"Mahabharata" and "Ramayana" A serious role in the development of the religious doctrine of Hinduism belongs to Indian epic works - the poems "Mahabharata" and "Ramayana". What was originally formed and transmitted as local legends was eventually written down and

“Our Slavic language is the language

primeval world, antiquity immemorial.

“The history of the Slavic languages ​​is the history

their two thousand years of distortion,

waste and oblivion, and despite this,

these remnants are still exact, definitive

and in some places reveal a reasonable construction

the most educated human speech in the world.

It is known that for a long time the masses of the people, both in Russia and India, have not been very strict in choosing a groom or bride (as long as they are healthy and have offspring). But in the clans of hereditary Knights and Priests, the Commandments of RITA are observed quite strictly. True, in Russia they are practically exterminated, but in India the situation is different.

Look at the photos of Indian Sikh Knights. If you remove the “Indian entourage” from them - clothes unusual for the Russian eye and a strong skin tan, and change into a Cossack uniform or military camouflage - you will get completely Slavic Cossack Warriors.

The same can be said about the Hindu Brahmins. If you remove orange clothes from the 16 people shown in the photo and wash off the symbols of Shaivism from their faces, and change into white clothes of the Magi, then only in three you recognize the Hindu brothers, the rest will not differ in any way from the Russian brothers.

In order not to ignore the beautiful half of humanity, I suggest taking a look at the photos of the Aryan Beauties. One of them is from Russia, the other is from India (the actress who played in the Mahabharata 2013 - the sister of Krishna, who became the wife of Arjuna). But if the Beauties are dressed the other way around, or dressed in the same national clothes (at least Russian, at least Hindu), then even the most captious critic will have to admit that if, indeed, they are not twins, then at least they are sisters.

I hope, dear readers, that you appreciated the wise plan of the Native Gods - to hide the Mahabharata under the "Indian entourage". He did his part to save! The Mahabharata is intact! The wisest servants of the dark forces at the beginning of the last century sensed the threat of the revival of the World Slavic-Aryan Power and struck a preemptive blow, discrediting the Aryan Idea with the help of the misanthropic policy of A. Hitler.

They played off in a fratricidal war two Slavic-Aryan peoples - German and Russian. And the next Mahabharata thundered, the outcome of which was again a foregone conclusion in the Battle of Kursk (Kurukshetra) in 1943. At the same time, the servants of darkness managed to discredit the Slavic-Aryan national symbols, which carry the Images and Power of the Native Gods.

A couple of years ago, they tried to declare the Mahabharata “extremist literature”, banning its publication and distribution in Russia, but by the Will of the Native Gods and the efforts of honest people (including Hindu brothers) this was prevented. If the Mahabharata were recognized as “extremist literature” and banned in Russia, then all Vaishnava brothers (Krishnaites) would instantly turn into “an international extremist organization with a centralized management structure and a clear distribution of roles.”

Moreover, the entire fraternal Indian people would be surprised to learn that it is a “multinational extremist community that promotes the ideas of extremism (Mahabharata) and Nazi symbols (swasti-asta - an Indian symbol of goodness, happiness and prosperity), as well as symbols of confusingly similar to it.

But, Glory to the Ancestor and the Native Gods-Ancestors, since 2012 the Morning of Svarog began and the ban on the Mahabharata will have to be postponed by some people for about 10,000 years, and during this time, as Khoja Nasreddin said: “Either the Shah or the donkey will die” .

To finally convince you, dear readers, that the Mahabharata is the greatest annalistic monument of Cultural Heritage Ancient Russia, only one thing remains - to bring to your attention the text of this epic, from the original Slavic-Aryan images of which the "Indian make-up" was removed. I hope that after reading all your doubts will completely disappear.

Since the full text of the Mahabharata consists of 200 thousand lines of poems collected in 18 books, I bring to your attention only a small part of this epic, translated into Russian by the poet S.I. Lipkin. This translation was published in a book Reading this book is a real pleasure, as it is one of the best Russian verse translations of the Mahabharata in the world.

But what about the “make-up” from the “variegated Indian flavor”? With the version of the text offered to you for reading, it has been removed. Two years ago, a section of the site appeared in the heading of the Mahabharata in the translation of S.I. Lipkin. In it, the terminology of Hinduism was replaced by Slavic-Aryan images.

This was done with the utmost respect for the poetic work of S.I. Lipkin (the style, rhyme and rhythm of the poems are preserved). After reading this version, the readers of the site asked to amend not only the text of the Bhagavad Gita, but also the entire text of the Mahabharata, translated by S.I. Lipkin, so that the images of the Mahabharata become the most acceptable for the perception of the “uniquely mysterious Russian Soul”.

One of the most sensible like-minded people immediately warned that the most difficult task would be to explain to readers the meaning of the ancient Sanskrit names of the heroes of the story, which are unusual for modern Russian perception. He stated honestly and bluntly: “As long as the “tricky” Hindu names “scratch” the eyes of the reader and the ears of the listening Russian, until then it will not be possible to convince anyone that all the events described took place in Ancient Russia, and not in India.

There was a lot to think about. After all, the text “no Indian makeup” with the “correct” images was almost completed. But, the names of the heroes of the story, not deciphered at that time, after such a critical remark, seemed to be an insurmountable obstacle to its publication. It was clear that these names were given to the heroes 5,000 years ago, when no one spoke the modern Russian language, because in Russia everyone used Old Slovenian, and in its province - Dravidia (India), its simplified form - Sanskrit.

