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hallmark century of high technology is the ease with which beauty is replicated and originality is put on stream. But if not everyone can become an artist and paint great canvases, then many can create unique images using simple technologies.

Wood is one of the suitable materials on which a photograph or favorite drawing will look great. In addition to the fact that the quality of the product will remain unchanged for many years, it will be a kind of masterpiece or piece goods, depending on how you dispose of it.

The essence of technology

Don't let buzzwords like sublimation printing technology or graverton scare you, because they are one and the same, therefore, there is less incomprehensible. The technology is based on the principle of sublimation, when a substance under the influence of high temperature “jumps” from a gaseous state immediately to a solid one, bypassing the wet stage.

Graverton technology allows you to transfer a pattern to wood, metal, glass, fabric, and the process itself takes place in a certain order:

1. An image is printed on sublimation paper;
2. The front side is applied to the object being processed;
3. It is placed in a heat press for a certain time.

A huge number of things can be subjected to artistic processing - from shoes, dishes, fabrics to corporate symbols, puzzles and all sorts of other unexpected things.

The main disadvantage of the graverton technology is the need for special equipment and its high price:

• sublimation printer(starting from 500 thousand rubles with kopecks);
• thermal transfer press(from 9 to 30 thousand rubles).

Good afternoon! the fastest convenient and economical for myself, I chose the following option: 1 select an image. 2 in graphic editors (well, I used Photoshop in particular) create the size of the image that we need, overlay the picture with the top layer, stretch it. I save. then with the help of the ProPrint program I print out in parts. with the help of mounting tape I fix exactly the top row, and here the most important thing. placing in turn under each sheet, an ordinary clerical carbon paper, I circle the image, thus making the whole drawing. it turns out 1 in 1 as on the original, and then a matter of technology, or rather hands. I'm starting to draw! Guest February 13, 2012

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Transferring a drawing from tracing paper ...

... for beginners and not understanding.

How to transfer a drawing from tracing paper to a matryoshka blank or to a hemispherical surface of the lid of the box, I will tell you another time. Now, to understand the process, I will show the simplest technique for manually transferring a drawing from tracing paper to cardboard.

The idea is simple. The transparency of the tracing paper allows you to copy the drawing from one piece of paper to another with sufficient accuracy, while maintaining the original size.

Why do you need to transfer the drawing at all, if you can paint the original sketch with paints?

Transferring a drawing from a sketch (picture) to the wall

Then what, firstly, in this case you save watercolor paper from endless pencil scratching and eraser abrasion, while you can rub a sketch even to the holes. Secondly, fragments can also be copied if some sections in the sketch seem redundant or redundant. Thirdly, if there is a need for re-layout, then the moment of transferring the sketch from tracing paper to paper is the most convenient.

Necessary tools - tracing paper and two pencils. One pencil is hard and sharpened (2H-4H), the second is as soft as possible (4M-6M) and it is not necessary to sharpen it. Instead of a soft pencil, you can use charcoal, but the charcoal will bring a lot of dirt to the drawing. The eraser in this case is not desirable.

So, simple drawing with the right transfer technology. We will transfer a photograph from a magazine onto cardboard.

1. We place the image on a flat surface and fix it, for example, with adhesive tape.

2. We put tracing paper on top of the image and also fix it.

3. We circle the main contours of the image, as well as all the details that are significant to us.

4. Tear off the tracing paper.

5. Turn the tracing paper over with the back (so far clean) side up.

6. We rub the reverse side of the tracing paper with visible pattern soft pencil. The photo shows a graphite rod, not coal.

7. We attach the cardboard.

8. We attach the tracing paper to the cardboard with the pattern up and the grated graphite side down.

9. Outline the outlines of the drawing with a pen or pencil.

10. We remove the tracing paper, we see the contours of the transferred image and a lot of dirt left from the graphite.

Advice: to reduce dirt from graphite, do not rub all the free space on reverse side tracing paper. You can rub only those areas where there are lines of the picture.

Professional and most accurate approach: carefully outline the outline of the drawing with the softest pencil. Only contour without chafing.

