When the reader opens Kuprin's work "Garnet Bracelet", he does not even suspect that he will be lucky enough to read a story about love. Kuprin wrote many works about love, in its various manifestations. Like many writers before him. But love of this type, as we see in the "Garnet Bracelet", is very rare, this is understood by the author himself, and the reader, and the heroes of the work, who saw with their own eyes the greatest manifestation of human feelings - selfless, selfless love, which requires almost nothing in return .

Lyubov Zheltkova is like an ornament for the work, as it seems at first. It acts as a joke at a family dinner, as entertainment, and does not carry anything serious. But, despite the fact that the author does not seem to attach seriousness to this episode, we feel that this is why we are here. All conversations, all hints and half-hints, sentences and words lead us gradually to understanding the main idea of ​​the work, which is also a question - what exactly is Zheltkov's love. Was it madness or did Vera Nikolaevna meet true true and devoted love, which, as it seemed, no one in this world is capable of.

The author gradually prepares us for what we will see at the end of the work. The stories of General Anosov, the reasoning and thoughts of Anna Nikolaevna, the jokes at dinner, the letter and the garnet bracelet communicate this to the reader. They say that somewhere nearby there are still feelings that have a deep, serious underlying reason. Which are far from the convenience and the material world, which should be respected.

Despite the comical situation, no one is funny. Despite the fact that no one took Zheltkov seriously, no one sowed over his feelings. He inspired respect even for the husband of Vera Nikolaevna by confessing from the bottom of his heart that he loves his wife. He inspired respect with his love, which lasted almost eight years, and over the years only became stronger and more fiery.

Zheltkov, accidentally carried away by Vera Nikolaevna, could no longer forget her and wanted to write letters to her. But she refused him and asked him not to disturb her anymore and not to bother herself. Her desire was law for him, and he stopped writing, but he never stopped thinking about her, about her well-being and happiness. For him, the main thing was that Vera Nikolaevna was well and calm, his own interests had long gone by the wayside for Zheltkov. Only occasionally did he allow himself to write a congratulatory letter to the woman he loved more than his life. And once he dared to send her a gift, which was the only material object that he presented to her in all the years of his worship.

His tragedy also lay in the fact that he was absolutely in his mind, in his right mind and was fully aware of his position. He understood that his love would always remain unrequited, but he resigned himself to this, and even found, quite likely, his own way to enjoy it. It was a pleasure for him to know that Vera Nikolaevna was healthy and happy.

The culmination of his Love comes when he commits suicide. He can no longer just be an unknown admirer and admirer, he has revealed his name, but he, as he himself perfectly understands, always remains superfluous in the life of the one whom he loves more than life. Moreover, he will always be a reproach to her that, perhaps, her great love passed by, and she did not even pay attention to her. He simply decides to leave, and at the moment when he no longer cares, he meets Vera Nikolaevna face to face. It was their first and last meeting. Perhaps Zheltkov understood that in other circumstances she simply could not have met.

Yes, I foresee suffering, blood and death. And I think that it is difficult for the body to part with the soul, but, Beautiful, praise to you, passionate praise and quiet love. "Hallowed be thy name"...

In the dying sad hour, I pray only to you. Life could be great for me too. Do not grumble, poor heart, do not grumble. In my soul I call for death, but in my heart I am full of praise to you: "Hallowed be your name" ...

A. Kuprin

In the 20th century, in the era of cataclysms, in a period of political and social instability, when a new attitude to universal values ​​began to form, love often became the only moral category that survived in a collapsing and dying world. The theme of love became central in the work of many writers of the beginning of the century. She became one of the central themes in the work of A. I. Kuprin. Love in his works is always disinterested, selfless, "no life's conveniences, calculations and compromises" concern it. But this love is always tragic, obviously doomed to suffering. Heroes are dying. But their feelings are stronger than death. Their feelings don't die. Isn't that why the images of "Olesya", "Duel", "Sulamith", "Pomegranate Bracelet" remain in the memory for so long?