I had (to the best of my ability) to study Sanskrit and the Old Slovenian language. This made it possible to additionally make sure that the Mahabharata is the greatest annalistic monument of the Cultural Heritage of Ancient Russia. A lot of previously hidden meaning was revealed both in the Native Speech and in Sanskrit. The study of the basics of the Native Speech lasted almost a year. An overview of what we managed to learn is presented to you, dear readers, and the article by Pravdoslav Part 1. and Part 2. But deciphering the meaning of the names of the heroes of the Mahabharata progressed with great difficulty.

A great help in understanding the images and the inner meaning of the Old Slovenian language and Sanskrit was provided by research , The soul of which deserves the sincere blessing of giving descendants. Quotes from his books became the epigraph to this part of the article. May his Soul be healthy and joyful in Heavenly Russia! These books are now available to you, dear readers, as they are published on the website under the heading

An invaluable contribution to the understanding of the Primordial Runic Images of the Old Slovenian language was also made by Pater Diy (Head) of the Old Russian Church of Orthodox Old Believers, Fr. Alexander. The information they teach in lectures of the Asgard Spiritual School formed the basis of two books and with the help of which the essence of the Old Slovenian language and Sanskrit, created on its basis, was revealed. These two books are now also available for you, dear readers, on the website under the heading

Great help in understanding Sanskrit was provided by the works of Academician of the Academy of Sciences of the TSSR B.L. Smirnov, in particular, his Academic translation by B.L. Smirnov, who devoted more than half of his life to this, is considered one of the highest quality. Mahabharata books translated by B.L. Smirnov are offered to your attention on the website under the heading

But the greatest clarity in understanding the essence of the Slavic-Aryan Images of the Mahabharata was brought Vedaman Vedagor with your book "The blasphemers of Finist - the Bright Falcon of Russia" . This book made it possible to take a fresh look at the world, gain sanity, and, with its help, go beyond the "formal everyday" worldview, which "strangles" any manifestations of freethinking in the grip of its clichés and stereotypes.

On the basis of all of the above and with the blessing of the Native Gods-Ancestors, the realization came that the names of the heroes of the Mahabharata are not proper names (personal), they are common nouns. This conjecture was confirmed by the fact that even in the last 100 years, the people gave common names to their heroes and prominent public figures, and earlier - even more so! After all, our Ancestors knew the sacred meaning of personal names and always kept them secret, revealing it only to the closest people. Until now, the Old Believers, when giving names, voice communal names and hide spiritual names, so that none of the black magicians could harm the Souls of these people, inspiring negative thoughts or forcing them to undesirable actions.

Confidence in the correctness of the conclusions made was also reinforced by the fact that the text of the Mahabharata itself is replete with epithets that the characters use when addressing each other, or speaking about someone: “Oh, the Powerful Lefty (Arjuna)”, “Oh, the Clear-faced Goddess” , “Oh Son of the Heavenly River”, “Oh Divine Archer”, etc.

Before offering you the text of the Mahabharata for reading, it should be explained why, when restoring the Slavic-Aryan images, some letters were replaced in the words written in Sanskrit and previously left unchanged by B.L. Smirnov and S.I. Lipkin. These esteemed authors sincerely believed that they were translating the Indian epic, so they simply did not think about any Slavic-Aryan images.

In our case, it was main goal. I had to remember the usual rules of native speech, according to which many letters in words are interchangeable, for example, “s” and “z”, “g” and “sh”, “g” and “k”, “k” and “x” etc. This had to be done because the local residents of Dravidia (India), to whom our Slavic-Aryan Ancestors granted Sanskrit, were not native speakers of the Old Slovenian language. They were carriers of their native speech, psycho-energetically corresponding to their genotype, lifestyle, culture and traditions, which is quite natural.

Our Ancestral Gods were foreigners for them, whose psycho-energetic thought-images they did not understand, but simply memorized the external sound of words and their corresponding concepts. They pronounced these words, like all foreigners, with an accent, in accordance with the articulatory properties of their native speech. Therefore, they needed Sanskrit as a simplified form of the Old Slovenian language. It is not necessary to go far for an illustrative example. The whole world knows what the Hindu brothers did with the classic pronunciation of the English language. Even the Americans (also world-famous distorters of the correct English pronunciation) did not get that far.

For those readers who are not impressed by this example, I will give another. Remember with what a strong accent representatives of the Caucasian peoples pronounce words and phrases in Russian. At the same time, none of the Russian people is surprised, realizing that such a pronunciation corresponds to the articulatory properties of Caucasian speech.

That is why the native Russian speakers, having set themselves the goal of restoring the native Slavic-Aryan images imprinted in the Mahabharata, have the opportunity to do this by replacing interchangeable letters in words so that these “hidden” in “incomprehensible packaging” images come to life again and shine with their own original meaning.

Now, dear readers, you yourself will have to draw a conclusion about how well the “camouflage” of “Indian variegation” has been removed from the Slavic-Aryan images of the Mahabharata. To do this, you can compare, in which the Mahabharata, translated by S.I. Lipkin printed in the original author's version, with the version of the epic that is offered to your attention.

THE LEGEND ABOUT THE SON OF THE RIVER RA, ABOUT THE FISHING WOMAN SATYAVATI AND KING SANTANA.

Book one, chapters 91 - 100.

Explanation of the ancient Slavic-Aryan images.

The explanation of the images encountered in this chapter is not given in alphabetical order, but for the convenience of assimilation of their meaning - in the order of their appearance in the text of the chapter.

Mahabhish . In accordance with the Symphonic Sanskrit-Russian Explanatory Dictionary of the Mahabharata of Academician B.L. Smirnov (hereinafter, for brevity - SSRTSM B.L. Smirnova or simply - SSRTSM) the translation is as follows: "Terrible", "Terrible"; the name of the Raja.

