Stieglitz State Industrial Art Academy. Mukha Art and Industry Academy

Museum of Baron A. L. Stieglitz On the territory of the former Salt Town in 1885-1895. the museum building was erected. The building was designed by the first director of the museum arch. R.A. Messmacher. By the time the museum opened, it had over 15,000 works. applied arts. After the revolution, the collection was transferred to the Hermitage. CENTRAL SCHOOL OF TECHNICAL DRAWING Baron A. L. Stieglitz (Salt per., 13-15) Art and Industry Academy. Stieglitz is one of the most famous art universities not only in Russia, but also in Europe and the world. The history of the academy begins in 1876, when, according to the rescript of Alexander II, the central school of technical drawing was founded with funds donated by the banker and industrialist Baron Alexander Ludwigovich Stieglitz (1814 - 1884). The history of the school before the revolution is the history of the intensive development and formation of the school . Founded Jan. 1876 (opened 11/12/1879) together with the initial one. school of drawing, drawing and modeling on the initiative and at the expense of Baron A. L. Stieglitz. The school existed on a percentage of the capital bequeathed to them in 1884 (approx. 7 million rubles) and trained artists of decorative and applied arts for industry, as well as teachers of drawing and drafting for secondary artistic and industrial schools. The school became known as the Central (CUTR) after its creation in the 1890s. branches in Narva, Saratov, Yaroslavl. After October 1917, the school was transformed several times. In 1918, the school was reorganized into the Petrograd State Art and Industrial Workshops, which in 1922 were transformed into a school for architectural decoration of buildings under the city Executive Committee. Closed in 1924. In 1943-45, on the basis of the CUTR, the Khudozh.-Prom. school (now the Art and Industry Academy). Ch. the building of the school was built in 1878-81 (architect R. A. Gedike and A. I. Krakau) and built on the 5th floor (1886, architect Messmacher). The adjacent museum building was built in 1885-96 according to the design of Messmacher (since 1945 the Museum of Decorative and Applied Art). University - Leningrad Higher School of Industrial Art. Since 1953, LVHPU has been named after the People's Artist of the USSR Vera Ignatievna Mukhina. In 1994, LVHPU named after. VI Mukhina was renamed the St. Petersburg State Academy of Art and Industry. In December 2006, the Academy was named after Alexander Ludwigovich Stieglitz. The new name of the academy is St. Petersburg State Academy of Art and Industry named after A.L. Stieglitz (SPGHPA named after A.L. Stieglitz).

St. Petersburg. Museum of Applied Arts of the St. Petersburg State Academy of Art and Industry named after V.I. A. L. Stieglitz

Museum of Art and Industry Academy. A.L. Stieglitz has always been in the center cultural life Petersburg. Its unique museum collection is distinguished by the great variety and high artistic level of its exhibits. Today, the museum's funds include about thirty thousand objects of applied art from antiquity to the present day. This is an extensive collection of Western European porcelain and Eastern ceramics, furniture of the 16th-19th centuries, a collection of Russian tiled stoves of the 18th century, artistic metal and fabrics, as well as the best student works over the past half century, reflecting all areas of Soviet arts and crafts.

In fourteen halls located on the ground floor, you can see more than 1300 works of arts and crafts and artistic crafts from the 9th century BC. until the beginning of the twentieth century. An exhibition of Dutch and French cabinets of the 16th-19th centuries has been launched in the Italian gallery; Italian and Spanish majolica, French and English faience, German “Steinguts” (clay stone products) and “jasper masses” by J. Wedgwood, Meissen and Berlin porcelain - all this can be seen in the museum today.

Ancient Russian stoves were collected all over Russia especially for the museum.

Interiors of the Stieglitz Artistic and Industrial Academy.Furniture carved from stone.