In the story "Shulamith" (1908), written based on the biblical Song of Songs, the ideal of love according to Kuprin is presented. He describes such "tender and fiery, devoted and beautiful love, which alone is more precious than wealth, glory and wisdom, which is more precious than life itself, because it does not even value life and is not afraid of death." The story "Garnet Bracelet" (1911) was intended to prove that such love exists in the modern world, and to refute the opinion expressed in the work by General Anosov, the grandfather of the main character: "... love among people has taken ... vulgar forms and descended simply to some kind of worldly convenience, to a little entertainment. And men are to blame for this, "satiated at twenty years old, with chicken bodies and hare souls, incapable of strong desires, heroic deeds, tenderness and adoration before love ..."

Kuprin presented the story, which others perceive as an anecdote about a telegraph operator who fell in love, as a touching and sublime Song of Songs about true love.

The hero of the story is Zheltkov G.S. pan Ezhy, an official of the control chamber, a young man of pleasant appearance, "about thirty, thirty-five years old." He is "tall, thin, with long fluffy, soft hair", "very pale, with a gentle girlish face, with blue eyes and a stubborn childish chin with a dimple in the middle." We learn that Zheltkov is musical and endowed with a sense of beauty. The spiritual image of the hero is revealed in his letters to Princess Vera Nikolaevna Sheina, in a conversation with her husband on the eve of suicide, but "seven years of hopeless and polite love" characterize him most fully.

Vera Nikolaevna Sheina, whom the hero is in love with, attracts with her "aristocratic" beauty inherited from her mother, "with her tall, flexible figure, gentle, but cold and proud face, beautiful, although rather large hands, and that charming sloping of the shoulders, which can be seen on old miniatures. Zheltkov considers her unusual, refined and musical. He "began to pursue her with his love" two years before her marriage. When he first saw the princess at the circus in the box, he said to himself: “I love her because there is nothing like her in the world, there is nothing better, there is no beast, no plant, no star, no. More beautiful than a person ... and more tender ". He admits that since then he "is not interested in anything in life: neither politics, nor science, nor philosophy, nor concern for the future happiness of people." For Zheltkov in Vera Nikolaevna "as if all the beauty of the earth was embodied." It is no coincidence that he constantly speaks of God: "God was pleased to send me, as an enormous happiness, love for you," "the love that God was pleased to reward me for something."

At first, Zheltkov's letters to Princess Vera were "vulgar and curiously ardent" in nature, "although they were quite chaste." But over time, he began to reveal his feelings more restrained and delicately: “I blush at the memory of my insolence seven years ago, when I dared to write stupid and wild letters to you, young lady ... Now only reverence, eternal admiration remain in me. and slavish devotion. “For me, my whole life lies only in you,” Zheltkov writes to Vera Nikolaevna. In this life, every moment is dear to him when he sees the princess or watches her with excitement at a ball or in the theater. When he passes away, he burns everything dear to his heart: Vera's handkerchief, which she forgot at the ball in the Noble Assembly, her note asking "not to bother her anymore with your love outpourings", the program of the art exhibition, which the princess held in her hand, and then I forgot in my chair when I left.

Knowing full well that his feelings are undivided, Zheltkov hopes and is "even sure" that someday Vera Nikolaevna will remember him. She, unaware of it herself, hurts him painfully, pushes him to suicide, uttering the phrase in a telephone conversation: "Oh, if you only knew how tired I am of this whole story. Please stop it as soon as possible." Nevertheless, in the farewell letter, the hero "from the depths of his soul" thanks Vera Nikolaevna for being his "only joy in life, the only consolation." He wishes her happiness and that "nothing temporary and worldly disturbs" her "beautiful soul".

Zheltkov is the chosen one. His love is "selfless, selfless, not waiting for a reward ...". The one about which it is said - "strong as death" ... such love, "for which to accomplish any feat, to give one's life, to go to torment is not labor at all, but one joy ...". In his own words, this love was sent to him by God. He loves, and his feeling "contains the whole meaning of life - the whole universe!". Every woman in the depths of her heart dreams of such love - "holy, pure, eternal ... unearthly", "one, all-forgiving, ready for anything."