We replace the letter "x" with "g". Eliminating this charm (), we get Mahabgish , or rather, Maha Bgisha . Maha: Sweeping, Broad, Majestic. Bgisha: Godisha, Godishness, Goddess. We get a common noun: "The Majestic God". Now it is clear why in translation from Sanskrit he is “Terrible”, “Terrible”. Because he is not just a God in the flesh, but a Divine Warrior, the mere thought of a conflict with which causes panic fear.

Rajah . This image is explained Vedaman Vedagor in "The blasphemer of Finist - the Bright Falcon of Russia" . The word "Raja" is a distorted word "Ryadche": police officer, organizer, manager, i.e. Specific Prince, Viceroy of the Tsar.

Indra . According to SSRTSM: “God, standing at the head of the gods of the second circle (middle, air space). Its main manifestation is the fight against evil spirits, which it disperses with thunderous arrows. Initially, this is the national God of the Aryan Tribe. He is the legendary father of Arjuna. Figuratively: the first of its kind, the head, the king.

Indra in accordance with : And - Izhei - Truth (True Life of Being), N - We (Our), D - Good (Wealth, Power), R - Retsi (Saying), A - As (Az - God in a humanoid body). Combined image: "Our mighty God in a humanoid body, speaking the Truth." God Indra is the King of the Gods of the world Glory. Note. ed.

Rite of the Slaughter of the Horse were performed by the Vedunas, who possessed the power of incarnating the spirit of the animal for further evolution in the human kingdom of Nature. The strength of the horse was bestowed upon the Gods. This rite was used by kings to receive the Blessing of the Gods to prolong the family, to win the war and for other purposes.

Ra River. It has been explained above that Ra is the Primordial Light of the Progenitor, a manifestation of His Male Aspect. But, why Ra River is a Goddess, i.e. manifestation of His Feminine Aspect? In accordance with and "The blasphemers of Finist - the Clear Falcon of Russia » Ra Light of the Progenitor - Ramkhi, having separated from Him, turned into a Stream of Zhivatmas - Living Atomic Self-luminous Particles of Ramkhi - the true "I" of all living beings. But Zhivatmas, in accordance with many Vedic Primary Sources, are a manifestation of the Feminine Aspect of the Progenitor.

Thus, Ra Light, having separated from Ramha, turned into the Stream of Zhivatmas - the Female Life-Giving Hypostasis of the Most High. This Light separated from Ramkhi Ra is called by some followers of the Vedic Faith of the Ancestors Mother Sva, others - by Inglia, others - by Shakti, which, in fact, is one. Accordingly, Ra River is the Flow of Zhivatmas, Ynglia or Shakti. In the world of Glory to Ra, the River is manifested as the Beautiful Life-Giving Goddess.

Pratipa . According to SSRTSM: “Meeting”, “Opposing”, the name of the king”.

Let's reveal the figurative meaning of the word Pratipa : P - peace, Ra - Primordial Light, Type - Tip (it does not hurt to beat in order to force the right thoughts, words, actions -). More detailed images: Ti - You, Pa - Pater, Head, in everyday life - dad. We put the images together: the First Ancestor, the Head of the Family, manifesting Ra the Light of the Supreme Progenitor, who belongs to the righteous type of people living according to the Pra (Primordial) Vedas, i.e. The righteous, calling (typing, forcing) everyone around him to this. Now the translation from Sanskrit becomes clear: “Meeting Ra Light”, “Opposing sinners”.

Vasu . According to SSRTSM: "Vasu - "good", "rich", the name of one of the classes of the Gods.

The figurative meaning of the word Vasu : V - Vedas, As (Az) - God of the world Glory embodied in the world of Reveal, U - Stand (Kon). We put the images together: Knowing Gods of the world Glory, adherents of Kon (Stand) - the Primordial Commandments of the Progenitor. Now it is clear why They are good and rich. It is not difficult to guess that the current proper name "Vasya" used to be a common noun. To the question: "Who are you?" often the answer could be: “I am Vasu”, i.e. Knowing As, honoring Ustoy (Kon) I am.

ganga . According to SSRTSM: “Ganga is the name of a sacred river in India. Shiva brought her down from Heaven to Earth (Heavenly Ganga - Milky Way) for the benefit of people. So that the Ganga, falling, does not destroy the Earth, Shiva took her fall on his shoulders.

Consider the images contained in this word: Ga - path, movement, H - We (we, ours). Ganga is the second name of the Ra River, i.e. the flow of Ra Light (Englia, Shakti), which connects us with the Progenitor by the Spiritual Force. Taking into account the fact that the Ancestors knew this, "Ganga" means "Our Spiritual Path to the Progenitor."

Our river Volga (Woli Ga - Free Way or Stream of Will) in Vedic Russia was called Ganga. But her original name-Ra River. The Supreme God Siva (Shiva, Perun) paved the way for her from Heavenly Svarga ( Milky Way) - the World of Rule, through the world of Glory - to the world of Reveal, having streamlined, with the help of the Power of Perun, the movement of Its flow through the three worlds: Rule, Glory and Reveal. You can read more about this in or watch the video.

The amazing structure of the Mahabharata, with all the variety of elements that poured into it, forms an artistic whole, which had a huge impact on all later literature in ancient and New Indian languages, and partly on the literature of neighboring countries. So for example. the Persian poet Dzhelaluddin Rumi retells the parable mentioned above about the "man in the well".

The plot of the Mahabharata has a twofold effect on European literature. On the one hand, in European folklore it is possible to establish a filiation of the fables and parables of the Mahabharata, through Arabic-Jewish didactic literature influencing book Christian didactics. The ways of this transmission of plots are not entirely clear, the most probable is the presence of a number of intermediate links and common sources, and in some cases the possibility of a polygenesis of such plots is not ruled out. On the other hand, at the beginning of the XIX century. the assimilation of the Mahabharata by European literatures begins through the translations of Bang, Ruckert, Zhukovsky, Gubernatis, etc. If the huge structure of the epic remained insufficiently mastered as a whole, then individual fragments (like Nal and Damayanti, Savitri, etc.) entered the treasury of the world literature.

