And even laid out, though in English.
In general, today I decided to touch on this topic again and consider the most common of them.

It will not be superfluous to recall simple things. If you decide to tune lower, then for this it is better to take a thicker one, otherwise in some Dropped the usual nine will just hang out and ring about the frets. If you decide to make the tuning of your guitar higher, then in this case you can take the strings thinner, because. large gauge strings, in this case, can be very tight. Well, nobody canceled the excess load on the neck either.

Also, with a cardinal change in the system, be prepared to do it again, although it may not be necessary to do this.

So let's go.

Standard tuning: E-A-D-g-b-e

In standard guitar tuning, all string intervals are perfect fourths (five semitones), except for the interval between the third string (g) and the second string (b), which is a major third (four semitones).

Half step down: Eb-Ab-Db-gb-bb-eb

This guitar tuning is also called "Eb" - after the note to which the thickest string is tuned. The tuning of the guitar is exactly the same as in the standard tuning. The sound intervals between the strings remain exactly the same, but each string is tuned exactly one semitone lower than the standard tuning. The Eb tuning can be used for many reasons, such as because the strings become softer and bending becomes easier, or to better match the singer's vocal range. There can be many reasons. This action was used by Jimi Hendrix and Stevie Ray Vaughan.

One step down: D-G-C-f-a-d

This tuning is also called “D tuning” - after the note to which the thickest string is tuned. Everything is the same as in the previous case, except that each string is tuned a tone lower than the standard tuning. This tuning is used for the same reasons as the "E?", it adds more sag to the strings and makes bending even easier. Here I would already think about using thicker gauge strings.
If this is not enough for you, then you can continue further. Those. lower or lower each string at an equal interval relative to the standard tuning. The algorithm is simple, the main thing is to choose the strings of the appropriate size.

Drop-D: D-A-d-g-b-e

Drop-D is probably one of the most popular tunings in hard rock, alternative and other motherfuck. By the way, folk guitarists do not disdain them either. Although they are generally big fans of alternative and non-standard guitar tunings.
By lowering the low E string one step to D, we achieve the ease of playing power chords (power chords). Now they can be played with one finger, simply by holding three thick strings, 4th, 5th and 6th, respectively. The Drop-D tuning gives a meatier sound and extends the overall range of the guitar down from the standard tuning.
By the way, this system does not require a large and long restructuring, which allows you to change the system right "on the go", with proper skill, of course.
To facilitate this procedure, a special device was even invented and made - D Tuner, which will allow you to rebuild the sixth string in just a second.

Double Drop-D: D-A-d-g-b-d

The double drop-D is Neil Young's favorite action. It is identical to the regular Drop-D, except that the high e is also lowered one step from the standard tuning to d. In this scenario, it turns out that the 4th high strings form a G major chord, and this can be convenient when playing with a slide. This action is also quite quick and easy to get from the standard one.

Drop-C: C-G-c-f-a-d

This tuning will help make your guitar sound lower and meatier when overdriven. This tuning is obtained by first tuning the guitar a step below the standard, and then lowering the 6th string another step.
Pretty low, don't you think? With such a system, thicker strings are clearly needed. Thin ones will obviously hang out like snot.
In general, the technique is simple. We have already understood what Drop is. And whether to lower it by one tone, 2 or more - that's how you want. Everything will depend on the caliber of the strings and your desire.

Formation D5: D-A-d-d-d-d

This system is classified as an open system, because. if all strings are open, then a D5 chord sounds. This tuning is quite often used when playing with a slide. To get such a system, you need to lower the 3rd string by 5 semitones, raise the 2nd by 3 semitones and lower the 1st by a tone.
There are variations of this tuning in which the 3rd string is raised to A instead of lowered to D. This gives two fifths in different octaves, which gives the sound some depth.

Ostrich formation: D-D-d-d-d-d

In this tuning, all strings are tuned to the same note. Lou Reed is said to have come up with this tuning while he was with the Velvet Underground. An important note: with this tuning, you definitely need to build your own set of strings.

