Wrists shot up gracefully, The sound of castanets suddenly cut through the lull... In a wild outburst of unbridled passion The insane heart breathes with flame. Like a fire, the purple silk flared up And glided, flaring up on the skin... The tap dance struck dashingly with a shot - The body was filled with a sweet trembling. Wrists gracefully shot up, The sound of castanets suddenly cut the calm... In a wild outburst of unbridled passion The insane heart breathes with flame. Like a fire, the purple silk flared up And glided, flaring up on the skin...
There are several versions of the origin of the word "flamenco". There are several versions of the origin of the word "flamenco". According to one of them, it is associated with the name of the flamenco gypsy tribes (“tramps”, “deceivers”) who moved to Spain from India or from northern and central Europe back in the 16th century. It was they who became the best performers Andalusian songs and dances. According to one of them, it is associated with the name of the flamenco gypsy tribes (“tramps”, “deceivers”) who moved to Spain from India or from northern and central Europe back in the 16th century. It was they who became the best performers of Andalusian songs and dances. There is another version, dating back to the time of the cult of fire (from Latin - “flamma”, that is, “fire”), which was especially revered by the people in antiquity. Or maybe the reason for such a name is given by the costumes of the dancers, emphasizing the thin and slender silhouette of the figure and the bizarre movements of the long-legged exotic flamenco bird (in Russian - flamingo)? There is another version, dating back to the time of the cult of fire (from Latin - “flamma”, that is, “fire”), which was especially revered by the people in antiquity. Or maybe the reason for such a name is given by the costumes of the dancers, emphasizing the thin and slender silhouette of the figure and the bizarre movements of the long-legged exotic flamenco bird (in Russian - flamingo)?
How is Spanish dance born? When the red sun slowly sets behind the horizon and the day is replaced by a wonderful and warm evening, in the advancing twilight someone picks up a guitar and lingering flamenco tunes begin to sound: How is the Spanish dance born? When the red sun slowly sets over the horizon and the day is replaced by a wonderful and warm evening, in the approaching twilight someone picks up a guitar and drawling flamenco tunes begin to sound: I will tell about my sadness in a song, because to sing means to cry; I will tell about my joy in a dance, because to dance means to laugh... I will tell about my sadness in a song, because to sing means to cry; I will tell about my joy in the dance, because to dance means to laugh...
From time to time there are rhythmic clapping and approving exclamations: "Ole!" This is how the audience participates in a spontaneous performance, cheering and inspiring the dancers and singers. Sometimes the same actor dances, sings and accompanies on the guitar, demonstrating to the audience his universal art. From time to time there are rhythmic clapping and approving exclamations: "Ole!" This is how the audience participates in a spontaneous performance, cheering and inspiring the dancers and singers. Sometimes the same actor dances, sings and accompanies on the guitar, demonstrating to the audience his universal art.
Flamenco dancers, caressing the castanets tree, perform no less incendiary. Invariably black eyes, black hair, gathered in a bun and crowned with a rose. How eloquent are the movements of their hands! Flexible, wriggling, expressive fingers weave intricate patterns, conveying the meaning and meaning of this dance. The movements of the men's hands are strict, sublime, they cut through the air like sword strikes... The flamenco dancers, caressing the castanets tree, perform no less incendiary. Invariably black eyes, black hair, gathered in a bun and crowned with a rose. How eloquent are the movements of their hands! Flexible, wriggling, expressive fingers weave intricate patterns, conveying the meaning and meaning of this dance. The movements of the men's hands are strict, sublime, they cut through the air like sword strikes...
Flamenco is pure improvisation. Each time it is performed in a new way, depending on the mental and emotional state. Only its individual elements are known in advance: guitar chords, dance figures, vocal techniques. But the creation of the composition itself, that amazing harmony of dance, music and singing, always takes place directly in front of the audience. Flamenco is pure improvisation. Each time it is performed in a new way, depending on the mental and emotional state. Only its individual elements are known in advance: guitar chords, dance figures, vocal techniques. But the creation of the composition itself, that amazing harmony of dance, music and singing, always takes place directly in front of the audience.
Spanish flamenco dance is full of passion and courage. Born in the depths of the soul, it is called upon to express the richness of shades of human feelings: joy and sadness, love and disappointment, tenderness and hatred, longing and hope, which merge together under the guitar chords and the soulful sounds of songs. Spanish flamenco dance is full of passion and courage. Born in the depths of the soul, it is called upon to express the richness of shades of human feelings: joy and sadness, love and disappointment, tenderness and hatred, longing and hope, which merge together under the guitar chords and the soulful sounds of songs.
