Comparative characteristics of Tatyana and Olga Larin. Composition on the topic “Comparative characteristics of Olga and Tatyana

About Tatyana Larina, the beloved heroine of A.S. Pushkin, the reader knows much more than about her sister Olga. These images are not antipodes, but they so accurately reflect the author's attitude to the role of a woman in a noble society that they are perceived only in a comparison that is less beneficial for Olga than for Tatyana.

About the characters

Olga Larina- a literary character in the novel in verse "Eugene Onegin", the younger sister of the main character of the work of Tatyana Larina, a typical representative of the noble environment, who inherited her morality and moral values.

Tatyana Larina- the main character of the novel, who became the embodiment of the best human qualities and the moral ideal of the poet, who endowed her with exceptional virtues and integrity of character.

Comparison

They are almost the same age, brought up in the same conditions, surrounded by love and care of loved ones.

But Olga grew up as an ordinary girl, a little spoiled, but cheerful, with liveliness perceiving the world around her in all its manifestations.

Tatiana from an early age was distinguished by isolation, did not like noisy games and entertainment, listened with pleasure to the nanny's stories about the old days, read the novels of Richardson and Rousseau, dreamed of romantic love and waited for her hero.

The meeting with Eugene Onegin shocked Tatyana and awakened a deep feeling in her inexperienced heart. Love revealed in her an extraordinary strength of character, raised her self-esteem, made her think, analyze, make decisions.

Simplicity and sincerity of Tatyana are not perceived as a weakness. To preserve these qualities in the false splendor of the palace halls, with the same indifference perceiving secular flattery and the pompous arrogance of high society, only an outstanding woman could. It was this that Yevgeny Onegin saw her years later, who did not consider in the young Tatyana spiritual subtlety and selfless readiness to share any fate with him.

Olga is also capable of love, but her feeling for Vladimir Lensky is neither deep nor dramatic. She is prone to coquetry and gladly accepts the courtship of Onegin, who decided to annoy his friend for the awkward situation in which he had to explain himself to Tatyana, refusing her naive confession.

The death of Lensky did not overshadow Olga for a long time: a year later she got married and left her parents' house quite happy.

Tatyana's marriage was a balanced step: having no hope for Onegin's reciprocal feeling, she gave her consent to a man with undoubted merits. Not wealth, not secular brilliance, but the honor of her husband, she learned to value and protect above all, despite the emotional drama, the hero of which remained Eugene Onegin.

Findings site

  1. Tatyana is a deep nature with strength of character and strong will. Olga perceives life superficially, easily endures shocks and appreciates pleasures too much.
  2. Tatyana reads a lot, thinks, analyzes. Olga loves entertainment, without a shadow of a doubt accepts male courtship and does not show a tendency to seriously evaluate her actions.
  3. For Tatyana, love is a test of spiritual strength. For Olga, this is a romantic feeling that does not leave a truly deep mark on her soul.
  4. Tatyana is a bright personality, her virtues are recognized by the exacting secular society. Olga is one of many, nothing but her appearance and easy disposition, not attracting the attention of others.

One of the key secondary characters of the work is the younger sister of the main character Tatyana Olga Larina.

The poet presents Olga as a sweet, obedient girl, embodying femininity and grace, with blue eyes, a light smiling face, a slender figure and light curls.

The girl is distinguished by cheerfulness, coquettishness, without experiencing emotional experiences, captivating the surrounding men with her charm. However, Olga's inner world is not rich in spiritual content, since the girl lives without thinking about life's problems, hiding her lack of spirituality and emptiness.

From the author's point of view, this type of women is widespread and is a reflection of a typical portrait of romantic heroines of romance novels, distinguished by simplicity, spontaneity, living out of habit and incapable of any kind of reasoning and discussion.

Olga, like all such women, repeat, as a rule, the fate of their mothers, based on the continuation of tribal traditions and inheriting the practical experience of the older generation.

The heroine expects the same life as her mother, the criteria for which are housekeeping, raising children, caring for her husband. Olga from early childhood is ready for the role of a faithful wife and a good mother, having received the education necessary for this life in the form of learning French, playing music, embroidery, housekeeping skills, so the girl does not expect any troubles and difficulties in the future.