I'll probably stop for today. Of course, all alternative and non-standard guitar tunings are not limited to this.
I think I'll throw in a dozen more soon.

perestroika acoustic guitar in an alternative tuning can inspire, because thanks to a little manipulation, non-standard open strings become available to you, and at the same time transitions between chord forms that would normally be impossible. Today we will meet some alternative tunings for acoustic guitar, as well as visually determine how the setting of chords changes after the restructuring.

Drop D

Open D (DADF#AD)

Open D is widely used in folk and blues and is great for slide playing. The tuning brings the guitar range closer to the piano, which gives expression and expressiveness. Experiment with the harmony in this tuning, because in order to put a chord on the 5th, 7th and 12th frets you only need one finger.

Open D minor (DADFAD)

We wrote about Open D minor on acoustic guitar in a separate article, so we advise you to get acquainted with it. This tuning is great for folk, blues and even metal.

Open E (EBEG#BE)

Open E is similar to Open D, but this tuning has not gone unnoticed by slide guitarists such as Elmore James, Jah Walsh and Derek Trucks. Restructuring the instrument into this tuning will be something truly new and unusual for many guitarists, because instead of weakening the strings, we, on the contrary, tighten them.

Open G (DGDGBD)

In this article of the site, the site will focus on alternative guitar tunings.

Unusual guitar tuning is a type of tuning that differs from the classical and common fourth tuning.

It is important to understand that we are talking about open strings here, that is, notes will be extracted from open strings without pressing.

Classic Tuning six-string guitar in notes it looks like this (from the first string to the sixth): E (mi), H (si), G (sol), D (re), A (la), E (mi).

This tuning is used by guitarists 95% of the time and is considered the default tuning.

For example, if you see a chord grid with the specified fingering arrangement, then this is the classic tuning that is meant, and you only need to use it.

On the other hand, there are many musical groups who enjoy their customization tools. Often such an alternative tuning differs little from the generally accepted one, and only individual strings are affected by the changes.

For example, the sixth bass string in heavy musical styles often drops a tone lower - from MI to RE, an additional seventh SI string (the thickest) is added.

Similar methods of alternative tuning are also used on the bass guitar, especially the five-string one, where in the basses instead of the classical MI there is SI or even SI flat.

If you look through the tabs of the same Korn, Sepultura or Cannibal Corpse, you will definitely notice the use of an alternative guitar tuning.

However, non-standard guitar tuning is not limited to just one string. The same metal bands, in order to give the music more heaviness and darkness, rebuild the entire guitar.

For example, the classical guitar tuning is often shifted down by half a tone, moving from the general tuning by quarts of MI to the general tuning of PE.

All this is implemented simply: all the strings of the guitar are lowered by the same interval lower than the special lowered sound achieves.

On the other hand, the alternate tuning of the guitar is often used in other styles as well.

In dazz, blues, grunge and even rock.

For example, when playing with a slider (a special tip worn on the guitarist's finger), it is very convenient to build the guitar in fifths so that when the fret is pressed, a whole chord sounds without dissonant notes. A similar practice is found in other styles of music.

Unusual guitar tuning, alternative tuning

In order not to torment the reader with long stories, we will give several options for an alternative tuning for a six-string guitar. You can use these configuration options at your own discretion.

For example, to diversify your playing, to find new musical ideas, to change the monotonous classical sound of an instrument…

Alternative guitar tuning is usually implemented so that all open strings of the instrument produce a particular minor or major chord.

When playing in this tuning, you can simply play entire guitar frets and get new chords.

For example, if you tune your guitar to D major and fret all the strings at the fifth fret, you get pure G major, and at the seventh fret you get A major.

Note: The examples below indicate an alternate note order from the SIXTH string to the FIRST string (sixth is leftmost and first is rightmost).

To perform the correct tuning, you will either have to tighten or lower individual strings, go beyond the generally accepted tuning.

1. Alternative guitar tuning in D major (D):

2. Unusual guitar tuning in G major (G):

3. Tuning a six-string guitar to the key of C major (C):

4. Alternate tuning in MI major (E):

5. Custom tuning G-minor (Gm):

6. Alternative guitar tuning in D minor (Dm):

7. Unusual structure of a six-string guitar in the key of A-minor (Am):

And some more completely unusual customization options:

8. G-Fret tuning (G):

9. Alternative tuning in RE fret (D):

10. Hold the guitar in A-major (A dur):

11. Guitar Tuning with Bass G:

12. Unusual instrument tuning with bass BEFORE:

13. Bass rebuilt in PE (D):

14. Guitar tuning with lowered first string:

Note: "B" is the SI-flat designation, and simply SI is written as "H". At the same time, in the pictures for this article, “B” denotes the SI note.