Unprofessional approach- use a copier. Why unprofessional? Because traces of carbon paper are practically not erased with an eraser.

Tag: art

Mounting the projector and connecting to a computer

We will help you find an installer in your city. Your engineer can also install the projector.

The projector is connected to a computer or laptop in the same way as any monitor. VGA and HDMI cables are used for image transmission.

If it is impossible to lay cables, you can resort to using special WiFi adapters for projectors that can stream video of the desired quality.

Projection dimensions and projector position

The maximum projection size depends on the projector's light output (measured in lumens, denoted by ANSI lm), ambient light, and the projection surface.

subdued external lighting:

• Projector 3000 lumens: 4x3 m
• Projector 4000 lumens: 4.6 x 3.5 m
• Projector 5000 lumens: 5.2 x 3.9 m
• Projector 6000 lumens: 5.7 x 4.3 m
• Projector 8000 lumens: 6.5 x 4.9 m
• Projector 10,000 lumens: 7.3 x 5.5 m
• Projector 15000 lumens: 8.9 x 6.7 m

Maximum projection dimensions in conditions without external lighting:

• Projector 3000 lumens: 8x6 m
• Projector 4000 lumens: 9.2 x 7 m
• Projector 5000 lumens: 10.4 x 7.8 m
• Projector 6000 lumens: 11.4 x 8.6 m
• Projector 8000 lumens: 13x9.8 m
• Projector 10,000 lumens: 14.6 x 11 m
• Projector 15000 lumens: 17.8 x 13.4 m

Maximum projection dimensions in conditions daytime outdoor lighting:

• Projector 3000 lumens: 2x1.5 m
• Projector 4000 lumens: 2.3 x 1.7 m
• Projector 5000 lumens: 2.6x2 m
• Projector 6000 lumens: 2.8 x 2.1 m
• Projector 8000 lumens: 3.2 x 2.4 m
• Projector 10,000 lumens: 3.6 x 2.7 m
• Projector 15000 lumens: 4.4 x 3.3 m

Location

Projectors are usually located under the ceiling on a ceiling mount, bracket. Can be wall or column mounted. At events, you can place the projector on a table, cabinet, tripod or stand. The distance from the wall to the projector (with an image width of 4 meters) can be from 1.5 to 9 meters, depending on the model of the projector.

Lighting and projection surface

Ambient lighting affects projection contrast. The less extraneous light, the brighter and more contrast the image. During the day it is recommended to close the windows with curtains, in the evening - dim the light. Then the projection will be seen well on a sufficiently large area. If the ambient light is bright, reduce the projection area or select a projector with a suitable light output.

Surface

Projecting a pattern

It can be a painted wall, wallpaper, tile, canvas and other types of surfaces.

If the surface is bright, dark, or reflective, you can:

• use a more powerful projector,
• reduce the projection area,
• create a modular projection by hanging photo frames on this surface.

How to choose a projector

When choosing projectors for projection design, you should pay attention to several parameters:

• projection ratio or throw ratio;
• light flow;
• projector lamp life.

Throw ratio

This is the ratio of the distance from the projector to the image to the width of the image. Not to be confused with contrast, where the ratio can be 3000:1.

Conventional projectors with a throw ratio of 1.3:1 to 2.1:1 need to be placed at a distance of 5.5-9 meters to create an image 4 meters wide. Not always the room allows you to place the projector so far away.

A short throw projector with a ratio of 0.5:1-0.75:1 gives such an image from a distance of 2-3 meters. The closer the projector is to the image, the less likely it is that shadows will be created by passing people or other objects.

Ultra short throw projectors have a throw ratio of about 0.35:1. They are located closest: for a width of 4 m - at a distance of 1.5 m.

Luminous power (ANSI lm)

For projection design with sufficient dimming (in the evening with subdued light or during the day with curtained windows), it is enough to have a luminous flux of 250-300 lumens per square meter. A projector with a light output of 3000 lumens can cover an area of ​​​​10-12 square meters well. m.

In a room without extraneous light, you can project 50 lumens per square meter. Those. the same projector can cover 50-60 sq. m.