Spanish dances gave impetus to the creation of many musical works. famous composers: J. Wiese ("Carmen"), N.A. Rimsky-Korsakov(“Spanish Capriccio”), A.S. Dargomyzhsky (“The Stone Guest”), C. Debussy (“The Spanish Hour”), and others. Spanish dances gave impetus to the creation of many musical works by famous composers: J. Wiese (“Carmen”), N.A. Rimsky-Korsakov (“Spanish Capriccio”), A.S. Dargomyzhsky (“The Stone Guest”), K. Debussy (“The Spanish Hour”) and others.
Test work What does the word "flamenco" mean? What does the word "flamenco" mean? What country is it a symbol of? What country is it a symbol of? Name the musical instruments used in flamenco. Name the musical instruments used in flamenco. Remember the characteristic color of the dance. Remember the characteristic color of the dance. What feelings does the dance express? What feelings does the dance express?
Rhythm presentationMINISTRY OF EDUCATION AND SCIENCE OF THE CHELYABINSK REGION
state budgetary professional educational institution
"Zlatoust Pedagogical College"
Rhythm Presentation
spanish dance
Completed by: Sysoeva Diana
Vladimirovna
Speciality:
Teaching in elementary grades
Course 1, group 111B
Teacher:
Strelina. K.S.1
Doing
2
History of Spanish dance
3
Variety of Spanish dance
3.1
Flamenco
3.1.1
How to dance flamenco
3.2
Fandango
3.3
Bolero
4
Conclusion
Spanish dances are the most emotional dances in the world.
Spain dances always, dances everywhere. She is dancing
ritual dances at the funeral at the coffin of the deceased; she is
dancing in the Seville Cathedral before the altar of his
sacred dance as part of worship; she is dancing
on the barricades and before the death penalty; she is dancing
by day, dancing in the fragrant night when the stars
reflected in a frozen wave.
M. Voloshin
Come back to
table of contents History of Spanish dance
Come back to
table of contents
Historically
happened
So,
what
most
temperamental and passionate women and men
live in Andalusia and other provinces
Spain. They know how to love passionately, without looking back,
suffer bitterly. Such unbridled passion and revealed
the world's favorite Spanish dances. titles,
such as flamenco, bolero, paso doble, today
on everyone's lips. They combine the rhythms
castanets, southern temperament, guitar sounds,
polished movements of stately brunettes and brunettes. History of Spanish dance
Despite the widespread popularity of Spanish dances,
Few have wondered where they get their
Start. But Spanish dances originate in
deep antiquity. Still preserved
dance forms found even in the era
Hellenism.
For thousands of years, Spain was known to the world as Iberia.
First
residents
today's
Spain
had
rather mixed ethnic composition. This gave
Spanish
dancing
such
diversity
and
originality. The dances of Spain were influenced by the Celts,
who lived in Iberia around 500 BC.
A huge influence on Spanish dance and its development
rendered by the Moors, who for 700 years occupied
Spain.
Come back to
table of contents History of Spanish dance
Come back to
table of contents
The history of the origin of Spanish dances is very
dynamic speed. Spain for thousands of years
was a peninsula that was surrounded by water from all
sides. The ancient tribes living here created
cultural traditions and had their political and
social views. Ethnic dances of everyone
tribes were passed down from generation to generation. Variety of Spanish dance
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table of contents
It's impossible to talk about Spanish dances in general -
folklore
each
provinces
peculiar
and
unique, like the attitude of the inhabitants of different
parts of the country. The northern Spanish Basques are masculinely severe and archaic, the Castilians are restrained, with
internal tension, the Aragonese are contagiously cheerful and straightforward, the Catalans are lyrically heroic, the dances of the south are especially passionate
Spain - Andalusia and Murcia. Flamenco
If you ask any person to say the name
famous Spanish dance, with almost one hundred percent
chances are he will pronounce the word "flamenco". And this
true. This is the world's most popular
the dance originated in the lands of Andalusia, when there in
the fifteenth century, the gypsies arrived. It is they
formed a special dance caste.
As to why flamenco got such
name, there are many theories. Some consider him
synonymous with "gitano", from Spanish slang
translated as "gypsy". Others identify
origin of the term with Flemish soldiers,
who guarded the Spanish-Belgian territories. They are
wore special clothes that emphasized ostentatious
pride and self-confidence. The same qualities were
inherent in the character of the gypsies.
Come back to
table of contents Flamenco
Come back to
table of contents
Now this dance is popular not only in Spain,
but all over the world. Probably even wrong.
position it as exclusively Spanish
or gypsy is a unique combination
dance forms of all the peoples who lived on
territory of Spain throughout its history. How to dance flamenco
Come back to
table of contents
Flamenco is a great way to express your
emotions and feelings. This dance combines
many different movements, most of
which are passionate, expressive pas.
Steps:
1. Find
suitable
clothes
and
shoes. It must be a long skirt and
shoes with small heels.