Indian literary tradition considers the Mahabharata a single work, and its authorship is attributed to the legendary sage Krishna-Dvaipayana Vyasa.

Mahabharata is a truly unique phenomenon in the literary history of not only India, but the whole world. It is enough to remember its volume. The Mahabharata in its current form contains 100,000 slokas (couples). Therefore, it is the largest literary work known to mankind. The following comparison will certainly help to imagine its enormous volume. The Mahabharata is eight times larger than the Iliad and Odyssey combined; it is larger than all the epics in European languages ​​combined. Even more striking is the information of tradition about the different types of Mahabharata given in the epic itself. It is said that the great Vyasa created the Mbh, consisting of six million slokas. Of these six million, three million are narrated among the gods, one and a half million among the ancestors, one million four hundred thousand slokas among the Gandharvas, and the remaining one hundred thousand slokas are for humans. If we ignore the mythical character of the tradition, then, no doubt, it contains some

indications of the history of the Mahabharata text. Based on this tradition, it can be safely assumed that throughout the long history of the Mahabharata, the literary activity of the creators of the epic manifested itself in its reduction, then in its expansion. In this regard, I would like to draw attention to another remarkable feature of the Mahabharata. Despite its gigantic volume, this epic poem does not give the impression of randomness and variegation. Without dwelling on the literary merits of the Mahabharata, it can be said with confidence that on closer acquaintance this epic work as a whole turns out to be a surprisingly proportionate and harmonious structure.

However, not only the grandiosity of the volume makes the Mahabharata one of a kind. Its content is also unique in many respects. Even an unprepared reader of the Mahabharata strikes with its encyclopedic nature. We can say that it contains almost all the knowledge of that time about religion, mythology, laws, ethics, philosophy, the art of government and warfare, history, ethnography. The Mahabharata is a very complete historical account of the long period of India's past, written with an excellent understanding of the lives of men and women of all walks of life. An epic with truly cinematic precision, frame by frame unfolds before us living picture cultural life of Indians for several centuries. No one expressed himself more eloquently about this “Indianness” of the epic than the comprehensively competent German Indologist Herman Oldenberg, who owns the words: “The single soul of India and the soul of each Indian separately breathe in the Mahabharata.” Therefore, Mbh can be called the national saga of India in its most complete sense of the word. There is nothing surprising in the fact that the Indians elevated their epic to the rank of the fifth Veda, thereby recognizing it as the same sacred authority as the four Vedas. This obviously means that in reality the Mahabharata is of greater importance than all the Vedas and others sacred books of India.

The pathos of the Mahabharata is not limited to the borders of one India, one people, it has truly acquired a universal, universal sound. And a careful study of the Mahabharata convinces us that this statement is not an exaggeration. Truly, the Mahabharata is a wonderful testimony to the collective conscious, unconscious and subconscious in man. Perhaps there is no such human thought and feeling that is not captured in the epic; there is not a single conceivable situation of human life that is not described in the epic. Perhaps the most amazing feature of the Mahabharata is that any reader finds lines that seem to be addressed directly to him. In this sense, the Mahabharata belongs not only to Indians, but to all the people of the Earth.

The author of the epic never loses sight of the underlying conflict. The enmity between the Kauravas and the Pandavas, which is the central theme of the poem, is not, according to Dahlman, historically reliable. Otherwise, Indian history would certainly have preserved traces of this enmity in one way or another. It seems that the author set himself exclusively didactic goals, i. wanted to portray the conflict between good and evil and show that good eventually triumphs over evil.

In the history of ancient Indian literature, we can thus trace the development of two major literary traditions. One of them, the tradition of mantras, very quickly consolidated due to, so to speak, its openly religious-priestly content and, accordingly, quickly acquired a fixed literary form. The sut tradition, on the contrary, remained “fluid” for a long time, perhaps because its keepers did not find such a central plot or corresponding literary core that would be able to unite all the diversity of its elements around itself. However, over time, such a plot, which made it possible to unify and combine epic material, appeared. It was the most important event in the history of ancient India. As a result of the famous Vedic “battle of ten kings”, the Bharat clan gained certain power over other states and principalities created by both the Aryans and the indigenous population. The offspring of this powerful clan probably reigned supreme over a large part of northern India until the 13th - 12th centuries. BC, until at first glance, an insignificant "family" strife did not hang like a menacing cloud on the political horizon of the whole country. The history of the conflict between the Kauravas and their Pandava cousins ​​is too well known to be repeated here. The conflict arose due to the fact that the Pandavas began to claim part of the kingdom of Hastinapura, in which the blind king Dhritarashtra ruled. Due to the high position of the Bharata house in political life In India at that time, the usual family strife soon acquired the proportions of a national disaster. The kings and leaders of the whole country were divided into two warring camps, depending on who they were loyal to. The epic battle took place on the famous field of Kurukshetra. The battle lasted only eighteen days, but these days shook the whole country. Both armies, the flower of Indian youth, perished in this field. In the end, the victory went to the Pandavas, and the war was rightly called the war of the Bharatas.