The plot line of the novel in verse is based on the creation by the poet of a love triangle between Olga, Lensky and the main character Onegin.

The young, poetic soul of Lensky is passionately in love with a young beauty, but Olga, being a naive and ingenuous child, involuntarily becomes guilty of the death of her lover, because she allows herself to flirt with Onegin, whom Lensky is forced, being a decent person, to challenge to a duel that has become for the latter fatal.

Feeling no guilt behind herself and not long experiencing the death of her beloved Lensky, Olga meets a military officer at the ball, whom she later marries and repeats the fate of her mother, becoming a portly lady.

Using the image of Olga Larina in the work, the poet makes a vivid accent on the individuality and sensuality of the complex character of the main character of the novel, Tatyana Larina, who is the exact opposite of her younger sister.

Composition about Olya Larina

The great poet of all eras A.S. Pushkin created several female images in his novel "Eugene Onegin". Olga Larina is considered one of the main images. The image of the girl is closely connected with the poet Lensky. Olga was Tatyana's sister. The unique and cheerful disposition, Olga's good looks set off Tatyana's quiet character and originality.

The heroine had a windy character and spent more time with Lensky. Among society, the poet was considered her fiancé. She spent more time at social events and loved to dance and have fun. Tatyana, on the contrary, was silent and preferred to spend time alone with a book in her hands. Externally, Olga was a beautiful girl with blue eyes, shiny and golden curls and a wonderful smile. And her voice was simply mesmerizing.

Despite the beauty and cheerful disposition, the main character Onegin finds flaws in the girl. He characterizes her as a girl with a round face and compares her to the moon, showing her stupidity. According to Onegin and the author himself, in addition to appearance, Olga did not have a rich inner world. The poverty of Olga's soul was based on lack of spirituality and complacency.

Among the villagers, Olga was considered a simple, playful, frivolous and carefree girl. She possessed great vitality and longed for fun and celebrations. Like any young girl, Olga was too impressionable for praise. Therefore, Eugene managed to quickly interest the girl.

At a ball in the Larins' house, the hero began to court Olga. The heroine began to reject the attention and feelings of the poet. After such an attitude towards himself, Lensky burned with strong jealousy. He mistakenly assumed that Olga was peculiar and cunning. In fact, due to the underdevelopment and limitations of the soul, signs of attention were of great importance for Olga. Jealous Lensky challenged Onegin to a duel. Before the duel, looking into Olga's eyes, the poet felt remorse. Despite his true feelings, the heroine did not love the poet. The girl was not capable of deception, as well as deep feelings. The girl perceived love as a hobby and a way of self-affirmation. After a tragic death in a duel, the girl did not mourn for long and fell in love with a military man, whom she later married. In the novel, Olga's hallmark is flirtatiousness.

Option 3

One of the main characters of the most unique work "Eugene Onegin" is Olga, whom we get to know through Lensky, who burned with ardent love for her.

He was delighted with her bright image, completely innocent, and therefore he liked to spend all his free time with her. In secular society, he was considered the bridegroom of the girl. And although the author shows us a portrait of Olga, filled with purity and beauty, he still does not consider her ideal. Even her appearance and character, he describes very briefly and inexpressively. Pushkin shows us the image of a hand-written beauty without a flaw. It is Onegin who helps us understand the reason for this discrepancy. He sees in the features of the girl the absence of life, which is the result of lack of spirituality and conflictlessness. Of course, Onegin's opinion cannot be considered from an objective point of view, because, as we can see, Olga is simple and direct. She is constantly flirtatious, and she likes praise, like any woman, from men. That is why Onegin managed to easily capture her attention at the ball. The girl is not preoccupied with any problems, and therefore she lives for her own pleasure, fluttering like a butterfly from one object she likes to another.

Olga is kind, but spiritually poor. This is what confuses Onegin, and maybe for someone she will be a wonderful wife, but not for him and not for the author. After all, Eugene and the writer himself, above all, appreciated the rich inner world in people, and not ostentatious charm. Due to the fact that she is limited in spirituality, she is simply not capable of high feelings. Lensky, whom she never rejected and even agreed to marry him, simply forgets and dances all evening with Onegin. And this lack of spirituality prevents her from comprehending why her young man left the ball so early. Overwhelmed by zealous thoughts, Lensky decided for the last time before the duel to look at his beloved. However, he sees that Olga is not tormented by conscience about her behavior, and she is just as cheerful and carefree. When Lensky tragically dies in a duel, we see that Olga was not particularly worried. Soon she begins to accept the courtship of one young lancer.