2. Start by looking for Spanish music
with a light rhythm suitable for
dance. Try to clap to the beat
music.
3. Master
first
position. The most
the main position in flamenco is to stand
straight with fists on hips. standing in
this position, try to stomp
right foot twice. How to dance flamenco
4. Now work on
leg movement. stomp
right foot, then left
heel, then lift
right foot and stomp with the right
heel (for this you need
some practice). After,
how do you get started,
you can try to do
vice versa, starting from the left
legs.
5. Put your hands on
hips. Next, stomp with the right
foot while holding
skirt with right hand.
Repeat one more time.
Come back to
table of contents How to dance flamenco
6. Then do the same, but
don't stomp so hard. set aside
your right foot and start doing
smooth undulating movements
right hand while turning
around the left leg. After that,
do the same to the other
side.
7. Put
arms
on the
hips. Next, stomp with the right
foot while holding the skirt
right hand. Repeat again
once.
10. After that, bring your hand to
mouth like you want to bite
apple and repeat
Come back to
brush strokes several times.
table of contents How to dance flamenco
9. Then, throw your right hand down,
like you threw an apple, and
brush a few more
once. Repeat the same for
the other side.
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Text content of presentation slides: Prepared by a student of the 5th grade of the MKOU DOD "Children's Music School No. 1 of the city of Nalchik named after. Yu.Kh. Temirkanova Bzheumikhova Lilianna. Teacher Lopatina I.G. Presentation on the topic “Flamenco” Plan: The origins of flamenco Features Flamenco styles Instruments for performance Attributes of dance Origins (slide I) Flamenco arose in Andalusia under the influence of the cultures of peoples who for centuries coexisted on the same territory - Arab, Jewish, Christian and Gypsy. Echoes of African culture also reached the south of the Iberian Peninsula, mixing Negro rhythms with Andalusian ones. For most non-Spaniards, the classical image of Spain is associated precisely with Andalusia. Wide-brimmed sombreros, colorful dresses with frills, a bright flower in her hair and passionate dances. But having listened to what is sung in flamenco, we will see that in its essence this is gloomy and dramatic music, and the folklore image of the Andalusian dancer is only its external, festive side. The land where flamenco originated is far from the cheerful Andalusia depicted on postcards from souvenir shops. Origins (slide II) In the Andalusian song, nostalgia merges with a lyrical protest against injustice and oppression. The Arabs were expelled from Spain in 1492; Jews, of whom there were about 100 thousand in Spain in the 5th century, were forced to accept the Christian faith in order not to be persecuted; Gypsies, perpetual nomads who were persecuted, along with their simple belongings, carried with them the traditions of singing and dancing. Each of these peoples at a certain point in history lost their empire and was forced to adapt to new conditions of life, accept someone else's faith, forget their favorite traditions, merge with another culture. Their music became a hidden protest against injustice, a complaint against fate, their songs spoke of the gloomy reality of life. Flamenco is more than music. This is a whole worldview, attitude to life. You don't have to be a flamenco artist to belong to this world. Flamenco is, first of all, everything that is colored by strong emotions and emotional experiences. Origins (slide III) The first documentary mention of flamenco dates back to 1780, by that time its melodic structure and style had already been formed. in terms of their well-being at the lowest social level, consisting mainly of beggars and vagabonds. The villagers actively moved to the city, mainly due to the disastrous state of the villages, crushed by the rich nobility and plunged into poverty. In this atmosphere, flamenco gained strength and began to gain popularity, but until the last third of the 19th century it was not a public property and was not known outside a narrow circle of fans. Origins (slide IV) The house was the home of flamenco. In traditional Spanish housing, all apartments were built around a common patio, which was a kind of center of the whole house. Such a layout implied fairly close communication between neighbors, who were often members of the same big family or clan. Inside the house, the patio was the place where holidays were celebrated and the secrets of singing were passed on. All this happened in a limited circle of relatives, so many of the most significant names in flamenco are family dynasties, where the secrets of mastery were passed down from generation to generation. Music was perceived as a dialogue, communication, and this explains its improvisational nature. A dialogue between two cantaors, a cantaor and a guitarist, a song and a dance. Gradually, life on the patio was more and more transferred to the street, for example, during the celebration of weddings, baptisms and other events. In some gypsy settlements, these "flamenco fiestas" have taken on their own character. They passed outside the city, in temporary settlements of gypsies. In addition to members of the same family, they were sometimes open to a wider public, where cantaors gained fame, demonstrating their abilities and their individual style of performance. Moving beyond the family circle, flamenco begins to penetrate into other areas of Andalusian society. Famous cantaors and bailors begin to take part in home fiestas. late XVIII century flamenco has already sounded in the taverns and inns of the Andalusian roads. Performance tools. Cajun - cajon: a favorite percussion instrument in flamenco. This is a small hollow wooden box