Such confusion is associated with the designation of the SI note in various options music notation, but don't let that scare you. In the article, a pure SI note is designated exclusively as "H".

As you can see, there are different approaches to rebuilding a six-string instrument. In some cases, all notes are changed, and in some situations, only some strings (not all) are twisted.

For example, it is not uncommon for bass strings to be altered, and this is a variant you will see especially often. The most problematic type of guitar tuning is adding strings.

To implement such a system, you will either need to use a seven-string instrument, or shift all the strings by adding a thick C string in the bass.

In general, you could come up with such alternative tunings on your own, experimenting with different guitar tunings.

Do not think that all possible options are limited to only the 14 examples described above. In fact, there are many, many more alternative ways to customize!

Guitar tuning

If you took the guitar in your hands for the first time, then without the help of someone, even knowing the rules, you most likely will not succeed in tuning the guitar. All this will come with time.
Tuning methods will be discussed below, but first you should familiarize yourself with the different tunings of the guitar.

Classic build.

Also known as "Spanish" tuning or E (E) tuning. The most popular tuning, most of the tablature and fingerings are given for this tuning.

String	Note	Frequency
First	e¹ (mi of the first octave)	329,63
Second	b (si small octave)	246.94
Third	g (salt of a small octave)	196.00
4th	d (small octave re)	146.83
Fifth	A (for high octave)	110.00
sixth	E (mi big octave)	82.41

"Drop D" build.

This system differs from the classical sixth string lowered by a tone. It is often used by musicians playing hard rock on the electric guitar, as it makes it easier to play power-chords (English power-chord), and some works have also been written for it. classical guitar(in the keys of D major and D minor).

String	Note	Frequency
First	e¹ (mi of the first octave)	329,63
Second	b (si small octave)	246.94
Third	g (salt of a small octave)	196.00
4th	d (small octave re)	146.83
Fifth	A (for high octave)	110.00
sixth	D (d major octave)	73.91

"Drop C" build.

Used to produce an even lower and "heavier" sound on an electric guitar. Unlike the classical tuning, all strings except the sixth are tuned a step lower, and the sixth string is tuned two steps.
Like the Drop D tuning, it is used for playing quintchords.

String	Note	Frequency
First	D4 (first octave D)	293.7
Second	A3 (for small octave)	220.00
Third	F3 (fa small octave)	174.61
4th	C3 (up to a small octave)	130.81
Fifth	G2 (great octave salt	98.00
sixth	C2 (up to a large octave)	65.41

"Double Drop-D" build.

A tuning similar to Drop D, except that the first string is lowered by a tone. To tune out of the classical tuning, the first and sixth strings are lowered by a tone.
In this tuning, the top four open strings of the guitar form a G major chord, making it easier to play with a slide. The double drop D was often used by performer Neil Young.

String	Note	Frequency
First	D¹ (D of the first octave)	293.65
Second	B (si small octave)	246.94
Third	G (small octave salt)	196.00
4th	D (small octave D)	147.83
Fifth	A (for high octave)	110.00
sixth	D (d major octave)	73.91

Build "DADGAD".

The tuning most commonly used in folk music. It was invented by British guitarist David Graham to make it easier to play notes written for violin or bagpipes.
To rebuild into the “DADGAD” system from the classical one, it is necessary to lower the first, second and sixth strings by a tone.

String	Note	Frequency
First	d¹ (D of the first octave)	293.66
Second	a (for small octave)	220.00
Third	g (salt of a small octave)	196.00
4th	d (small octave re)	147.83
Fifth	A (for high octave)	110.00
sixth	D (d major octave)	73.91

Build "DADDAD".

The “Papa-Papa” tuning is most suitable for use in folk music (Celtic) as well as for playing rhythm guitar parts in “heavy” (alternative music) 4th notes at a time. To rebuild into the “DADDAD” system from the classical one, it is necessary to lower the first, second and sixth strings by a tone. and tune the third in unison with the fourth.