In the image of Olga, the author showed the type of coquette women who, throughout their lives, are cheerful and often acted out. They do not have deep feelings towards them men. Their life path is carefree and frivolous. However, here Olga's frivolity most likely comes from nature. And if we add to all these qualities a superficial perception of current events and ease of judgment, we get an ordinary and popular female image, seductive enough, but not deep.

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Alexander Sergeevich Pushkin is the greatest Russian realist poet. His best work, in which “all his life, all his soul, all his love; his feelings, concepts, ideals”, is “Eugene Onegin”. A.S. Pushkin in his novel "Eugene Onegin" asks and tries to answer the question: what is the meaning of life? He sets the task of giving a real image of a young man in a secular society. The novel reflects the last years of the reign of Alexander I and the beginning of the reign of Nicholas I, the time of the rise of the social movement after the Patriotic War of 1812.

The basis of the novel was the love story of Eugene Onegin and Tatyana Larina. Tatyana as the main character is the most perfect among the rest of the female images. She was Pushkin's favorite heroine, his "sweet ideal."

Pushkin put all the features of a Russian girl into the image of Tatyana. This is kindness, readiness for selfless deeds in the name of loved ones, that is, all those features that are inherent in a Russian woman. The formation of these traits in Tatyana takes place on the basis of "traditions of the common folk antiquity", beliefs, legends. Romance novels, which described romantic feelings, ideal and sincere love, have no less influence on the formation of her character. And Tatyana believed all this. Therefore, Eugene Onegin, who appeared in their house, became the subject of romantic dreams for her. Only in him did she see all those qualities that she read about in novels.

Tatyana speaks about the depth of her feelings in a letter to Onegin. In it, she opens her soul and completely puts herself "into the hands" of Eugene, relying on his honor and nobility. But a sharp rebuff and a dismissive attitude towards her break her dreams. Tatyana accepts the harsh reality without objection, although her love for Eugene does not go away after that, but flares up more and more. Thanks to the nanny, Tatyana believed in all kinds of signs, fortune-telling:

Tatyana believed the legends

common folk antiquity,

And dreams, and card fortune-telling,

And the predictions of the moon

She was troubled by omens;

Mysteriously to her all objects

They proclaimed something.

Therefore, in order to find out her fate, Tatyana decides to fortune-tell. She has a dream, which is not quite, but determines the further development of events.

After the tragic death of Lensky, trying to understand Eugene Onegin, Tatyana begins to visit his house.

Having left for Moscow to live with her aunt, Tatyana tries to forget Onegin and fall out of love with him, goes to balls and evenings. She is no longer interested in her own fate, so she agrees to marry a noble and rich man, whom her parents have chosen as a wife. Having become a noble secular lady, she did not receive joy and satisfaction and remained a "simple maiden." Returning from travels, Eugene Onegin, seeing Tatyana, suddenly realizes that he made a mistake by rejecting her. Love awakens in him, and he confesses to her. Yes, and Tatyana understands that she also committed a rash act by marrying another:

And happiness was so possible

So close!..

But she deliberately refuses possible happiness:

But I'm given to someone else

I will be faithful to him forever.

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Such relatives, but completely different - this statement is consistent with the characterization of Pushkin's heroines in the novel "Eugene Onegin". The daughters of respected parents, the Larins, who at that time received the best education, were respected among those around them. However, their character, behavior and actions differ.

Pushkin's attitude towards girls

The opinion of Pushkin himself towards young girls is the opposite: Tatyana is for him a sweet ideal of a girl, a wife, and Olga's presence and behavior bothers, and she becomes a lived character. Why is that?


Character and position in society

The dreaminess that Tatyana possessed shaped her inner world. She knew about love by reading novels, and firmly believed them. Tatyana, despite her young age, has a poetic, spiritual nature. It is, as it were, above all secular fuss, talk about fashion and signs. Nobility, purity, fidelity were clearly visible in her facial features.