INTRODUCTION

Whatever happens in the world, and whatever this world is, the story of Vyasa tells that there is a world. Remember that life is the result of your actions. Today we say goodbye to you with respect and love ... "
Mahabharata, the final word

"MAHABHARATA" - INDIAN "BOOK OF KINGS"
"Mahabharata" is one of the largest literary works in the world, along with the Tibetan "Poem about Geser" and the Kyrgyz epic about Manas. The book is a complex but organic complex of epic narratives, short stories, fables, parables, legends, lyrical-didactic dialogues, didactic reasoning of theological, political, legal nature, cosmogonic myths, genealogies, hymns, laments, united in the typical way for large forms of Indian literature. framing principle, contains more than 100,000 couplets, which is four times the length of the Bible and seven times the length of the Iliad and Odyssey combined. The Mahabharata is the source of many plots and images developed in the literatures of the peoples of South and Southeast Asia. In Indian tradition it is considered the "fifth Veda". One of the few works of world literature, which claims that it has everything in the world.

Researchers believe that the Mahabharata was based on legends about real events that took place in Northern India in the late Vedic period: in the war between the unions of the Kuru and Panchala tribes, which ended in the victory of the Panchalas. The genealogies of the rulers make it possible to date the battle to the 11th century. BC e .. Later astronomical calculations of Indian medieval authors give a date of 3102 BC. e.

ABOUT MAHABHARATA
Translated into Russian, the word Mahabharata means "The Great Legend of the Descendants of Bharata", or "The Legend of the Great Battle of the Bharatas". "Mahabharata" - a heroic poem, a kind of "Book of Kings" of ancient India, consisting of 18 books, or parv. In the form of an appendix, she has another 19th book - "Harivansha", i.e. "The Pedigree of Hari". In the Russian version of the Mahabharata, edited by Academician A.P. Barannikov, which began to appear in the USSR in 1950, the monument contains over a hundred thousand shlokas, or couplets, and is eight times larger than Homer's Iliad and Odyssey taken together.

According to the monument itself, in addition to the current complete edition of the Mahabharata, there was also the original - a short edition of this poem, consisting of twenty-four thousand slokas. This edition sets out the main story of the epic, which is dedicated to the history of irreconcilable enmity between the Kauravas and the Pandavas - the sons of the two brothers Dhritarashtra and Pandu. Into this enmity and the strife caused by it, according to the legend, numerous peoples and tribes of India, northern and southern, are gradually involved. It ends in a terrible, bloody battle, in which almost all participants on both sides die. Those who won at such a high cost unite the country under their rule. Thus, the main idea of ​​the main story is the unity of India and further peace and mercy.

The Indian literary tradition considers the Mahabharata to be a single work, and its authorship is attributed to the legendary sage Krishna-Dvaipayana Vyasa. According to the Mahabharata scripture, Vyasa, the author of the story, is the son of the beautiful Satyavati, the daughter of the king of fishermen, by the wandering sage Parasara. Vyasa is revered not only as a contemporary, but also as a close relative of the heroes of the Mahabharata.

Screen adaptation of the Mahabharata
Year of release: 1988, country: India, genre: drama, duration: 19:05:18, translation: monophonic, there are subtitles in English.
Directed by: Ravi Chopra.
Cast: Gajendra Chouhan, Arjun, Praveen Kumar, Sameer, Sanjeev, Nitish Bharadwaj, Puneet Issar.
Plot: based on the plot of the series "Mahabharata" original text Indian epic of the same name, which is a complex of epic narratives, short stories, fables, parables, legends, didactic reasoning of theological, political, legal nature, myths and genealogies. The plot of the epic is a story about a feud between two dynasties claiming the throne, which lasted 18 years. At one time, the series was so popular in India that during the hours of the next episodes, the train schedule was even changed, as passengers refused to travel during broadcasts.
Quality: TeleCine, format: AVI, video codec: DivX, frame size: 528x400 pixel, frame rate: 29.97 fps, video bitrate: 459 kbps.

MAHABHARATA COLLECTION ON YOUTUBE
http://www.youtube.com/watch?v=APMHgimC8JM

SUMMARY OF THE MAHABHARATA
The kingdom of Hastinapura is dominated by King Dhritarashtra. He was born blind. His younger brother Pandu, who ruled the kingdom in his place, retired with his two wives to hermitage in the Himalayas. Dhritarashtra had one hundred sons and one daughter by his wife Gandhari. The eldest among them was Duryodhana, cunning and power-hungry. Pandu had five sons who were born to his wives by various demigods. After the death of Pandu and his wife Madri, who went to his funeral pyre, the sons of Pandu are taken under the care of their uncle - Dhritarashtra - and are brought up together with his sons. All cousins ​​study military science under the famous Brahmin Drona.

With their remarkable achievements in the sciences and martial arts, the Pandavas (sons of Pandu) arouse the envy and hatred of the Kauravas (sons of Dhritarashtra). Duryodhana plots to destroy the Pandavas without neglecting any means, but his attempts are always unsuccessful. Finally, Duryodhana obtains the deportation of the Pandavas on a plausible pretext to the city of Varanavata, where a tar house was built for them. Warned about this, the Pandavas, along with their mother Kunti, escape from the house through an underground passage. But everyone considers them dead.

Meanwhile, the Pandavas roam the dense forests, experiencing various adventures. On the advice of the Gandharva Chitraratha, they choose a domestic initiate who becomes their mentor. At this time, Drupada, the king of the northern Panchalas, arranges a solemn assembly for the marriage of his daughter Draupadi-Krishna. Tsars and princes gathered from all sides, and the bride herself must choose a groom from the circle of applicants and lay a wreath on him. King Drupada tests suitors with a bow. Whoever draws a tight bow and hits the target will receive the bride's hand. But all the kings and princes try in vain: none of them can bend the stiff bow. Then Arjuna enters the arena disguised as a brahmin. He draws his bow in an instant and pierces the target. Draupadi lays a wreath on him and by law must become his wife.