And Vera Nikolaevna is also chosen, because it was her life that was "crossed" by real, "modest and selfless" true love. And if "almost every woman is capable of the highest heroism in love," then men in the modern world, unfortunately, have become impoverished in spirit and body; But Zheltkov is not like that. The date scene reveals many aspects of the character of this person. At first he is lost ("jumped up, ran to the window, pulling his hair"), he admits that now "the hardest minute has come" in his life, and his whole appearance testifies to inexpressible spiritual anguish: he speaks with Shein and Tuganovsky "with one jaw" , and his lips are "white ... as dead." But self-control quickly returns to him, Zheltkov again finds the gift of speech and the ability to reason sensibly. As a person who is sensitive and able to understand people, he immediately rebuffed Nikolai Nikolaevich, stopped paying attention to his stupid threats, but in Vasily Lvovich he guessed a smart, understanding person, able to listen to his confession. During this meeting, when a difficult conversation took place with the husband and brother of his beloved, and Zheltkov was returned his gift - a wonderful garnet bracelet, a family heirloom, which he calls "a modest loyal offering", the hero demonstrated strong will.

After a call to Vera Nikolaevna, he decided that he had only one way out - to die so as not to cause inconvenience to his beloved anymore. This step was the only one possible, because his whole life was centered around his beloved, and now he is denied even the last small thing: to stay in the city, "to see her at least occasionally, of course, without showing her eyes." Zheltkov understands that life away from Vera Nikolaevna will not bring deliverance from "sweet delirium", because wherever he is, his heart will remain at the feet of his beloved, "every moment of the day" will be filled with Her, the thought of Her, dreams of Her. Having made this difficult decision, Zheltkov finds the strength to explain himself. His excitement is betrayed by his behavior (“he stopped behaving like a gentleman”) and speech, which becomes businesslike, categorical and tough. "That's all," said Zheltkov, smiling arrogantly. "You won't hear about me anymore and, of course, you'll never see me again... It seems that I did everything I could?"

Farewell to Vera Nikolaevna for the hero is farewell to life. It is no coincidence that Princess Vera, leaning over the deceased to put a rose, notices that “deep importance” is hidden in his closed eyes, and his lips smile “blissfully and serenely, as if before parting with life he had learned some deep and sweet secret that solved throughout his human life." Zheltkov’s last words are words of gratitude for the fact that the princess was his “only joy in life, the only consolation, the only thought”, a wish for the happiness of her beloved and the hope that she will fulfill his last request: she will perform the sonata in D-dur No. 2, op. 2.

All of the above convinces us that the image of Zheltkov, written out by Kuprin with such nobility and enlightened love, is not an image of a “small”, pathetic, defeated by love, poor in spirit person. No, passing away, Zheltkov remains strong and selflessly loving. He reserves the right to choose, protects his human dignity. Even the husband of Vera Nikolaevna understood how deep this man’s feeling was, and treated him with respect: “I’ll say that he loved you, but he wasn’t crazy at all,” Shein reports after meeting with Zheltkov. “I didn’t take my eyes off him and saw every movement, every change of his face. And for him there was no life without you. It seemed to me that I was present at the tremendous suffering from which people die. "

An inconspicuous official, a "little man" with a funny surname Zheltkov, performed a feat of self-sacrifice in the name of the happiness and tranquility of his beloved woman. Yes, he was obsessed, but possessed by a high feeling. It was "not a disease, not a manic idea." It was love - great and poetic, filling life with meaning and content, saving man and humanity itself from moral degeneration. A love that only a select few are capable of. A love "that every woman dreams of... a love that only repeats itself once in a thousand years"...

The "Garnet Bracelet" was created to prove the existence of true, pure love in the modern world. To do this, he created a story, some perceive it as an anecdote about a telegraph operator who fell in love, while others perceive it as a touching "Love Song" - touching, pure.

The hero of the story is Zheltkov G.S. He was an official of the control chamber. The writer portrays him as a young man "about thirty-five years old", quite pleasant in appearance: tall, rather thin, with long soft hair. Constantly pale, face so tender, as if girlish, with a childish chin and blue eyes. Zheltkov is endowed with a sense of beauty, namely musical.

Our hero is in love with Vera Nikolaevna Sheina, a woman of "aristocratic" appearance. Zheltkov believes that she is unusual, sophisticated. At first, Zheltkov wrote letters of a vulgar and, at the same time, wise nature. But after a while, he began to reveal his feelings in a more restrained, delicate way. Every moment that he sees the princess is dear to him like nothing else.