The greater the luminous flux of the projector and the smaller the projection area on the wall, the greater the brightness of the image.

projector lamp

The brightness of the lamp gradually begins to decrease over time and by the end of its service life drops to 60-50% of the original. Then the lamp is replaced with a new one. To prolong the lamp life, you can use the projector in Eco mode - the lamp life will be 1.5 times longer.

In general, 3000 lumens projectors have a lamp life of 3000-6000 hours, which is enough for 1-2 years with 8 hours of daily use.

Some LED or Laser-LED projectors have a lamp life of 10,000 to 20,000 hours.

Outputting the Image to Multiple Projectors

There are three options for working with multiple projectors:

duplication

Video splitters are used to duplicate the image to multiple projectors.

Independent images

Multiple projectors are connected to one computer. Each displays an independent program image, as if multiple computers were being used. You can project different images with different area and content settings.

Single panoramic projection

Multiple projectors are connected to one computer. Using a special video card, a single desktop with a panoramic resolution, for example, 3072x768, is created. The POGUMAX Designer program will run throughout this wide screen, consisting of several projectors.

The cost of the POGUMAX Designer program depends on the number of projectors used, regardless of the playback mode and the number of computers used.

How to transfer a picture to the wall?

Forum: "Components";

Current archive: 2006.10.01;

How to redraw an image?

Svyatoslav © (2006-02-15 14:30)

I am writing my own component, a descendant of TpaintBox, drawing on the canvas, everything is fine, only the image is not updated if the form is collapsed/expanded!
How to deal with it?

MBo © (2006-02-15 16:56)

may have messed up with the overriding Paint method. Give the class declaration and implementation of this method

MBo © (2006-02-15 16:59)

Sorry, I didn't pay attention right away that a descendant of PaintBox. PaintBox does not redraw itself, does not save the picture, you need to draw in the OnPaint handler

Svyatoslav © (2006-02-15 18:19)

> you need to draw in the OnPaint handler

Tried, bolt! Everything is much worse, in OnPaint you can only draw, the old drawing does not save if it was drawn in OnPaint, but if the drawing is the result of the work of the program? It is necessary to draw either on two canvases or save the BitMap when the focus leaves the drawing
Maybe it is worth changing the ancestor?

MBo © (2006-02-15 19:03)

>in OnPaint you can only draw
This is what PaintBox is intended for - a lightweight component without saving the picture, just a place allocated for drawing.
TImage saves the image

zep (2006-02-16 00:11)

try to take the ancestor custom panel and in Ppotected redefine the procedure Paint like this
procedure Pain; override;
and then in the program draw in it what you want
procedure My_comp.Paint;
begin
end;

if it blinks strongly, first draw on the canvas of the TBitmap and at the end copy the components to the canvas

Svyatoslav © (2006-02-16 16:53)

Thanks everyone, it worked :)
But now there is a new bug, if TImage is an ancestor then resizing of the image does not take effect!!! In the design, I stretched it as I needed, but in the wound, the value of the height and width properties remained the starting ones !!!

MBo © (2006-02-16 16:57)

Resize Picture.Bitmap

zep (2006-02-20 21:02)

news with image change
Image1.w:=88;
Image1.h:=77;
assign and
Image1.Picture.Bitmap.w:=88;
Image1.Picture.Bitmap.h:=77;
but you chose Image in vain, it blinks like an infection and there is nothing you can do with it
I had to at least follow from PaintBox and draw in the OnPaint event on a virtual bitmap and then throw Draw on the canvas.

Forum: "Components";
Search throughout the site: www.delphimaster.net;
Current archive: 2006.10.01;

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the main / Decorating rooms during renovation / Information necessary for painting / Ways to increase and decrease drawings and transfer them to the plane of ceilings and walls

Ways to increase and decrease drawings and transfer them to the plane of ceilings and walls

The painter-alfreischik has to work not only on ready-made stencils, but also draw up stencil drawings himself, selecting them from albums, books and handicraft samples that are available in each local history museum. Often selected drawings have to be enlarged or reduced. How to do this should be known to every painter.