Halls of the Academy. Big showroom- This is a two-story hall, reminiscent of the courtyard of an Italian palazzo, originally intended for student and faculty exhibitions. It was the largest not only in the museum, but in all of St. Petersburg. Along the perimeter, the hall is surrounded by a spectacular two-tier gallery, which creates best conditions to review exposure. This arcade serves as a support for a double glass ceiling (originally, the inner dome was stained glass, and a greenhouse was located in the space between the domes). By analogy with the facade of the building, the hall is decorated with a frieze with sculptural portraits of artists, architects and sculptors. The arcades of the second tier are separated by powerful pylons decorated with four columns. Half-arches of a two-flight marble staircase lead to the gallery of the second floor. At the top of the stairs at Messmacher there is a marble statue of Baron A.L. Stieglitz, the work of M.M., sitting in an armchair. Antokolsky. IN Soviet time the monument was removed. But the sculpture survived, and in June 2011 it was returned to its historical place (photo source:). Since 2002 around the perimeter Great Hall a plaster copy of the large frieze of the Pergamon Altar (180-160 BC) donated by the Hermitage is located.

Furniture set for the living room in the style of the "third rococo". FROM THE PALACE OF Countess E.V. SHUVALOVA. France, Paris, 1890s. Birch, carving, French enamel, gesso, gilding, embroidery, metal, bone.

In 1876, by decree of Alexander II, the Central School of Technical Drawing was founded with funds donated by the banker and industrialist Baron Alexander Ludwigovich Stieglitz. The school existed on a percentage of the capital bequeathed by A. L. Stieglitz in 1884 and trained artists of decorative and applied arts for industry, as well as teachers of drawing and drawing for secondary art and industrial schools. January 1898 - S. P. Diaghilev organizes the Exhibition of Russian and Finnish Artists, in which Finnish artists V. Blomsted, A. Gallen-Kallela and others participate along with A. N. Benois and M. A. Vrubel. The school became known as the Central School after creation in the 1890s of branches in Narva, Saratov, Yaroslavl. The first director was from 1879 to 1896 - the architect Maximilian Egorovich Messmacher. In 1892, 200 people studied at the CUTR; there were departments: general art, majolica, decorative painting and carving, embossing, woodcuts and etching, porcelain painting, weaving and printing. Over the years, the teachers of the CUTR were: A. D. Kivshenko, M. K. Klodt, A. T. Matveev, V. V. Mate, A. I. von Gauguin, N. A. Koshelev, A. A. Rylov. After October 1917, the school was transformed several times. In 1918, the school was named the State Art and Industrial Workshops. In 1922, the school, with the museum and library attached to it, merged into the Petrograd VKHUTEIN, and in 1924, ceased to exist as an independent educational institution. In 1945, by decision of the government, the school was recreated as a multidisciplinary educational institution that trained artists of monumental, decorative, applied and industrial art. In 1948, it became a higher educational institution - the Higher Art and Industrial School. In 1953, the Leningrad Higher School of Industrial Art, by order of the Soviet government, was named after People's Artist USSR, Member of the Academy of Arts of the USSR - Vera Ignatievna Mukhina, who made a great contribution to the creation of monumental and decorative art of the USSR. In 1994, LVHPU them. V. I. Mukhina was transformed into the St. Petersburg State Academy of Art and Industry. December 27, 2006 the Academy was named after A. L. Stieglitz. The new name of the academy is St. Petersburg State Academy of Art and Industry named after A. L. Stieglitz.

Saint Petersburg State

ARTISTIC AND INDUSTRIAL
ACADEMY them. A.L. STIEGLITZ

191028, St. Petersburg, Solyanoy per., 13
Phones: 273-38-04; 273-26-98
Fax 272-84-46
Preparatory courses 273-50-83
Underground " Gostiny Dvor"
Buses: 14, 25, 46, 134
Trams: 2, 3, 12, 17, 19, 20, 25, 34
Trolleybuses: 3, 8, 15, 19

Academy founded in 1876
Training of specialists is carried out at three faculties.

FACULTY OF DESIGN.

SPECIALIZATIONS: design, software design, environmental design, information design, graphic design.

FACULTY OF MONUMENTAL ART.

SPECIALIZATIONS: interiors and equipment, monumental and decorative painting, restoration.

FACULTY OF APPLIED ARTS

SPECIALIZATIONS: art ceramics and glass, art textiles, art metal processing, fashion design, book graphics, art history.

TERM AND FORM OF TRAINING

The term of study is 6 years (in the specialty History and Theory visual arts- 5 years). Form of education - full-time, full-time.