Zheltkov - he is the chosen one. That selflessness, selflessness of his love is really strong as death. She does not wait for a reward, for her sake one can give one's life. All women dream of such "eternal, holy" love.

Vera Nikolaevna can be considered the chosen one, since real, selfless love passed through her life. Unfortunately, unlike women, in the modern world, men have become completely impoverished both in spirit and body; But Zheltkov is far from being such. And the dating scene proves it. As he feels and understands people well, he immediately stopped paying attention to the threats from Nikolai Nikolayevich.

Then, when this difficult conversation took place, Zheltkov was returned his own gift - an amazing garnet bracelet, a family heirloom, the hero showed a strong will. He decides that the only way out is to die, because he does not want to cause any inconvenience to his beloved. It was a farewell to life for him. His last words of gratitude to the princess for the fact that she is his only joy, his only consolation, were a wish of happiness for his beloved.

All this proves that Zheltkov is endowed with Kuprin nobility. This is not an image of a “little” person, poor in spirit, who was conquered by love. Saying goodbye to life, he turns out to be loving and strong selflessly.

Thus, an official, an “inconspicuous” person of a rather ridiculous surname Zheltkov, for the sake of the happiness of his beloved, gave his life to God. Of course, the fact that he was possessed is true, but what? High feeling! It cannot be considered a "disease". This love is great, the one that fills life with meaning and saves a person from the degeneration of morals. This is the love that only the chosen ones deserve.

Composition-reasoning "Garnet bracelet: love or madness." Love in Kuprin's story

Kuprin's story "Garnet Bracelet" reveals the secret riches of the human soul, so it is traditionally loved by young readers. It shows what the power of sincere feeling is capable of, and each of us hopes that we too are capable of feeling so nobly. However, the most valuable quality of this book lies in the main theme, which the author covers masterfully from work to work. This is the theme of love between a man and a woman, a dangerous and slippery road for a writer. It's hard not to be banal, describing the same thing for the thousandth time. However, Kuprin invariably manages to surprise and touch even the most sophisticated reader.

In this story, the author tells the story of unrequited and forbidden love: Zheltkov loves Vera, but cannot be with her, if only because she does not love him. In addition, all circumstances are against this couple. Firstly, their position differs significantly, he is too poor and is a representative of a different class. Secondly, Vera is married. Thirdly, she is attached to her husband and would never agree to cheat on him. These are just the main reasons why heroes cannot be together. It would seem that with such hopelessness one can hardly continue to believe in something. And if you do not believe, how to feed the feeling of love, devoid of even hope for reciprocity? Zheltkov could. His feeling was phenomenal, it demanded nothing in return, but gave everything of itself.

Zheltkov's love for Vera was precisely a Christian feeling. The hero resigned himself to his fate, did not grumble at her and did not rebel. He did not expect a reward for his love in the form of a response, this feeling is selfless, not tied to selfish motives. Zheltkov renounces himself, his neighbor has become more important and dear to him. He loved Vera as himself, and even more. In addition, the hero turned out to be extremely honest in relation to the personal life of his chosen one. In response to the claims of her relatives, he humbly laid down his arms, did not persist and impose his right to feelings on them. He recognized the rights of Prince Vasily, understood that his passion was in some sense sinful. Not once in all these years did he cross the line and dare not come to Vera with an offer or somehow compromise her. That is, he cared about her and her well-being more than about himself, and this is a spiritual feat - self-denial.

The greatness of this feeling is that the hero managed to let go of his beloved so that she would not feel the slightest discomfort from his existence. He did it at the cost of his life. After all, he knew what he would do with himself after spending state money, but he went for it consciously. At the same time, Zheltkov did not give Vera a single reason to consider himself guilty of what had happened. The official committed suicide because of his crime. Desperate debtors in those days shot themselves to wash away their shame and not shift material obligations onto relatives. His act seemed to everyone logical and in no way connected with a feeling for Vera. This fact speaks of the unusual trepidation of the relationship to the beloved, which is the rarest treasure of the soul. Zheltkov proved that love is stronger than death.

In conclusion, I want to say that the noble feeling of Zheltkov is not depicted by the author by chance. Here are my thoughts on this: in a world where comfort and routine obligations crowd out true and sublime passion, it is necessary to sober up and not take the loved one for granted and everyday. You need to be able to appreciate a loved one on an equal footing with yourself, as Zheltkov did. It is this reverent attitude that the story “Garnet Bracelet” teaches.