The drawing is transferred from the original onto paper or stencil cardboard through carbon paper or, better, using tracing paper. This method saves the book and makes it possible to clean up the translated drawing, which is difficult to do when using carbon paper.

It is good to copy ornaments with a lamp and glass placed on two supports. The lamp is placed below, under the glass, the drawing is placed on the glass, and paper is superimposed on top of it, on which the lines of the ornament are applied with a pencil.

Increasing the pattern of the ornament by cells

The smallest drawing can be enlarged to any size by cells. Do it in the following way. The drawing is easily lined with a pencil into identical cells so that a kind of grid is obtained on it. Then, on a sheet of paper equal in size to the enlarged drawing, cells are also marked and lined, in the same quantity as in the figure, but on a larger scale. For convenience, cells are numbered. A copy of the lines of the drawing is transferred to large cells.

It must be remembered that the smaller the cells in the figure were marked, the more correct the increase will be.

Enlargement and reduction of drawings can be done using a camera and a special device - a pantograph.

Installation for enlarging the pattern of the ornament

From the apparatus "Photokor" or its lens, an installation is made for magnification, as shown in the figure. The pattern of the ornament is placed on the floor and covered with glass on top. A magnifying unit made of tin is placed on the glass, with the lens up.

The electric lamps L-1 and L-2, located in the installation, are turned on, and the light projection of the ornament pattern is aimed at a large mirror glass located above the lens. Having received a sharp image, an ornament is drawn on the tracing paper, i.e.

Types of image transfer to the wall

The resulting image is transferred to paper placed on glass. The magnification depends on how far the mirror glass is from the camera lens.

Using a magic lantern, or an epidiascope, you can also enlarge the drawing. The image of the picture is transferred to the plane of paper or to the wall. With this method of enlargement, the painter-alfreischik must have drawing skills.

With a pantograph, drawings are enlarged and reduced easily, quickly, purely mechanically and quite accurately. This device is of ancient origin, but for some reason it is not very common and is not commercially available. You can make your own pantograph.

To do this, you need to have four wooden rulers of the same length, width and thickness and evenly planed, preferably narrow and thin. At the same distance from the ends of each ruler, holes are drilled or punched with a hot nail to fasten the rulers together. On three rulers, holes are made at certain distances.

To enlarge the picture in	With the length of the ruler, holes are made from the end (in cm1)
	100	80	60	40	30
1.5 times	33,33	26,66	20,00	13,33	10,00
2 times	50,00	40,00	30,00	20,00	15,00
3 times	66,66	53,22	40,00	26,67	20,00
4 times	75,00	60,00	45,00	30,00	22,50
Five times	80,00	64,00	48,00	32,00	24,00
6 times	83,34	66,67	50,60	33,33	25,00
7 times	85,32	68,57	51,43	34,28	25,71
8 times	87,63	70,00	52,50	35,00	26,20
9 times	88,89	71,23	53,34	35,61	26,67
10 times	90,00	72,00	54,00	36,00	27,00

Pantograph

Let's say that we need to increase the figure by 2 times. Let's assemble the pantograph as shown in the figure, i.e. we will fix sockets G and O in the holes with the sign 2. Having strengthened the pattern under socket A with buttons, we put a sheet of clean paper under socket K.

If a right hand hold needle A and circle the contours of the drawing with it alternately, then the pencil K, installed in the nest, will draw exactly the same drawing on paper, but doubled. If the original is very large and does not fit into the device, then it is drawn in parts, which are then glued together.

If it is required to reduce the pattern, then the pencil is moved to slot A, and the needle to slot K, and the original of the pattern to be reduced is placed under it.

"Refurbishment of rooms during renovation",
N.P.Krasnov

Drawing ceilings and walls

The basis for applying the painting is the completely finished painting of the surfaces of walls, ceilings and other structures; the painting is done on high-quality glue and oil paints, made for trimming or fluting. Starting to develop a sketch of the finish, the master must clearly imagine the whole composition in a domestic environment and clearly realize the creative idea. Only if this basic condition is observed can one correctly ...