CONDITIONS OF RECEPTION

Applicants submit the following documents to the admission committee: an application addressed to the rector, 6 photographs (3x4 cm), a medical certificate (form 086 - Y), a certificate of secondary education in the original, a passport and a military ID or registration certificate are presented in person.
Together with the documents, they submit homework in drawing and painting (head, figure, still life), no more than 8 works from nature in an envelope. Applicants in the specialty of Architectural and Decorative Plastics present homework in drawing and photography of sculptural works in the same amount.
Selection committee has the right not to admit to exams persons who have submitted works indicating insufficient artistic training, as well as applicants who, during the interview, have revealed a lack of professional data in their chosen specialty or documents that do not correspond to the established form.

ENTRANCE EXAMS

Three special exams:
composition - 6 hours (at least 2 tasks);
drawing-12 hours (1-2 tasks)
painting-12 hours (1 task)

One general education exam:
Russian language and literature - composition

EXAM TOPICS FOR DRAWING:

1. Still life from household items.
2. Drapery
3. Architectural detail
4. Antique draped vase.
5. The head is plaster.
6. The head is alive.
7. Plaster figure (standing).
8. Nude figure (standing).
9. Sketching a naked figure.
At the department of art history they pass:
1. The history of the fatherland.
2. Russian language and literature - essay.
3. Foreign language.

ATTENTION!

ENTRANCE EXAMS

NON-RESIDENTS ARE PROVIDED WITH A HOSTEL.

St. Petersburg State Academy of Art and Industry named after A. L. Stieglitz- higher art educational institution, located in St. Petersburg.

The main building of the academy is located in a building designed by the first director of this educational institution, the architect M. E. Mesmacher.

From 1953 to 1994 the institute was called Leningrad Higher School of Industrial Art named after V. I. Mukhina, which is why it is often referred to in the media as " Mukhinsky school", or simply " Fly».

History

In 1873, the "Regulations on drawing schools and classes in the provinces" were approved. Many craft schools carried out production orders for projects famous artists, mainly in the "Russian style".

In 1876, wishing to promote the training of specialists for the art industry in Russia, the financier and textile manufacturer Alexander Ludwigovich Stieglitz (1814-1884) donated one million rubles to the creation of the School of Technical Drawing in St. Petersburg. In 1878-1881. in the Salt Town, a special building was erected according to the project of architects R. A. Gedike and A. I. Krakau. On the second floor of the Central School of Technical Drawing of Baron Stieglitz, solemnly opened on December 29, 1881, a small educational museum and a library. Stieglitz was persuaded to create a museum at the School by the outstanding philanthropist Alexander Alexandrovich Polovtsov (1832-1909). Member of the State Council, Secretary of State, initiator of the creation in Russia of the "Russian historical society"(1866), publisher of the famous "Russian biographical dictionary", Polovtsov, married to the adopted daughter of Baron Stieglitz, in 1891-1909 was chairman of the School Council, acquired works of art, rare books, engravings at his own expense. Works of art were donated to the museum by Prince S. S. Gagarin, collector M. P Botkin, Princes N. S. Trubetskoy, A. B. Lobanov-Rostovsky, Count A. V. Bobrinsky and many others. pottery discovered by him during the excavations of the Hisarlyk hill in Asia Minor.

In 1885-1896. the new building of the museum was erected according to his project by Maximilian Egorovich Messmacher (1842-1906). Earlier, from 1874, Mesmacher taught at the Drawing School of the Society for the Encouragement of the Arts. Architect, draftsman, watercolorist, Messmacher Special attention, according to the worldview of the period of Historicism, devoted to the study of the "history of styles", which he taught at the Stieglitz School along with decorative drawing and watercolor. From 1879 he was the director of the School. Taking as a basis the Venetian architecture of J. Sansovino and the Basilica in Vicenza by A. Palladio (see vol. 2, fig. 598), Messmacher created a huge exhibition hall with overhead light, the rest of the halls he designed in "historical styles": the Medici Hall, the Heinrich Hall II, Henry IV Room, Flemish Room, Louis XIII Room, Room Louis XIV, Tiepolo Hall... For each hall, appropriate subjects were selected for students to study. The principle of exposition "according to styles" and the architectural stylization of interiors were known in Europe at that time and were a visible embodiment of the ideology of Historicism. Mesmacher, with his inherent pedantry and attention to detail, brought this principle to the absolute.