Having become related to Drupada, the Pandavas acquire in him a strong ally. King Dhritarashtra, who considered the Pandavas dead, learns about everything that happened and, at the insistence of advisers, divides the kingdom between the Pandavas and his sons. The Pandavas receive half of the kingdom in the desert part of the country. There, on the river Yamuna, they found the capital Indraprastha. Yudhisthira and his brothers reign there, while Duryodhana and his brothers rule in Hastinapura, the hereditary capital. Mutual enmity between cousins, however, does not weaken.

After some time, Yudhishthira performs the royal prayer "Rajasuya", which can only be performed by a powerful king who is able to subjugate neighboring sovereigns. To this end, Yudhishthira, along with his brothers, conquers neighboring countries. The Kauravas, sons of Dhritarashtra, offer the Pandavas a game of dice. Yudhishthira enters into a game with Duryodhana and gradually loses to him all his property and kingdom, even himself, all his brothers and his common wife - Draupadi. She is brought to the assembly hall and subjected to insults. Laughing loudly, "Slave!", Dushasana, Duryodhana's brother, drags her by the scythe. Shocked by such a sight, Bhimasena makes a terrible oath: he will not calm down until he takes revenge on Dushasana and drinks his blood. Suddenly there is a howl of a jackal and the cry of a donkey, screaming with a human voice. Frightened by the ominous omen, Dhritarashtra offers three boons to Draupadi. Draupadi asks not to be Yudhishthir's slave and that his four brothers also get their freedom. She refuses the third gift. Dhritarashtra grants freedom to all and returns to the Pandavas all their property and kingdom.

Some time passes, and Duryodhana, having obtained permission from his father, draws Yudhishthira into a new game. Terms new game, the loser must retire with his brothers into exile for twelve years, and spend the thirteenth year unrecognizable. If during the last year he is recognized, he will have to retire again for twelve years. Yudhishthira loses again and goes into exile with his brothers and Draupadi. Here they are visited by Krishna and various sages. The adventurous life of the Pandavas in the forest lasts twelve years.

When twelve years have elapsed, the Pandavas disguised one by one go to the court of King Virata and enter his service. For a whole year they live unrecognized at King Virata and gain universal favor. The country of Matsya, where Virata reigns, is attacked by the Kauravas. In the battle against the Kauravas, Uttara, the son of King Virata, appears. Pandavas also take part in it. Arjuna becomes Uttara's charioteer. He raises his weapon, announces his name and defeats the Kauravas. The thirteenth year of wandering for the Pandavas has passed. They fulfilled all the conditions stipulated by the game. The Pandavas send an ambassador to Duryodhana demanding the return of half of the kingdom.

Duryodhana refuses to comply with the legal demand of the Pandavas. War between the Kauravas and Pandavas becomes inevitable. Both sides are preparing for it and gaining allies. The peoples and tribes of India, northern and southern, adjoin - some to the Pandavas, others to the Kauravas. Krishna, the closest relative and friend of the Pandavas, gives his army to the Kauravas, while he himself remains on the side of the Pandavas as a wise adviser. Then he becomes Arjuna's charioteer. The Kauravas are persuaded to give up half of the kingdom, but to no avail. The enemy troops flock to the north and line up on the boundless Kurukshetra - on the "Field of the Kauravas". War has been declared. Dhrishtadyumna, the son of King Drupada, became the head of the army of the Pandavas, and their grandfather Bhishma became the commander of the Kauravas. The conditions of the battle are announced, and the names of the heroes are announced.

A great battle begins, which lasts eighteen days. Glorious heroes perish one by one. Bhishma falls, mortally wounded by Arjuna. The Kauravas are defeated and suffer heavy losses. Resistance is still being offered by Duryodhana and his uncle Shakuni. But they, too, with the mountaineers of their faithful comrades-in-arms, the survivors, run away from the battlefield. Duryodhana plunges into the lake and hides in the water, breathing through the reeds. But then the Pandavas overtake him and subject him to insults. Duryodhana hears their taunts and, unable to bear them, comes out onto dry land. He engages in single combat with clubs with Bhima. The hard fight goes on for a long time. Finally, after using dishonest fighting techniques, Bhima manages to deliver a fatal blow to Duryodhana. Bhima also kills Dushasana and, according to this vow, drinks his blood.

Duryodhana dies. His friends mourn him and vow to destroy all the Pandavas. One of the Kauravas, Ashvatthaman, the son of Drona, was sleeping under a tree and was woken up at night by the calls of birds. It was the owl that attacked the crow's nest and destroyed all the crows. Ashvatthaman sees this as a happy omen. Together with his friends, he goes to the camp of the sleeping Pandavas and ruthlessly slaughters them. Almost no one was left alive, but the five Pandava brothers escaped because they were not in the camp that night.

The great battle, which lasted eighteen days, ended with the almost complete annihilation of both sides. Found the death of all eighteen armies that took part in the battle. The wives of fallen heroes mourned their husbands and relatives when the Pandavas came to the battlefield. There is their reconciliation with the Kauravas. Draupadi is deeply saddened by the loss of her brother and five of her sons. Gandhari, the wife of the aged king Dhritarashtra, weeps bitterly, mourning the death of her hundred sons. A bonfire is erected on which the bodies of the fallen in battle are burned.

The terrible consequences of the battle make a tremendous impression on the winners themselves, and Yudhishthira decides to leave the kingdom. To atone for sins, he arranges a horse sacrifice. The aged king Dhritarashtra, Gandhari and Kunti decide to go into seclusion. They retire to a secluded abode and die there. Then Krishna also leaves - the last and most close friend pandavas. The death of Krishna greatly depresses the Pandavas: they leave the kingdom and are going on their last journey.