Measurement of work performed

The measurement of the work performed, except in special cases, is made according to the area of ​​the actually processed surface, taking into account its topography and minus the untreated areas. To determine the really processed surfaces during painting work, you should use the conversion factors given in the tables. A. Wooden window devices (measured by the area of ​​​​openings along the outer contour of the boxes) Device name Coefficient for ...

Geometric constructions

We have already said that in order to perform certain types of painting work, you must be able to draw. And the ability to draw, in turn, requires knowledge of the rules of construction geometric shapes. Sketches on paper are drawn with the help of triangles, T-series, transport pa and a compass, and on the plane of walls and ceilings, constructions are carried out using weights, a ruler, a wooden compass and a cord. At the same time, you need…

Right angle

A right angle, that is, equal to 90 °, is formed by two mutually perpendicular lines. The perpendicular is constructed as follows. Lower the perpendicular. From a given point C (lying outside the straight line), as from a center, we describe an arc with an arbitrary radius so that it intersects a given line at two points D and E from these points, as from centers, we describe arcs with the same radii so that they ...

Constructing an angle equal to a given one and parallel lines

Construction of an angle equal to a given angle An angle equal to a given one is constructed as follows. From the vertex A of a given angle with an arbitrary radius, we draw an arc with the same radius from a point D on a given straight line, we describe the arc EF; we postpone the value of the arc BC along the arc EF to the point F and draw DE. The angle EDF is the required one. Constructing an angle equal to a given Parallel lines Lines,…

Elements in the interior made of wood make it more elegant and attractive. This decor can be done by hand. The simplest option would be a wooden board with a pattern that is applied to the surface in accordance with a certain technique. To make the product correctly and beautifully, you need to know exactly how to transfer the pattern to the tree in several ways.

How to decorate a tree with a drawing

There are several techniques in which a pattern can be projected onto a wooden surface. In each situation, you should know exactly how to transfer the drawing to the tree:

• Burning with a special device. The drawing is clear and embossed. The contours are noticeably limited, you can create the effect of a shadow or shadow transition.
• Decoupage is the most popular and simple drawing technique. As a result, the image can turn out to be color or black and white, the drawing can be of any complexity.
• Wood carving requires a sketch, which is projected onto the surface in several ways: using carbon paper, redrawing, embossing with sharp tools.

You can partially combine several techniques in one work. This is possible, provided that the person has artistic talent, which will help to abstractly present the result of the work.

Wood surface preparation

Before transferring the drawing to the tree at home, it is worth preparing the surface correctly. Both the process of work and the result depend on the quality of the wooden base. The service life is also directly determined by the quality of the preparation of the tree.

Wood surface preparation:

1. Choose the right tree. It is best to work with pressed plywood sheets, chipboard and other analogues, but natural material is quite suitable.
2. Decide on the parameters and shape of the wooden base. Immediately get rid of excess parts, sand the edges.
3. The surface itself should be smooth and even. To do this, use a grinder, and process hard-to-reach places sandpaper or a file.
4. Only then is a sketch of the image itself prepared for transfer.

Thus, the preparation consists of three simple steps that even a child can do.

on wood

In order for the burning procedure to be carried out quickly and efficiently, it is necessary that the pattern on the surface of the wood be as accurate and of high quality as possible. To transfer the image to the surface, several methods are used. The most popular option is transfer by carbon copy.

How to transfer a drawing to a tree for burning using a carbon paper:

1. You need to take a sheet of paper. It is advisable to use paper that has been used more than once.
2. Lay the carbon paper with the ink side against the wooden surface. Lay out a sheet with a pattern on top and secure the structure with tape or electrical tape.
3. Trace the lines with a graphite pencil. You need to work carefully, limiting the interaction of hands with paper as much as possible.
4. After completing the stroke of the lines, remove the layers of paper. The drawing for burning is ready.

This method is very reliable, but requires special care in execution. During the translation process, traces of carbon paper may remain, which are almost impossible to clean from the surface of the tree.