In 1885-1886. Polovtsov made trips abroad to acquire new art objects. In the museum of the School, as a result of this activity, a unique collection tapestries, Italian majolica, Limoges enamels, Sevres, Chinese and Japanese porcelain, galvanocopies from precious metal products, ornamental engravings. By the end of 1913, the collection included about 21 thousand exhibits. In the halls of the museum, classes were held on the history of styles and ornaments, the students copied the exhibits in pen drawings, watercolors and ink washing.

The training program was based on the experience of the Stroganov School in Moscow and art and industrial schools in France, England, Germany. The main subject was drawing, which was divided into "general" and "special". After two classes of general artistic training, the students moved on to special ones: a class of drawing with a pen and ink wash, "shooting art and industrial objects" (meaning graphic copying), "a class of drawing from natural flowers." The general drawing course also ended with special sections: drawing "multicolor ornaments with relief", "composition of ornaments", engraving and lithography.

The system of education at the Stieglitz School was not progressive, moreover, in comparison with advanced schools Western Europe, the pedagogical system of G. Semper and H. Cole, and even the Drawing School of the Society for the Encouragement of Arts, it was "yesterday", a conservative educational institution "in the German way" (Germans dominated among teachers, immigrants from the Baltic States and Finland dominated among students). Nevertheless, the activities of the School, and above all M.E. Messmacher, had great value for the development of the "art industry" in Russia.

School of technical drawing

School of Artistic Culture of Latvia

From the first years of creation Central School of Technical Drawing, this educational institution has become very popular among the youth of Latvia who want to get.

IN CUTR about 130 ethnic Latvian students were educated. Some of them later became teachers of this school, among them: Gustav Shkilter - a specialist decorative finishes buildings (1905-1918), Karl Brentzen - taught the artistic processing of glass and stained glass (1907-1920), Yakov Belzen - a teacher in drawing and painting (1905-1917), Julius Jaunkalnynsh - in porcelain painting (1896-1918).

Masters of art, who were educated at the Central School of Technical Drawing, subsequently laid the foundation for the artistic culture of Latvia and became the creators of art education Latvian Soviet Socialist Republic:

State art and industrial workshops

LVHPU named after V. I. Mukhina

Academy of Art and Industry

In LVHPU them. V. I. Mukhina was transformed into the St. Petersburg State Academy of Art and Industry.

The university has 1500 students and 220 teachers.

Museum of Baron A. L. Stieglitz On the territory of the former Salt Town in 1885-1895. the museum building was erected. The building was designed by the first director of the museum arch. R.A. Messmacher. By the time the museum opened, it contained over 15,000 works of applied art. After the revolution, the collection was transferred to the Hermitage. CENTRAL SCHOOL OF TECHNICAL DRAWING Baron A. L. Stieglitz (Salt per., 13-15) Art and Industry Academy. Stieglitz is one of the most famous art universities not only in Russia, but also in Europe and the world. The history of the academy begins in 1876, when, according to the rescript of Alexander II, the central school of technical drawing was founded with funds donated by the banker and industrialist Baron Alexander Ludwigovich Stieglitz (1814 - 1884). The history of the school before the revolution is the history of the intensive development and formation of the school . Founded Jan. 1876 (opened 11/12/1879) together with the initial one. school of drawing, drawing and modeling on the initiative and at the expense of Baron A. L. Stieglitz. The school existed on a percentage of the capital bequeathed to them in 1884 (approx. 7 million rubles) and trained artists of decorative and applied arts for industry, as well as teachers of drawing and drafting for secondary artistic and industrial schools. The school became known as the Central (CUTR) after its creation in the 1890s. branches in Narva, Saratov, Yaroslavl. After October 1917, the school was transformed several times. In 1918, the school was reorganized into the Petrograd State Art and Industrial Workshops, which in 1922 were transformed into a school for architectural decoration of buildings under the city Executive Committee. Closed in 1924. In 1943-45, on the basis of the CUTR, the Khudozh.-Prom. school (now the Art and Industry Academy). Ch. the building of the school was built in 1878-81 (architect R. A. Gedike and A. I. Krakau) and built on the 5th floor (1886, architect Messmacher). The adjacent museum building was built in 1885-96 according to the design of Messmacher (since 1945 the Museum of Decorative and Applied Art). University - Leningrad Higher School of Industrial Art. Since 1953, LVHPU has been named after the People's Artist of the USSR Vera Ignatievna Mukhina. In 1994, LVHPU named after. V.I. Mukhina was renamed into the St. Petersburg State Academy of Art and Industry. In December 2006, the Academy was named after Alexander Ludwigovich Stieglitz. The new name of the academy is St. Petersburg State Academy of Art and Industry named after A.L. Stieglitz (SPGHPA named after A.L. Stieglitz).

