does not have good spiritual qualities: he is ready to go to any meanness for the sake of his own whim. Physical beauty and a nasty inner world are in no way combined with each other: at first, in this tyrant and rapist you can see beautiful person. The image of Sonya Marmeladova is opposite. Due to malnutrition, poverty appearance the girl suffers greatly: pale, thin, frightened, wears terrible clothes. But the inner world of Sonya Marmeladova is beautiful, despite her lifestyle and appearance.

O. Wilde "Portrait of Dorian Gray". In this work, the problem of internal and external beauty is the main one. At the beginning of the work, we see in Dorian Gray a timid, bashful and incredibly handsome young man. Beauty is his source of power: no matter what the hero does, his appearance does not change. All changes affect only the portrait of a young man, painted by Basil Hallward. Gradually, Dorian Gray turns into an inhuman, immoral monster who has committed many nasty things, including even the murder of the artist. He is still as handsome as he was many years ago, only the state of his soul is depicted in the portrait. Dorian Gray wants to do away with a terrible image of himself and dies, plunging a dagger into a portrait. External beauty was fatal to him.

Antoine de Saint-Exupery "The Little Prince" Wise Thoughts little prince can teach even an adult a lot. Our hero said: “Only the heart is vigilant. You can’t see the most important thing with your eyes.” And we can say without a doubt that he is right. True beauty is inside a person, in his soul, in his right deeds.

A.S. Pushkin "The Captain's Daughter" In the work, we do not see the description of Pyotr Grinev. It doesn't really matter if he looks good or not. All the beauty of this man is expressed in his moral qualities, noble deeds. Pyotr Grinev is a man of honor who did not allow himself to betray his homeland, to leave his beloved girl in danger. His actions are beautiful, which means that he himself is beautiful.

M. Sholokhov "The fate of man." The fact that it is impossible to judge a person by appearance is proved by the image of Andrei Sokolov, the protagonist of the work. He was called to the German Müller while he was in captivity. Exhausted by labor, hungry Andrey Sokolov could not at that moment be beautiful in appearance. All his beauty was manifested in moral deeds: Sokolov refused to drink for the victory of German weapons, in spite of the enemy he did not start eating, despite hunger and lack of strength. By these actions, one can judge that a person is beautiful in soul.

Our ideas about the ideal of beauty are embodied in external human beauty. External beauty is not only the anthropological perfection of all elements of the body, not only health. This is inner spirituality - a rich world of thoughts and feelings, moral dignity, respect for people and for oneself ...

The writing

Each of us throughout our lives develops our own concept of the norm, the concept of morality, the concept of beauty, and, as you know, how many people - so many opinions. What is the true beauty of a person? V.A. invites us to think about this question in his text. Sukhomlinsky.

Analyzing this problem, the author brings to our attention a story from the life of the sculptor Miron, whose Discobolus became a classic. ancient art and at the same time the very “popular” work of the creator, and someone even calls this statue the pinnacle, the “apotheosis” of the whole creative activity sculptor. The writer draws our attention to the fact that this work of art personifies true human beauty, since this sculpture of a man with a disk in his hand is an image of a person depicted in the process of activity, completely harmonious with her. The author leads us to the idea that the features of this figure are so beautiful because the appearance of this character is “illuminated by inner inspiration” and is depicted through the tension of internal spiritual and physical forces. In other words, V.A. Sukhomlinsky emphasizes that the extraordinary beauty of this figure was a combination of anthropological perfection and inner harmony, spirituality.

A truly beautiful person is the one whose inner and outer beauty acts in a strong tandem and forms a harmonious image. The writer believes that the true beauty of a person is formed primarily from the depth of his inner world - morality, activity, spirituality, creative and aesthetic principles. Of course, anthropological perfection and human health also matter - and only both of these factors, external beauty, purity of thoughts, unity of actions and feelings in a compartment form an integral, harmonious image, which is, in fact, “beauty” in its general understanding. .

One cannot but agree with the idea of ​​V.A. Sukhomlinsky. Indeed, a person is beautiful in the harmony of feelings, actions, thoughts and, of course, appearance. In the event that a person is engaged in what gives him sincere pleasure, takes care not only of external, but also of internal beauty, develops his spiritual world, does not waste time on immoral activities, cherishes his dignity and remains himself - only in this case it can be called truly beautiful.

M. Gorky in the story "Old Woman Izergil" introduces the reader to the "beautiful" hero in all respects. Danko, being a romantic image, is initially presented as a strong, beautiful, independent person, but all his inner beauty is revealed in his actions. Saving a miserable, evil, hypocritical crowd of people from death, he did not think about his own salvation - all his actions were aimed at helping people. Realizing that it was impossible to get out of the forest in pitch darkness, Danko pulled his flaming heart out of his chest and lit the way for people, giving them the opportunity to live and taking this opportunity from himself. This hero was beautiful not only externally, but also internally, and his altruism and a burning heart were proof of this.

Really handsome and main character novel by D. London "Martin Eden". The writer reveals his image against the background of several layers of the population at once - Martin grew up among the working class, and his formation took place at a time when he had close contact with an educated, bourgeois family. However, he was not truly “his own” with anyone - the lower class was disgusted with drunkenness and debauchery, however, those who at first seemed to him an example, in the end turned out to be hypocrites and were smart and deep only at first glance. The hero himself was always morally pure and radiated inner strength and harmony, which was how he was able to win the heart of Ruth, and having discovered huge world books, began, moreover, to develop mentally, nourishing and nurturing thereby his innate potential. Martin's outward beauty, coupled with confidence, morality and writing, created a harmonious, truly beautiful image that attracts and fascinates the reader from the very first lines.

In conclusion, I would like to say once again that beauty is not only external, it is not only internal - it is the totality of everything that is in a person, framed by the harmony of thoughts, actions and feelings.