"Open D" build.

In this tuning, the open strings form a D major chord. It is used mainly on slide guitars.
To rebuild into this system from the classical, the first, second and sixth strings are lowered by a tone, the third is lowered by a semitone.

String	Note	Frequency
First	d¹ (D of the first octave)	293.66
Second	a (for small octave)	220.00
Third	f# (F-sharp small octave)	185.00
4th	d (small octave re)	147.83
Fifth	A (for high octave)	110.00
sixth	D (d major octave)	73.91

There is also a build option Open D-minor, where the third string is tuned to the note F of a small octave.

"Open G" build.

In this tuning, the open strings form a G major chord.
To rebuild into the “Open G” system from the classical, the first, fifth and sixth strings are lowered by a tone.

String	Note	Frequency
First	d¹ (D of the first octave)	293.66
Second	b (si small octave)	246.94
Third	g (salt of a small octave)	196.00
4th	d (small octave re)	147.83
Fifth	G (sol of the big octave)	98.00
sixth	D (d major octave)	73.91

"New Standard System".

Also known as "Crafty tuning". A scale developed by musician Robert Fripp and used by him since 1983. Unlike the classic "quartet" tuning, the tuning proposed by Robert Fripp is closer to bowed string instruments, with the first, second and third strings being tuned similarly to a violin. Tuning to this tuning may require replacement lower strings to thicker ones, and the upper ones to thin ones.

String	Note	Frequency
First	g¹ (salt of the first octave)	392.00
Second	e¹ (mi of the first octave)	329.63
Third	a (for small octave)	220.00
4th	d (small octave re)	147.83
Fifth	G (sol of the big octave)	98.00
sixth	C (up to a large octave)	65.41

"Alternative action Cross A".

E-A-E-A-E-A."Sitar A" is an alternative low tuning. Reminds me of the sound of an Indian sitar. Great for creating Indian (oriental) music.

String	Note	Frequency
First	a¹ (for the first octave)	440.00
Second	e¹ (mi of the first octave)	329.63
Third	a (for small octave)	220.00
4th	e (mi small octave)	164.81
Fifth	A (for high octave)	110.00
sixth	E (mi big octave)	82.407

Seven-string (Russian).

String system seven-string guitar mixed - third-quarter, thus the chord of open strings is consonant (major quarter-sixth chord), unlike a six-string guitar. This system is considered classical (academic).

String	Note	Frequency
First	d¹ (D of the first octave)	293.66
Second	b (si small octave)	246.94
Third	g (salt of a small octave)	196.00
4th	d (small octave re)	147.83
Fifth	B (b large octave)	123.48
sixth	G (sol of the big octave)	98.00
seventh	D (d major octave)	73.91

Guitar tuning methods (classical tuning)

1. The most common way.

To tune in the traditional way, it is desirable to find an analogue of the sound of the first string, for example, a tuning fork for the note mi or a tuning fork for the note la (but then 1 string must be clamped at the fifth fret). Any tempered (i.e. already tuned) will also work musical instrument, capable of extracting the exact note E. It can be a piano, a synthesizer, an accordion. Like another guitar, violin and the like will not work, because it can be out of tune by itself.
If you are in "fire conditions" and there is nothing like this at hand, then we tune 1 string approximately, so that it does not sag too much and is not too tight. Of course, this is far from The best way but what can you do.
Next, follow the rules:
- 2nd string pressed on the 5th fret should sound in unison (equally) with 1st open string;
- 3rd string pressed on the 4th fret should sound in unison with the 2nd open string;
- 4th string pressed at the 5th fret should sound in unison with the 3rd open string;
- 5th string pressed at the 5th fret should sound in unison with the 4th open string;
- The 6th string pressed at the 5th fret should sound in unison with the 5th open string.