Yudhishthira ordains Arjuna's grandson Parishita. All five Pandava brothers and Draupadi say goodbye to everyone and set off on a distant last journey to the Himalayas, to the sacred Mount Meru. On the way, one by one, all the companions of Yudhishthira fall and die. Only Yudhishthira remains. The King of Heaven leaves to meet him and escorts him to Paradise. However, in Paradise, Yudhishthira finds neither brothers nor Draupadi, but sees Duryodhana and his brothers there. Yudhishthira asks where his brothers are and refuses to stay alone in Paradise. Then he is shown the brothers and Draupadi, who are in hell amidst torment and horror. Yudhishthira wants to share their fate. But he is told that those who have sinned do not go first to hell to leave their sins there, and then ascend to Paradise. Those who have committed many sins, like Duryodhana, first go to Paradise, and then fall into hell, so that they can more fully realize the horror of their situation. Yudhishthira returns to Paradise with his brothers and his wife Draupadi.
Quoted from the Mahabharata book. 1 "Adiparva", translation from Sanskrit and comments by V.I. Kalyanova, under. ed. acad. A.P. Barannikova, M. 1950. (V.I. Kalyanov "Brief information about the Mahabharata", p. 595)

IMAGES OF THE MAHABHARATA
Abhimanyu ("furious") - the radiance of truth.
Amba ("mother") - the shield of God's truth, soul, forgiveness.
Ambalika - gratitude.
Ambika is mercy.
Arjuna ("white", "bright") - truth, defenders of truth, thoughts of truth, God's truth, north.
The Battle of Kurukshetra (similar to Armageddon) is a holy war, the final war.
Ashvatthama ("horsepower") - aggression.
Balarama ("strength") - manifestations of eternity and infinity.
Brahma is the Creator, the Holy Trinity.
Brihaspati - Heaven, God's inspiration.
Bharata (Ancient India, which included Bactria, Afghanistan, Turkmenistan, Uzbekistan, Tajikistan, Kyrgyzstan, Persia) - the first angelic people on the planet, the kingdom of heaven, planet Earth, humanity.
Bhima ("terrible") - power, strength, heroism, east.
Bhishma (“terrible”) - providence, friendliness, sight, clairvoyance, the world that is fading into the past.
Vasudeva are the protectors and parents of the new world.
To return the Pandavas from exile is to return the Earth to God.
Vidura - truth, ethics, beauty, ethical principles, Heaven, truth, directness, heavenly science, fidelity.
Vichitravirya - imposture, capture.
Vishnu - Patron, Protector, Holy Trinity.
Vyasa (“fractionality”, “division”, “division”, “detail”, “detailed presentation”, “scattering”, “scattering”) - God's order.
Ganges - mercy, mercy, humanity.
Gandhari - piety, dharma, duty, basis, society, mother earth, earthly duty, giving birth from the earth, conscience, conscience of mankind.
Gokul - Earth, humanity.
Ghatotkacha (“hairless as a pitcher”) – self-surrender.
Dvaraka is the gate to eternal happiness, the kingdom of heaven, Holy Russia.
Devavrata ("faithful to God") - the future, providence, thoughts of providence.
Devaki - Heavenly Kingdom, Heaven.
Jarasanha - hell, hells.
Dynasty is the future of mankind.
Draupadi - truth, faith, mercy, common people, kingdom, society, Heaven, honor of mankind, religion, faith, fire, heavenly weapon.
Drona ("born in a vessel") - traditions; the court and the church in the country as public institutions.
Drupada is humanity, the new world.
Durvasa (“who is difficult to live with”) - curses, anger, quarrels.
Duryodhana - evil (anger, slander, malevolence, blasphemy), hell, selfishness, revenge, the call of death, injustice, sin, damnation, strife, devastation.
Dushasana - greed.
Dhritarashtra ("powerful king") - blind pride, ambition, spiritual blindness and "swamp", fear.
Dhyana - concentration, contemplation, clairvoyance, vision with the mind.
Dice game - excitement, game and "counting" of votes in elections.
Campiglia is a new world.
Kamsa (or Kansa) - godlessness, infanticide, war, criminal system, criminals, seizure, invaders; politicians appropriating public wealth.
Karna (“sensitive”, “eared”) - decency, return of debts, an army in the country, cockiness.
The Kauravas are the protectors of evil and falsehood, two-thirds of humanity.
Kashi is the kingdom of the future, the future.
Krishna (“the color of a thundercloud”) is the Lord, the Messenger of the world, the Messenger, God's mind. It is believed that Krishna was born on July 19, 3228 B.C. died February 18, 3102 BC; participated in the Battle of Kurukshetra at the age of 89; lived 117 years, 28 of which were under the control of Ancient India by the Pandavas.
Kunti - Sky, Mother Sky, giving birth from Heaven.
Kurukshetra is the battlefield of the soul, the heart.
Bow Gandiva - heavenly understanding, God's freedom.
Nakula - God's beauty, the beauty of Creation, the west.
Clothes are the clothes of the soul, the physical body.
The Pandavas are the protectors of truth, a third of humanity.
Pandu ("pale") - promotion, progress, protection of truth, sincerity.
Pashupastra is the weapon of Shiva (“good”, “merciful”), gratitude.
Rajasuya - praise to the heavenly Father.
Radha - Holy Russia, the Kingdom of Heaven.
Rohini ("red") - God's inspiration, God's care.
Satyavati (true, truthful) - public morality.
Sahadeva - God's patience, mystery, (astrology, providence), south.
Holy Russia - pure Russia; society, clean from lies, evil, bad deeds.
The heart is the nature of a person.
Subhadra ("happy") - purity, inspiration.
The throne of Hastinapur is the throne of humanity, Holy Russia, pure Russia.
Ugrasena - humility.
Uttara ("extreme") - disinterestedness.
Hastinapur - humanity, society.
Ambition - a thirst for power and wealth, claims to fate, appropriation of other people's opportunities and ideas.
Shakuni - deceit, lies, false thoughts, "sneaking", envy, conspiracy, incitement, intrigue, slander, a veil of greed, intrigues, poisoning, gambling, snakes, envy; politics devoid of ethics, carried out by secret services, secret services.
Shantanu ("beneficial") - "intermediate" ancestors.
Shiva (Mahadeva, Maheshvara) - truth, gratitude, the Holy Trinity.
Shikhandi is the shield of God's truth, the soul.
Shishupala - gloating, blasphemy, atrocities, hatred of the Lord.
Yudhishthira (“steadfast in battle”) - the kingdom of heaven, truth, Holy Russia, steadfastness, society, kindness, benevolence, philosophy, forgiveness, great soul, blessing.
Yadavas are celestial senses.
Yashoda is humanity, the earthly kingdom.