Drawing without carbon paper

In order to learn how to transfer a drawing to a tree without carbon paper, you can use several methods. Each differs in a set of tools and materials, but is simple in terms of implementation.

Image transfer methods:

1. Graphite print. Take a simple pencil with a soft core and trace the outlines of the drawing on paper. Rotate the image to the wooden base and quickly press without shifting. In order for the graphite to be imprinted with high quality, it is possible to draw a hard roller or a plastic strip over the paper.
2. Thermal transfer. First you need to pick up an image taken on the right device. With the help of thermal exposure, a photocopy or printout made on a powder printer is printed. Attach the back side to the wooden base and heat the paper with an iron.
3. Reprinted with white spirit. The picture must be printed on a laser printer or copier. Attach the sheet with a pattern to the tree and wipe it with white spirit. On a cotton pad, it is worth applying a little means so that the paper does not become limp.

There are other options, but the implementation principle is much more complicated and requires more time and money.

Preparing wood for carving

To form an image on a board or plywood, you need to know just a few basic rules. If the work is done incorrectly, the carving process can become much more complicated.

How to transfer a drawing to a tree for carving in order to comply with all the rules:

1. Draw a grid on the surface of transparent paper. The size of the cage will depend on the required size of the pattern.
2. If you need to create an ornament, then put part of the image on tracing paper and fold the sheet in half. Circle the image on the second half of the tracing paper with a pencil.
3. The symmetry of the pattern can be given through the use of carbon paper.

The method of transferring an ornament or image can be used from the options presented above. The main thing is to lay the sheet with the applied ornament so that the direction of the pattern coincides with the location of the fibers.

Decoupage technique - a simple option for transferring an image

Often, not only the manufacture of interesting decorations for the interior with an image on a tree is required, but also a more practical application of technology. Knowing how to transfer a drawing to a tree, you can restore old furniture, make a wooden element design.

To implement such ideas, decoupage technique is used. The principle of such work is simple and does not require special skills, the presence of unusual materials or tools.

How to transfer a drawing to a tree using PVA glue using the simplest algorithm:

1. The prepared surface must be coated with PVA glue. The layer should not be too thick. Strokes should be smooth and uniform.
2. Lay the pattern on the surface of the tree and gently straighten the paper sheet. It is necessary to expel the air and position the edges of the cellulose base.
3. From above, once again smear the image with a thin layer of PVA. Wait for everything to dry and duplicate the layer again.

Further processing is chosen according to the preferences of the "creator".

Additional finishing

After transferring the pattern to the tree and performing a secondary surface treatment, it is worth considering options for further surface treatment.

There are several options:

1. Varnish.
2. Paint.
3. Prime.
4. Leave the product untreated.
5. Laminate.

Additional decoration can include the manufacture of stands, frames, pendants for the finished product. Here you can show imagination and skills.

Very often we face the question - how to transfer a drawing to paper? The question is very important, because the quality of the translated image depends on the entire further work. You have found a wonderful drawing in a book or magazine, or maybe you have a beautiful embroidery in front of you that you want to repeat - the topic of transferring a drawing to paper is for you!

We are faced with the task of transferring a clear, neat drawing from a sample drawing onto paper, which will then be transferred to another surface: fabric, leather, cardboard, paper, wood or plywood. In some cases, this drawing will itself be the basis for the work, for example, as a coloring book for children.

Let's take a look at several options for transferring a drawing to paper.

OPTION 1.

Let's start with the most interesting and rather old method, which has been used by several generations of craftsmen in their work. He enjoyed special respect among students, during whose time the technique for printing drawings and texts was not yet so accessible. Lots of neat coursework and theses have been through GLASSING and were successfully defended.

In order for you to be able to transfer any drawing to paper using glazing, you need a table lamp, two chairs and glass of any size. That's all - you have a reliable manual copying "equipment" under your leadership! Let's look at what to do now and how to transfer a drawing to paper using glazing.

We put on the glass (approximately above the lamp) a sample from which we will reshoot the drawing.

We put a blank sheet of paper on this sample.