2. Tuning the guitar with the tuner.

The easiest way to tune your guitar. You do not need to have any hearing skills, it is enough to have a tuner on hand - a device for tuning the guitar. There are many such devices on the market. For example, this:

guitar tuner YAMAHA YT-150

With this tuner, you can tune both acoustic and electric guitars. To tune an acoustic guitar there is a built-in microphone, for an electric guitar you can use the line input for an instrumental cable.
The bottom line is that when you play the sound of a string, the tuner shows a note that corresponds to the frequency of the vibration of the string (such frequencies are indicated in the tuning tables above. Therefore, such devices can be used to tune guitars with an alternative tuning). Thus, you can easily tune all six strings. The tuner shows you the note, as well as what to do with the string, lower or raise. Turn the pegs until the indicator is exactly in the center of the note you want and the steady green LED lights up. Detailed Instructions usually attached to such devices.

3. Harmonic tuning.

A harmonic is an overtone sound produced on strings, bowed and plucked instruments and reminiscent of the timbre of a flute (hence the name). Various techniques for playing the harmonic are based on lightly touching the string at the point of dividing its length in half (at the frets).

- 2nd string at the 5th fret should sound in unison (equally) with 1st string at the 7th fret;
- 3rd string at the 4th fret should sound in unison with the 2nd string at the 5th fret;
- 4th string at the 5th fret should sound in unison with the 3rd string at the 7th fret;
- The 5th string at the 5th fret should sound in unison with the 4th string at the 7th fret;
- The 6th string at the 5th fret should sound in unison with the 5th string at the 7th fret.

4. This is how professionals set up.

With this method, all open strings are tuned together. This method is the fastest and most accurate (of course, if the guitar simply builds on the frets). This method is based on the ratio of pure intervals between strings. If new strings cannot be immediately tuned in this way, then it is advisable to first tune the guitar in a simpler way, using any of the above methods (except for tuning by the tuner), and then complete it more finely with this.
We tune the first string, as in method 1, and then follow in this order:
- 6 open string should sound in two octaves to 1 open string;
- 5 open string should sound in a fifth through an octave to 1 open string;
- 4th open string should sound a fourth down to 5th open string;
- 3rd open string should sound a fourth down to 4th open string;
- 2 open string should sound in fourth to 1 open string.

5. Guitar tuning by tempered intervals.

We tune the first string, as in method 1, and then follow in this order:
- 6th open string, taken by a harmonic at the 12th fret, should sound in unison with 1st open string;
- 4th string at the 2nd fret should sound in unison with the 6th string taken by the harmonic at the 12th fret;
- the 2nd string at the 3rd fret should sound in unison with the 4th string taken by the harmonic at the 12th fret;
- 3rd string at the 7th fret should sound in unison with the 4th string taken by the harmonic at the 12th fret;
- The 5th string taken by the harmonic should sound in unison with the 3rd string at the 2nd fret;

If the guitar is not tuned?

Sometimes it happens that, despite all the tried and tested methods of tuning the guitar, it still "does not build". There can be many reasons. The most painless of them is string aging. Worn strings are subject to microdeformations when they come into contact with the frets, and because of this, the frequency of the sound changes. Replacing the strings solves the problem.
If changing the strings does not solve the problem, then the instrument must be shown to the guitar luthier. Most likely the guitar does not build "according to the frets" i.e. improper installation of frets (metal nut), neck, stand, etc. In most cases, this is a factory defect. So if you have just bought such a guitar, the best way out is to replace it with another model.

Non-classical settings are used for the convenience of playing certain musical genres or pieces of music.

Classic tuning method

1. tuning fork
2. On the 1st string, the 2nd string is tuned, which, being pressed on the 5th fret, should sound the same as the 1st open (not pressed) string.
3. The 3rd string, pressed at the 4th fret, is tuned to the 2nd open string.
4. The 4th string, pressed at the 5th fret, is tuned to the 3rd open string.
5. The 5th string, pressed at the 5th fret, is tuned to the 4th open string.
6. The 6th string, pressed at the 5th fret, is tuned to the 5th open string.

Harmonic tuning with temperament

Allows for much more precise tuning, since the accuracy of the frets is not always sufficient.