St. Petersburg. Museum of Applied Arts of the St. Petersburg State Academy of Art and Industry named after V.I. A. L. Stieglitz

Museum of Art and Industry Academy. A.L. Stieglitz has always been at the center of the cultural life of St. Petersburg. Its unique museum collection is distinguished by the great variety and high artistic level of its exhibits. Today, the museum's funds include about thirty thousand objects of applied art from antiquity to the present day. This is an extensive collection of Western European porcelain and Eastern ceramics, furniture of the 16th-19th centuries, a collection of Russian tiled stoves of the 18th century, artistic metal and fabrics, as well as the best student works over the past half century, reflecting all areas of Soviet arts and crafts.

Ancient Russian stoves were collected all over Russia especially for the museum.

Interiors of the Stieglitz Artistic and Industrial Academy.Furniture carved from stone.

Halls of the Academy. The Grand Exhibition Hall is a two-story hall, reminiscent of the courtyard of an Italian palazzo, originally intended for student and faculty exhibitions. It was the largest not only in the museum, but in all of St. Petersburg. Along the perimeter, the hall is surrounded by a spectacular two-tier gallery, which creates the best conditions for viewing the exposition. This arcade serves as a support for a double glass ceiling (originally, the inner dome was stained glass, and a greenhouse was located in the inter-dome space). By analogy with the facade of the building, the hall is decorated with a frieze with sculptural portraits of artists, architects and sculptors. The arcades of the second tier are separated by powerful pylons decorated with four columns. Half-arches of a two-flight marble staircase lead to the gallery of the second floor. At the top of the stairs at Messmacher there is a marble statue of Baron A.L. Stieglitz, the work of M.M., sitting in an armchair. Antokolsky. In Soviet times, the monument was removed. But the sculpture survived, and in June 2011 it was returned to its historical place (photo source:). Since 2002, a plaster copy of the large frieze of the Pergamon Altar (180-160 BC) donated by the Hermitage has been placed along the perimeter of the Great Hall.

In 1876, by decree of Alexander II, the Central School of Technical Drawing was founded with funds donated by the banker and industrialist Baron Alexander Ludwigovich Stieglitz. The school existed on a percentage of the capital bequeathed by A. L. Stieglitz in 1884 and trained artists of decorative and applied arts for industry, as well as teachers of drawing and drawing for secondary art and industrial schools. January 1898 - S. P. Diaghilev organizes the Exhibition of Russian and Finnish Artists, in which Finnish artists V. Blomsted, A. Gallen-Kallela and others participate along with A. N. Benois and M. A. Vrubel. The school became known as the Central School after creation in the 1890s of branches in Narva, Saratov, Yaroslavl. The first director was from 1879 to 1896 - the architect Maximilian Egorovich Messmacher. In 1892, 200 people studied at the CUTR; there were departments: general art, majolica, decorative painting and carving, embossing, woodcuts and etching, painting on porcelain, weaving and stuffing. Over the years, the teachers of the CUTR were: A. D. Kivshenko, M. K. Klodt, A. T. Matveev, V. V. Mate, A. I. von Gauguin, N. A. Koshelev, A. A. Rylov. After October 1917, the school was transformed several times. In 1918, the school was named the State Art and Industrial Workshops. In 1922, the school, with the museum and library attached to it, merged into the Petrograd VKHUTEIN, and in 1924, ceased to exist as an independent educational institution. In 1945, by decision of the government, the school was re-established as a multidisciplinary educational institution that trained artists of monumental, decorative, applied and industrial art. In 1948, it became a higher educational institution - the Higher Art and Industrial School. In 1953, the Leningrad Higher School of Art and Industry, by decree of the Soviet government, was named after the People's Artist of the USSR, Full Member of the Academy of Arts of the USSR - Vera Ignatievna Mukhina, who made a great contribution to the creation of monumental and decorative art of the USSR. In 1994, LVHPU them. V. I. Mukhina was transformed into the St. Petersburg State Academy of Art and Industry. December 27, 2006 the Academy was named after A. L. Stieglitz. The new name of the academy is St. Petersburg State Academy of Art and Industry named after A. L. Stieglitz.