Unlike her sister, Olga was distinguished by a violent and cheerful disposition. Men liked her, she was loved, however, for others she was a momentary episode. In simple words, she was like everyone else: she went to balls, dreamed of a rich betrothed and carried on empty secular conversations. There was a lot of her everywhere, so it is not surprising that she bothered many. In the image of Olga Larina we see frivolity, a beautiful appearance behind which lies emptiness.

relationship to love

Tatyana is the ideal of fidelity in love, she loves selflessly, trying to understand Onegin's thoughts. And even when she was one step away from her dream, Onegin sincerely fell in love with her, remained true to her tradition. A sense of duty, the greatest nobility combined in this woman.

Olga was everything for everyone, she flirted with everyone, but she did not have happiness. After the murder of Lensky, without hesitation for a long time, she married a military general, forgetting about everything. This frivolous act shows that there was no real love either, her feelings are shallow and changeable.

In the image of Olga, Pushkin shows pettiness, commercialism, earthiness and contrasts the truly noble qualities of Tatyana.

Tatyana was special, one might say unearthly, and this made the author, Onegin, and later readers fall in love with herself. In her image, the whole meaning of the Pushkin girl is collected: pure and friendly, a faithful keeper of the hearth and a friend. This is a new type of woman.

Comparative characteristics of Tatiana and Olga Larin with quotes

The main goal of Pushkin in the novel "Eugene Onegin" is the image of advanced personalities and their attitude to Russian reality. With special tenderness, he draws female images. These are Tatyana and Olga Larina, two sisters and two complete opposites.

They differ from each other externally and different internally. Both grew up in a poor noble family, where they keep the "habits of sweet antiquity." That's all they have in common. If Olga is “always as cheerful as morning”, then Tatyana is “wild, sad, silent”. Olga is sociable, plays with her friends, indulges in noisy fun. Tatyana, or retires with books, or admires nature.

Olga is very attractive in appearance, she has blue eyes, a beautiful smile and “linen curls”, but there is “no life” in her features. The author considers the younger sister a beautiful, but empty and stupid girl. This is manifested in her love story with the young poet Lensky. Although she reciprocates, love for Olga is a game. Her flirting with Onegin led to tragedy. After a short grief, she finds a new love and marries a lancer. “My poor Lensky! Exhausted, she did not cry for long, ... the other attracted her attention, ”the author gives Olga the last characteristic.


Against the backdrop of a soulless and ordinary sister, Tatyana's rich spiritual world is even brighter. She is not distinguished by external beauty, thin, with a pale face, with cold features. She is alien to secular parties. Brought up by a nanny, communicating with serf girls, Tatyana honors folk traditions. She likes Christmas fortune-telling, she believes in prophetic dreams and reads romance novels, "they replaced everything for her." This gives it a special originality and sincerity. Pushkin calls Tatyana "dear" and clearly sympathizes with her, because she is endowed with:

rebellious imagination,
Mind and will alive,
And wayward head
And with a fiery and tender heart.

Tatyana wanted to meet a person who would be close to her in terms of inner content. She considered Onegin to be such a person and sincerely fell in love with him. She writes him a letter in which she reveals her feelings. But Eugene prefers "liberty and peace." She accepts Onegin's refusal with dignity and understands that she is doomed to suffering. Having married an elderly general, she becomes a rich princess, but this does not bring her happiness. Tatyana is ready to exchange secular life for books, for "a wild garden and our poor dwelling." She, remaining faithful to her husband, rejects Onegin's advances.

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Pushkin with his work "Eugene Onegin" often uses the technique of antithesis. The ironic Onegin is opposed to the ardent Lensky, the lifestyle of the capital's high society - the mores of provincial society. Larina's sisters, Olga and Tatyana, are also opposed to each other. These are two completely different girls.

Olga is modest, cheerful and cheerful, obedient and affectionate daughter. The poet Lensky is passionately in love with this girl. She accepts his courtship, but Olga's love is fickle. When the admirer died, she did not grieve for long and got married pretty soon. Olga's appearance is described in some detail. She has the features of the classic heroine of a love story: flaxen curls, a chiseled figure, beautiful blue eyes, a lovely smile. But there is some neglect in this description - the girl is beautiful, but at the same time superficial. She is “round, red-faced,” but there is “no life” in her features. I think this image was created by the author specifically to emphasize the spiritual qualities of her sister.