1. The tuning of the 1st string is made according to the control sound - the sound of a tuning fork - or according to the sound of an already tuned musical instrument.
2. The 6th string is tuned so that its harmonic at the 5th fret sounds in unison with the 1st string.
3. The 5th string is tuned so that its harmonic at the 7th fret sounds in unison with the 1st string, and then it is slightly tightened so that a beat with a frequency of 0.372 Hz occurs (one beat in 2.7 seconds).
4. The 4th string is tuned so that its harmonic at the 7th fret sounds in unison with the harmonic of the 5th string at the 5th fret, and then it is slightly tightened so that a beat with a frequency of 0.497 Hz occurs (one beat in 2.01 seconds).
5. The 3rd string is tuned so that its harmonic at the 7th fret sounds in unison with the harmonic of the 4th string at the 5th fret, and then it is slightly tightened so that a beat with a frequency of 0.664 Hz occurs (one beat in 1.51 seconds).
6. The 2nd string is tuned so that its harmonic at the 5th fret sounds almost in unison with the harmonic of the 1st string at the 7th fret, but just short enough to hear a beat at a frequency of 1.12 Hz (one beat per 0.9 seconds).

When tuning fork A (“la”), the 5th string is tuned first (a harmonic on the 5th fret in unison with the tuning fork), then the 1st and 6th, and then the 4th, 3rd and 2nd.

With good hearing, having accumulated sufficient experience, you can do without taking harmonics, catching the beats of overtones in the sound of open strings.

Since a change in string tension leads to deformation of the body of the guitar and detuning of the remaining strings, it is recommended to tune the guitar in 2-3 iterations, the first of which can be done without temperament (without carefully counting the beat frequency).

Reduced tunings of a six-string guitar

Lowered (that is, lower than the normal EBGDAE tuning) tunings are used for more comfortable playing in a certain key, or to get a lower "heavy" sound. In particular, many rock guitarists love the so-called. Drop-tunings, which are named by adding to "Drop" a note on the 6th string, which falls 1 tone below the first (for example: Drop C = DAFCGC). To rebuild from a classical tuning to a lowered one, all guitar strings are lowered for a certain interval (for example, to rebuild in D tuning, you need to lower all the guitar strings by a tone). To lower the tuning of the guitar by more than a tone, it may be necessary to change the strings to thicker ones due to the weakening of their tension. Also for tuning below B (B), mostly baritone guitars are used.

String	E♭ (E-flat) tuning		Build D (re)		D♭ (D-flat) tuning		Action C (to)		Action B (b)
	Note	Frequency (in hertz)	Note	Frequency	Note	Frequency	Note	Frequency	Note	Frequency
First	e♭¹ (E-flat first octave)	311.13	d¹ (D of the first octave)	293.66	d♭¹ (D flat first octave)	277.18	c¹ (up to the first octave)	261.63	b (si small octave)	246.94
Second	b♭ (B-flat small octave)	233.08	a (for small octave)	220.00	a♭ (A-flat small octave)	207.00	g (salt of a small octave)	196.00	g♭ (G-flat small octave)	185.00
Third	g♭ (G-flat small octave)	185.00	f (fa small octave)	174.62	e (mi small octave)	164.81	e♭ (E-flat small octave)	155.56	d (small octave re)	147.83
4th	d♭ (small octave D flat)	138.59	c (up to a small octave)	130.82	B (b large octave)	123.48	B♭ (b-flat big octave)	116.54	A (for high octave)	110.00
Fifth	A♭ (A flat large octave)	103.80	G (sol of the big octave)	98.00	G♭ (G flat major octave)	92.50	F (high octave F)	87.31	E (mi big octave)	82.41
sixth	E♭ (E flat high octave)	77.78	D (d major octave)	73.91	D♭ (d flat large octave)	69.30	C (up to a large octave)	65.41	B¹ (B contra-octaves)	61.74
Notes

Open C

One of characteristic features is the ease of extracting major major chords. A simple barre on the 2nd fret will give "Re", 4th - "Mi", 5th - "F", and so on. Open strings will give you "C".

In order to tune the guitar in "Open C", it is necessary (based on the "standard tuning"): 1st string (thin) Leave as in the "standard tuning" - "Mi" ("E")
2nd string. Raise half a step to "Do" ("C")
3rd string. Leave as in the "standard system" - "Salt" ("G")
4th string. Move down one step to "Before" ("C")
5th string. Lower one step to "Salt" ("G")
6th string (thick). Lower two steps from "Mi" to "Do" ("C")

Raised tunings of a six-string guitar

Raising the tuning of a guitar, especially a classical one, can damage the instrument., as well as to injury due to the sudden breakage of the overstretched string.