Even many native Petersburgers do not know the full name of this educational institution, although its unofficial nickname is well known to every city dweller. "St. Petersburg State Academy of Art and Industry?" Does this phrase mean anything to anyone? And what about the Mukhinsky School or just "Flies"?

The appearance of this illustrious educational institution is associated with the activities of the famous entrepreneur and philanthropist, Baron Alexander Stieglitz. Although the working conditions at the Stieglitz enterprises themselves were close to those of a slave, Alexander Ludwigovich himself often felt the desire to “pay his debt to society”, allocating funds for various social projects.

In 1876, Alexander Ludwigovich allocated 5 million rubles in gold (a fabulous amount for those times) for the creation of the School of Technical Drawing. This educational institution was supposed to train applied artists: blacksmiths, designers, glassblowers, furniture makers, fashion designers. For the construction of the school building, a place was chosen near the Fontanka, where salt "shops" - warehouses - were once located. These warehouse buildings gave the name to the nearest alley - Salt.

For the construction of the school, the German architect Maximilian Egorovich Messmacher was invited, who later became the first director of the new educational institution. Stieglitz and Mesmacher believed that students should learn from the best examples of world art, so the interiors of the building were decorated with royal luxury in the style of the Italian Renaissance. As a gift to his educational institution, Stieglitz also presented a collection of paintings, glass and carpets. The salaries of professors and the current expenses of the school were financed by interest on the capital of one million rubles.

Since Stieglitz himself was a native of Livonia, one should not be surprised that in the first decades of the existence of the School of Technical Drawing, a significant part of its students were from the Baltic states, especially from present-day Latvia. So, for example, Rihards Zarins, the creator of the coat of arms and banknotes of Latvia, studied there; author state flag Latvia and its first postage stamp Ansis Cīrulis, the founders of professional Latvian sculpture - Teodor Zalkaln, Gustav Skilter, Burkard Dzenis and others.

After 1917, the school was transformed and became the State Art and Industrial Workshops. In 1922, together with the museum and the library, they merged into the Petrograd VKHUTEIN, and two years later the State Art and Industrial Workshops ceased to exist as an independent educational institution. The museum became a branch of the State Hermitage.

Only in 1945, the Leningrad Art and Industrial School named after Mukhina V.I. was opened on its basis, which soon became one of the most famous educational institutions cities. Among the graduates of the Mukhinsky School were M. Shemyakin, spouses Olga and Alexander Florensky, Dmitry Shagin.

Many myths and legends are associated with the Mukhinsky School. So, before exams, students bring flowers to the angels who decorate the lanterns before entering the building. According to legend, this is the local representation of the city's guardian angel, whose headquarters is located on the Peter and Paul Cathedral. Another legend is associated with front staircase"Flies". First-year students have the right to walk only on its left side, since right side Muse walks up the stairs, reacting nervously to those who beat off her heels. For undergraduates, this rule, for mysterious and mysterious reasons, no longer applies.

Another attraction is the school's glass dome, which allows students to sketch the building's interiors while in class. In Soviet times, students, protesting against totalitarianism, often drunkenly climbed this dome and lay naked on it, shocking the draftsmen below. The legend says that the glass of the dome sometimes could not withstand the weight of naked bodies and the case was not without casualties ...

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