Sufficiently bright light of a table lamp allows you to clearly see the pattern through all layers of paper. We take a pencil and circle all the lines of the bottom drawing on the top blank sheet of paper.

In the event that you do not want pencil pressure damage on the bottom sheet, then trace the lines with light pressure. Then, turning off the lamp, take a pencil and trace the lines more clearly.

The work is finished, the patterns are transferred to a new sheet of paper. In this way, you can take pictures not only from a simple sheet, but also from any book and magazine.

Glazing is a great way to transfer a pattern onto paper!

Interestingly, the bright light of the lamp also breaks through the fabric, so you can reshoot the pattern from embroidered products. This is done in the same way as when working with paper.

The napkin lies on the glass above the lamp. A blank sheet of paper is superimposed on top and the entire pattern is circled in pencil. Keep in mind that the embroidery is slightly convex and the top clean sheet of paper will not lie tightly on the napkin.

The drawings translated by the glazing method are distinguished by accuracy. You can start work periodically, giving yourself time to rest, because the drawing lies in place without moving. This method is good for any drawings of any complexity.

OPTION 2.

If the drawing is small in size, then it can be transferred to paper on a regular WINDOW GLASS . Besides, there are moments when there is no opportunity and place to make a structure with glass, chairs and a lamp.

To prevent the bottom sample from moving, secure it to a blank sheet of paper with paper clips. A significant drawback when working - very quickly hands get tired.

OPTION 3.

Usage COPY PAPER for the translation of the picture is widely known. For work you need: a sample drawing, carbon paper, blank paper, a pencil or pen.

All this is stacked in this way - first a blank sheet, then a carbon paper with the ink side down, a sample of the drawing is placed on top. Staples are needed so that nothing moves during work.

With a pencil with pressure, all the lines of the drawing are circled, which remain on the bottom sheet of paper.

After finishing work, we remove the carbon paper - the drawing is completely printed on a sheet of paper.

There are several disadvantages of transferring a drawing through a carbon paper - the sample quickly wears out due to the frequent outline with a pencil, the work is sloppy, this method is suitable for relatively small drawings.

OPTION 4.

In some cases, you can transfer the drawing directly to a thin cigarette paper or more dense tracing paper.

This translucent paper is superimposed on a reference drawing, the outlines of which are outlined with a pencil or pen.

That's all. A lot has been written, but each of these options for transferring a drawing to paper needs to be known. The work of needlewomen is quite diverse - you don’t know when what knowledge will come in handy.

Let's sum up our manual" ways of translating a picture. So this is:

• glazing over a table lamp,
• window glazing,
• using copy paper
• using tracing paper or tissue paper.

But! .. Modernity makes its own adjustments to the work of craftsmen. Desired drawing if desired, you can already find it on the Internet. And the pattern you likescan in and in electronic format print on a printer.As a result, you will have a ready-to-work drawing on paper in your hands.Due to the fact that there is no manual drawing, time is significantly saved and after printing, you can proceed directly to work.

If you have a photocopier nearby, then a sample drawing can be shot on it, if necessary, increasing or decreasing it in size. The person servicing this device knows its additional functions. You just say how many percent you would like to change the image.

So, the modern way of translating a picture is as follows:

• scan images from books and magazines and print,
• find the finished picture in electronic form and print,
• use photocopier to copy, printing and resizing the picture.

Copying, printing a picture of any format and color is made on modern technology within minutes. The print quality is wonderful.

But think about it, if so far many masters with a simple pencil transfer drawings to paper themselves, then this manual method is not so bad ... Time-tested!

Thank you and see you on the pages!

HOW TO GET THE BEST RESULTS WITH FAST IMAGE TRANSFER

In this video, we'll walk you through some of the finer points of the job and give you some tips to help you get the best results when transferring images from paper to another surface.

IMAGES PRINTED WITH TONER TRANSFER BETTER

Images can be printed with different devices. It is possible to print an image with an inkjet printer, however, their instability to water greatly complicates this process and, with a high degree of probability, can lead to the fact that the image will turn out to be blurry (as you can see, when distilled water is applied to the image, its quality deteriorates significantly).