A capo can be used to raise the tuning. If tuning the guitar is still necessary, it is recommended to use a thinner set of strings.

String	Action F (fa)		F# tuning (F-sharp)		G tuning (sol)		G# tuning (G-sharp)		Action A (la)
	Note	Frequency (in hertz)	Note	Frequency	Note	Frequency	Note	Frequency	Note	Frequency
First	f¹ (fa of the first octave)	349.23	f¹# (F-sharp of the first octave)	369.99	g¹ (salt of the first octave)	392.00	g¹# (G-sharp of the first octave)	415.30	a¹ (for the first octave)	440.00
Second	с¹ (up to the first octave)	261.63	с¹# (C-sharp of the first octave)	277.18	d¹ (D of the first octave)	293.66	D¹# (D-sharp of the first octave)	311.13	e¹ (mi of the first octave)	311.13
Third	g# (sol-sharp small octave)	207.00	a (for small octave)	220.00	a# (A sharp small octave)	233.08	b (si small octave)	246.94	c¹ (up to the first octave)	261.63
4th	d# (D sharp small octave)	155.56	e (mi small octave)	164.81	f (fa small octave)	174.62	f# (F-sharp small octave)	185.00	g (salt of a small octave)	196.00
Fifth	A# (A sharp large octave)	116.54	B (b large octave)	123.48	c (up to a small octave)	130.82	c# (sharp small octave)	138.59	d (small octave re)	147.83
sixth	F (high octave F)	87.31	F# (F-sharp large octave)	92.50	G (sol of the big octave)	98.00	G# (G-sharp large octave)	103.80	A (for high octave)	110.00
Notes

Drop D formation

This system differs from the classical lowered on tone sixth string. It is often used by hard rock electric guitarists as it makes it easier to play fifth chords. power chord), also some works of classical guitar were written for him (in the keys of D-major and D-minor).

"Drop C" build

Used to produce an even lower and "heavier" sound on an electric guitar. Unlike the classical system, all strings except sixth tune in to tone below, and sixth string- on the two tones.
Like the Drop D tuning, it is used for playing quintchords.

Double Drop-D Build

The tuning is similar to Drop D, except that the first string is lowered by a tone. For tuning from classic tuning first and sixth the string is lowered to tone.
In this tuning, the top four open strings of the guitar form a G major chord, making it easier to play with a slide. The double drop D was frequently used by performer Neil Young.

Build "DADGAD"

The scale most commonly used in folk music. It was invented by the British guitarist David Graham for more convenient playing of the notes recorded for the violin or bagpipes.
To rebuild into the "DADGAD" system from the classical one, it is necessary to lower it to tone first, second and sixth strings.

Build "DADDAD"

The “Papa-Papa” tuning is most suitable for use in folk music (Celtic) as well as for playing rhythm guitar parts in “heavy” (alternative music) 4th notes at a time. To rebuild into the “DADDAD” system from the classic one, it is necessary to lower it by tone first, second and sixth strings. a third tune in unison with fourth.

"Open D" system

In this tuning, the open strings form a D major chord. It is used primarily on slide guitars.
To rebuild into this system from the classical first, second and sixth the strings fall on tone, third descends on semitone.

"Open G" build

In this tuning, the open strings form a G major chord.
To rebuild into the “Open G” system from the classic first, fifth and sixth the strings fall on tone.

"New Standard System"

Also known as "Crafty tuning". A scale developed by musician Robert Fripp and used by him since 1983. In contrast to the classic "quart" system, the system proposed by Robert Fripp is closer to bowed string instruments, moreover first, second and third the strings are tuned in a similar way to a violin. Tuning into this tuning may require replacing the lower strings with thicker ones and the upper ones with thinner ones.

"Alternative Action Cross A"

E-A-E-A-E-A . "Sitar A" is an alternative low tuning. Reminds me of the sound of an Indian sitar. Great for creating Indian (oriental) music.

Seven-string tunings

Standard

The string structure of a seven-string guitar is mixed - third-quarter, so the chord of the open strings is consonant (major quarter-sext chord), unlike a six-string guitar. This system is considered classical (academic).