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The theme of love has been one of the most important in world and Russian literature since its inception. This feeling has a variety of definitions, but perhaps the most comprehensive is the gospel definition: "This mystery is great." Kuprin leads the reader to the understanding of the great mystery with the whole system of images of the short story “Garnet Bracelet”.

The secret of God's gift of love, pure and unique, lofty to the point of self-sacrifice, creating a high atmosphere of morality, the author embodied in the image of the "little man" Zheltkov.

The novel opens with a description of the coming autumn based on the principle of contrast. In mid-August the weather is “disgusting”. It is accompanied by “dense fog, fine as water dust, rain, turning clay roads and paths into solid thick mud”, a ferocious hurricane, “the siren at the lighthouse roared like a mad bull” ... The trees swayed ..., “like waves in a storm”.

By the beginning of September, the weather changes dramatically. “Quiet cloudless days, so clear, sunny and warm, which were not even in July. On the dry, compressed fields, on the prickly yellow bristles, autumn cobwebs shone with a mica sheen. The calmed trees silently and obediently dropped their yellow leaves.

This contrasting landscape, depressing and joyful, seems to anticipate a natural change in the life of Princess Vera Nikolaevna Sheina and the official of the control chamber Zheltkov, where Divine purity and tragedy, insight and faith in eternal, unearthly love will harmoniously merge together. The author gives the state of mind of Vera Nikolaevna through the prism of her attitude to natural beauty, dissolved in the vast world of being.

“She was very happy about the wonderful days that had come, silence, solitude, clean air, the chirping of swallows on the telegraph wires…”.

Naturally sensitive, she has long since lost the feeling of love for her husband. They were friends and took care of each other.

Faith intuitively searches for an answer to the question of whether there is love and how it manifests itself.

The author explains the thirst for love and the naivete of married sisters as a stereotype that has developed in many generations, where love is replaced by habit and convenience. The author will lead his heroine, together with the reader, to true love, to the throne, on the altar of which life is laid.

Throughout the story, Zheltkov is the secret lover of Vera Nikolaevna

Sheina, who rarely reminds of himself with letters. For Vera's relatives, he seems ridiculous, insignificant. Vasily Lvovich, Vera's husband, not stupid, merciful, devotes a lot of space to Zheltkov in his home humorous magazine, depicts his caricatured imaginary portrait. Either Zheltkov a chimney sweep, or a monk, or a village woman, or he sends Vera a bottle of perfume filled with tears. In such a reduced manner, Shein portrayed the inferiority of the “little man”, who dared to fall in love with a woman who was not of his circle.

Probably, Prince Shein, at the moment of meeting with Zheltkov, realized his clownishness, since even Nikolai Nikolaevich Tuganovsky instantly saw the nobility of Zheltkov. He peers into the unusual appearance of a man, sees in him the inner work of the soul: “thin, nervous fingers, a pale, tender face, a childish chin.”

These are the external features of a person who perceives the world subtly, complemented by touches of his psychological experiences before Vasily Lvovich and Nikolai Nikolaevich. Zheltkov was at a loss, his lips turned dead, he jumped up, his trembling hands ran, and so on.

All this characterizes a lonely person who is not accustomed to such communication.

In the short story, the word "cliff" has a direct meaning and acquires the meaning of an image - a symbol. Vera lives on a cliff in front of which the sea is raging. She's afraid to look off a cliff. Zheltkov is constantly mentally there, on the precipice.

His speech to the guests who came to deprive him of what he lives on was a jump into the abyss from a cliff. With childish directness, he will say what the soul is filled with: “Sending the bracelet was even more stupid. But ... I can never stop loving her ... Imprison me? But even there I will find a way to let her know about my existence. There is only one thing left - death ... "

Zheltkov rushes off the “cliff” into oblivion when he hears Vera on the phone: “Oh, if you only knew how tired I am of this story.”

The appearance of Zheltkov, speech, behavior stirred up Shein. He suddenly saw in front of him a living person “with unshed tears”, with “an enormous tragedy of the soul”. Shein realized that he was not crazy, but a loving person, for whom life without Faith did not exist.