It is best to use standard laser printers or copiers for this purpose. Most copiers use standard 75gsm office paper - this will work for us.

USE FLUID MEDIUMS

It is best to use the following Golden Acrylics mediums:

Do not use thicker gels because they absorb less and are much more difficult to spread evenly over the surface.

CALCULATE THE REQUIRED Amount OF MEDIUM WITH THE MEASURING CONTAINER

By measuring the medium with the help of a measuring container, you will reduce the consumption of material, while at the same time ensuring the necessary degree of adherence of the pattern to the surface.

The capacity of such a container is about 30 ml of the composition, and depending on the texture and absorbency of the canvas, it can cover about 930 cm 2 of the canvas.

CUT THE EXTRA EDGE OF THE IMAGE

Thus, you will spend less time rolling up unnecessary paper, which will also give your work a neater look.

APPLY QUICKLY BUT EVENLY

Pour the medium onto the center of the canvas, and then spread with a brush. Work quickly but evenly. It is extremely important to form the most uniform coating on the canvas, especially at the edges. This will ensure tight adhesion and in the future - the same drying time of the canvas over the entire surface. Cover both surfaces with the composition and connect.

A CUT OF POLYETHYLENE FILM ACCORDING TO THE SIZE OF THE SHEETS WILL HELP YOU TO GLUE THE SURFACES TOGETHER WELL

Lay it on top of the paper. The spatula will glide much better on the film than on wet paper, and excess medium will not fall on the top layer of the pattern.

Using a rubber roller, spatula, or any other hard plastic applicator with a smooth edge, smooth the surface, displacing air and excess medium composition. Movement is always from the center - to the edges. Apply a good amount of pressure to ensure sufficient contact between the pattern and the surface.

You need to tightly connect both surfaces together.

WAIT UNTIL THE PAPER IS DRY AND BECOME OPAQUE BEFORE CHECKING THE CORNER OF THE PICTURE

Check the corner. If the pattern is still peeling off with the paper, press it back in and wait some more. After the pattern stops showing through on the paper, you can begin to remove the layer of paper. Grasp the corner and slowly and gently pull it towards the center. You should see that most of the paper comes off, leaving the design on the canvas.

AFTER YOU HAVE REMOVED THE INITIAL LAYER OF PAPER, WAIT 1-2 MINUTES BEFORE RUNNING THE REMAINING PAPER

Excess paper on the canvas can be rubbed off with your fingers, and to reduce the load on the fingertips, you can experiment with pieces of fabric of different textures. Continue skimming paper fibers all over the surface of the design. Do not rub too long at one point of the image, because. the acrylic layer is still fresh enough to rub off with the paper. When you see that almost the entire layer of paper has been removed, stop rubbing and let the canvas dry.

ALLOW THE FABRIC TIME TO DRY AND THEN CHECK FOR PAPER RESIDUE

On a dry surface, the remaining paper fibers will be clearly visible. Lightly re-wet the surface and lightly remove any remaining paper. But do not overdo it so as not to damage the surface of the picture.

SMALL REMAINS OF PAPER FIBER WILL BECOME TRANSPARENT WITH THE HELP OF THE MEDIUM

To achieve the highest purity of the transferred image, carefully apply the acrylic composition to the drawing. The drawing can also be corrected or supplemented in every possible way using acrylic paints. We also recommend using an acrylic varnish with a UV filter to increase the durability of the designs.

HOW TO TRANSFER AN IMAGE TO A TEXTURE SURFACE

This technique will help you transfer the image to an uneven surface.

USE A FOAM ROLLER WHEN GLUING TWO SURFACES

For such surfaces, a foam roller is much better than a hard spatula. The soft bolster can adapt to the contours of the surface and provide the best fit.

Lay the design, moistened with the medium, on an uneven surface and carefully roll it with a foam roller.

Tight enough, but delicate, so as not to tear the pattern. After removing the layer of paper, the drawing will remain on the surface, perfectly repeating its uneven texture.

We hope our tips will help you use the image transfer technique in your work.