Tatyana has a quiet disposition, she is silent and withdrawn into herself. The girl is different from the girlfriends around her. While everyone else is busy filling out albums or embroidering, she reads novels and is imbued with the beauty of nature. Tatyana does not even fit into the family circle: "she seemed like a stranger in her own family."

In the novel, this heroine is an example of the mysterious Russian soul. Tatyana's appearance is almost not described, only a few times the author indicates that she is not endowed with catchy beauty. There is nothing beautiful in this girl, but at the same time she is almost perfect. All thanks to the fact that the heroine is pure and gentle.

The fate of the Larin sisters develops in different ways. Olga becomes the wife of a brilliant lancer, and Tatyana marries a noble man and becomes an influential lady. For a long time, an unrequited love for Onegin lived in her, and when he finally realized that he also loved her, Larina was already a married woman. And, despite her undiminished feelings, she remained faithful to her husband, embodying the best qualities of a woman's soul.

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  • The moral beauty of Masha Mironova in the story "The Captain's Daughter" Masha Mironova is the daughter of the commandant of the Belogorsk fortress. This is an ordinary Russian girl, "chubby, ruddy, with light blond hair." By nature, she was cowardly: she was afraid even of a rifle shot. Masha lived rather closed, lonely; there were no suitors in their village. Her mother, Vasilisa Yegorovna, said about her: “Masha, a girl of marriageable age, but what kind of dowry does she have? - a frequent comb, and a broom, and an altyn of money, with which to go to the bathhouse. Well, if there is a kind person, otherwise sit yourself in the girls of the age-old […]
  • The noble robber Vladimir Dubrovsky (composition) The ambiguous and even somewhat scandalous story "Dubrovsky" was written by A. S. Pushkin in 1833. By that time, the author had already grown up, lived in a secular society, and became disillusioned with it and the existing state order. Many of his works, related to that time, were under censorship. And so Pushkin writes about a certain “Dubrovsky”, a young, but already experienced, disappointed, but not broken by worldly “storms”, a man of 23 years old. There is no point in retelling the plot - I read it and […]
  • Composition based on the poem "Ruslan and Lyudmila" At the lesson of literature, we studied the poem by Alexander Sergeevich Pushkin "Ruslan and Lyudmila". This is an interesting work about the brave knight Ruslan and his beloved Lyudmila. At the beginning of the work, the evil sorcerer Chernomor kidnapped Lyudmila right from the wedding. Lyudmila's father, Prince Vladimir, ordered everyone to find their daughter and promised the savior half the kingdom. And only Ruslan went to look for his bride because he loved her very much. There are many fairy-tale characters in the poem: Chernomor, the sorceress Naina, the magician Finn, the talking head. And the poem begins […]

Comparison of the Larin sisters in Pushkin's novel "Eugene Onegin"

The work of A.S. Pushkin "Eugene Onegin" tells about two completely different maidens, Tatyana and Olga.

Olga is a cheerful, modest, cheerful girl. She is an obedient daughter, her parents love her very much. Lensky is madly in love with Olga. She reciprocates his courtship, but her love is fickle. When Lensky died, she did not grieve for long and soon got married.

Tatyana, on the contrary, is sad, silent, very withdrawn into herself. She is not like other girls. While everyone was embroidering, filling out albums, flirting with each other, Tatyana read novels and admired nature. she seemed like a stranger to her own family. She didn’t sit down to caress her father or her mother. “Tatyana had been unrequitedly in love with Eugene for a long time. When Onegin finally realized that he loved Larina, she was already married to a noble person. preserved love for Eugene, Tatyana remained faithful to her husband.

In my opinion, both girls are good - they never did anything bad to anyone. Pushkin also likes both heroines, but according to the author "... her portrait (Olga) is very nice to me, I used to love him myself, but he tired me immensely. .." Tatyana, on the contrary, the author supports in every possible way, calls her "dear Tatyana." Based on the foregoing, it follows that Pushkin sympathizes with Tatyana Larina, despite, and maybe even due to her unusual behavior.