Vera hears from the landlady the words full of maternal love and sorrow: “If you knew, pani, what a wonderful person he was.” Vera learns from her that he asked to hang a garnet bracelet on the icon of the Mother of God. And cold Vera takes from the hands of the landlady Zheltkov's last letter written for her with tenderness, reads the lines addressed to her, the only one: “It's not my fault, Vera Nikolaevna, that God was pleased to send me, as an enormous happiness, love for you. If you remember me, then play or ask to play the sonata D-dur No. 2. op. 2”.

So, Zheltkov's love, eternal and unique, selfless and selfless, is a gift from the Creator, for which he gladly goes to death. Love Zheltkova heals Vera and two men from pride, spiritual dryness, gives rise to mercy in the souls of these people.

In Vera's family, there was no love between the spouses, although they felt comfortable and confident. There was no demand for love, as evidenced by Vera's conversation with Yakov Mikhailovich Anosov.

People nowadays have forgotten how to love. I don't see true love. Yeah, I didn't see it at the time either.

— Well, how is it, grandfather? Why slander? You were married yourself. So, did you love it?

“It means absolutely nothing, dear Verochka.

“Take at least Vasya and me. Can we call our marriage unhappy? Anosov was silent for a long time. Then he drawled reluctantly:

- Well, well ... let's say - an exception ...

Clever Anosov, who loves both Vera and Anna, very doubtfully agrees with Vera's concept of happiness. Sister Anna could not stand her husband at all, although she gave birth to two children.

He is the only one among the heroes of the story who smells roses on this autumn evening: “How roses smell… I can hear from here.” Vera put two roses into the buttonhole of the general's overcoat. The first love of General Anosov is connected with a girl who sorted through dry rose petals.

The subtle scent of roses reminded him of a life story, both funny and sad. This is an insert story in the short story "Garnet Bracelet", with a beginning and an end.

“Here I am walking down the street in Bucharest. Suddenly, a strong pink smell blew over me... Between two soldiers stands a beautiful crystal bottle of rose oil. They oiled their boots and also the locks of weapons.

- What is it with you?

“Some kind of oil, Your Excellency, they put it in porridge, but it’s not good, it hurts your mouth, but it smells good.”

Consequently, the soldiers do not need a delicate fragrance, their horizons are not the same, there is no need for beauty. The path to the pinnacle of spirit, beauty, the pinnacle of nobility is difficult and long.

The image of a rose, a symbol of love and tragedy, permeates the fabric of the novella from beginning to end. Both in the form of dry petals and in the form of already made oil, they are undoubtedly a parallel to all those love stories that grandfather tells, those that the reader himself observes among acting characters.

The image of a rose alive, red as blood, appears as an impossible phenomenon in autumn in the hands of Vera Nikolaevna. She laid it on the head of the deceased in recognition of his unearthly love. The same color is in the garnet bracelet, only it is a different symbol, a symbol of tragedy, “like blood”.

Realizing the power of Zheltkov's love, Vera is chained to Beethoven's music. And they whispered to her the magical sounds of the words of rapturous love: "Let your name shine." Conscious guilt dissolves in her copious tears. The soul is filled with sounds equivalent to words:

“Calm down, honey, calm down. Do you remember me? You are my one and only love. Calm down, I'm with you."

And she felt his forgiveness. It was the music that united them on this mournful day of the first meeting and farewell, just as Vera and Zheltkova united all eight years when he first saw her at a concert where Beethoven's music sounded. Beethoven's music and Zheltkov's love is an artistic parallel to the short story, which is preceded by an epigraph to the short story.

L. Von Beethoven. 2 Son. (op.2, no. 2)
Largo Appassionato

Thus, all artistic means: lively speech, inserted narratives, psychological portraits, sounds and smells, details, symbols - make the author's narrative a vivid picture, where love is the main motive.

Kuprin convinces that everyone has their own love. Either it is like autumn roses, or it is like dry petals, or love has taken on vulgar forms and condescended to everyday convenience and a little entertainment. The love that women dream of, Kuprin focused on the image of Zheltkov. His love is God's gift. His love will transform the world. Kuprin convinces the reader that the "little man" can have the richest soul, capable of making a beneficial contribution to the improvement of human morality. How important it is to understand this before the onset of the tragedy.

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