with a hole in the wall, on which they knock with their palms, usually sitting on top of it. The sound of this instrument blends wonderfully with acoustic guitar, emphasizing its rhythm. Сastaсuelas - castañuelas: castanets. right hand(literally translated - “female”. Macho - macho: a castanet held in the left hand. Palmas flamencas - palmas flamencas: rhythmic strikes of three or four pressed fingers of one hand on the palm of the other, claps that accompany singing and dancing. Pitos - pitos: snapping fingers in the manner of castanets. Taconeo - taconeo: tapping with heels to the rhythm of the song. characteristic feature Flamenco dance is traditionally considered "zapateado" - beating the rhythm with heels, the rhythmic drum sound of hitting the heel and the sole of the boot on the floor. However, in the early days of flamenco dance, the zapateado was performed only by male dancers. Since such a performance technique requires considerable physical strength, zapateado has long been associated with masculinity. For female dance the smooth movements of the arms, wrists and shoulders were more characteristic. Now the difference between female and male dance is not so clear, although hand movements, flexibility and smoothness still distinguish the dance of a woman. The movements of the dancer's hands are undulating, "caressing" and even sensual. The lines of the arms are soft, neither the elbows nor the shoulders break the smooth curve. It is even hard to believe how much the smoothness and flexibility of the lines of the hands subconsciously affects the general perception of the bailora dance. The movements of the brushes are unusually mobile, they are compared with an opening and closing fan. The movements of the male dancer's hands are more geometric, restrained and strict, they can rather be compared “with two swords cutting the air”. Flamenco styles. Bambas. This style originated in a village in the province of Seville called Aznalkasar (Aznalcázar). According to folk tradition, there is a custom during the summer and spring holidays to arrange competitions in strength between the villagers. Each district or street competes to see who can raise the tallest and heaviest pole. Women take part in the competition on an equal basis with men. The largest pole that can be raised is called "bamba" (bamba). One member of the team lifts it, and the rest support the pole with ropes tied to it. All this is accompanied by verses, which are called “bambas” Flamenco styles. Solea. The name of this style comes from the word "soledad" - loneliness. Solea is called the mother and queen of all songs. It is often spoken of in the plural - soleares, since not only in every region, but also in many cantaors, there is their own solea motif. These austere but beautiful songs are without a doubt one of the most ancient styles of cante hondo. The first solea, which appeared in early XIX century, were intended to accompany dances. The song consisted of only three koples and was performed in a lively dynamic tempo. At present, this “solea de baile” (soleb de baile) is known under the name “soleariya” (soleariya). Later, the masters of this style began to decorate songs, lengthen them and perform at a slower pace, giving solea more sad shades and expression, and arose “sole grande” (sole grande), which from Triana, its cradle, spread to Los Puertos, Cadiz and Sherry. The guitar plays the most important role in the performance of solea, comes to the fore like nowhere else in other styles. Falsetas performed by skillful tokors are so complex that many musicians refuse to even understand them. Solea is a wonderfully flexible style that can accommodate all the grandeur of canha or polo and the frivolous joy of the songs of Cadiz. The world of solea, the themes of her songs are life illusions, love and death. The poems of many solea are real poems, full of beauty and poetic meaning. Flamenco styles. Campallilleros. The origin of these songs is associated with rural monks. There was a custom when at the end of each week or month one of the monks had to wake up his neighbors so that they were ready for morning prayer. To attract attention, he rang a bell (campanilla in Spanish). Sometimes he was accompanied by several more people who hit the empty jug and the metal triangle. This is the origin of the campanilleros style, and its development as one of the flamenco trends is attributed to the cantaor Manuel Torres, whose performing talent turned the campanilleros into a serious one. musical genre. He performed these songs accompanied by such famous tokaors as Niño Ricardo and Currito de la Geroma. dance attributes. female image. An important element of the image of the dancer is the traditional dress, called bata de cola - a typical flamenco dress, usually to the floor, often made of multi-colored material with polka dots, decorated with frills and flounces. The prototype of this dress was the traditional attire of gypsies. An integral part of the dance is the graceful play with the hem of the dress. A Spanish shawl with very long tassels is one of the classic attributes of female flamenco dance: the shawl either twists around the dancer's waist, emphasizing the slender female silhouette, or falls from the shoulders, forming the silhouette of a large, beautiful, restless bird. Another classic flamenco female attribute is a large fan. dance attributes. Male image. traditional clothing male dancers - dark trousers, a wide belt and a white shirt with wide sleeves. Sometimes the edges of the shirt are tied in front at the waist. A short bolero vest, called a chaleco, is sometimes worn over a shirt. When a woman performs a traditionally masculine dance, the zapateado or farruca, she may also wear such a costume.
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