CONCLUSIONS FROM THE MAHABHARATA
It would be strange to think that Jesus Christ created His own religion and generally set such a goal for Himself. Today, in the 21st century, it has already become widely known, proven and recognized that Jesus spent a significant part of his life in India, and His life was essentially the embodiment of the main ideas that reflect the most ancient - ubiquitous and eternal religion, which is recorded in the "Vedas" and in the Mahabharata.

In the Mahabharata, as well as in the Rigveda, compiled long before the first books of the biblical prophets, we find all the miracles of Christ. This is walking on the water, and the healing of the afflicted, and the transfiguration, and the virgin birth, and the onset of the golden age, and prophecy, and the world sacrifice lying on the arrows, and the resurrection from the dead, and the miracles of the heavenly forces and elements, and the monotheism of the Trinity, and a message about peace, about God's mercy and forgiveness - that in wars there is no winning side, but truth always wins, on the side of which is the Kingdom of Heaven. There is a story in the Mahabharata about the beating of babies by the godless king Kamsa, when the Eighth son of Devaki was supposed to come into the world, and a story about a miracle with a snake, and much more. In the case of the Mahabharata, the Kingdom of Heaven is called Hastinapur, and the description of the battle on Kurukshetra between good and evil became the prototype of the story of Armageddon described in the Revelation of St. John the Theologian.

Having embodied the essence of the ancient Indian “Book of Kings” (“Mahabharata”) on Israeli soil, Jesus not only summed up the ancient Scripture, clearly setting out its foundations, and removing everything superfluous, but also prepared in the future the union of the Christian world and India on the basis of the ancient, wisest teaching set forth in the books of the Vedas and the Mahabharata.

the main idea"Mhabharata" - the one who won the war loses, and in the end it is not the one who "wins" who wins it. War is not a way to solve problems, it can only hurt the heart. The path of peace is the path of progress and development, while the path of war leads only to the graveyard. You can respect only that person who left his life for the sake of duty, loyalty and truth. This can also be read in the modern revision of the Vedas.

A complete review of the "Mahabharata" in the refraction of this text by the prism of modernity was made by us in the summer of 2012 in "24 Messages to the Eighth Council of the Peoples of Holy Russia":

It was a large and fascinating, prophetic work of a whole group of authors. When you have time, check out these fascinating texts. These are literally interlinear "Mahabharata" as applied to contemporary events.
Thus, it was possible to predict the date of the Ukrainian Euromaidan in more than a year, to describe in advance the November eclipse of 2013 as a catastrophe in Kyiv (Rus), a fire in the Odessa House of Trade Unions. By the way, the symbol of Shiva is the Trident, which is also the symbol of the coat of arms of Ukraine, and accusations against Ukrainians of "fascism" are associated with the swastika symbol - the ancient Aryan symbol of Rama, Krishna and the ancient holy sages. These symbols are found many times in India itself - and it is enough to open the sections of encyclopedias related to "Hinduism" to see the swastika.
Thus, the trident and the swastika are a kind of "greetings from ancient India", which is really, genetically connected with Russia and Ukraine. And the confrontation described in the "Mahabharata" between Duryodhana in the face of today's Moscow Kremlin and the Pandava brothers in the face of the Ukrainian nation (brothers of the Slavs) not only did not die out by the end of 2017, but is gaining momentum. In this case, Crimea is Indraprasth, northern for Hastinapur, Draupadi is the common people of Russia and Ukraine insulted by false and soulless rulers. It is impossible to offend the people - neither by lies, nor by propaganda, nor by theft, nor by ignorance, nor by war. This is the main precept of the Mahabharata. And the fruits are already ripe (for those Russians who hide trillions of dollars (!) Offshore).

Svetlana, thanks for your response. Wish you creative success, health, courage. Again for everyone I will quote the final words from the Mahabharata:

“...Today Vyasa's epic poem ends...

Oh man, this is my last meeting with you. Let this story be the impetus for solving problems. This story has become your armor and also your weapon. Apply this story to find out all those who do evil in modern society. The light of this story will show all the negative sides even today, as it was in ancient Hastinapur.

You will see lies disguised as truth. Today's dronacharyas are on the same side with injustice and are making unreasonable demands. Their silence makes it clear that they are all accomplices of evil.

O man, embark on a new path, or you will also be enveloped in darkness, like Karna. Become the heir of light, truth and justice. Turn Kurukshetra into sacred ground in your heart. This is liberation.

Whatever happens in the world, and whatever this world is, the story of Vyasa tells that there is a world. Remember that life is the result of your actions. Today we say goodbye to you with respect and love ... "
With respect and love, Ilya Klimenchuk