"Renaissance Art in Italy" - Leonardo da Vinci. Madonna and Child. The cradle of the art of the Renaissance or the Renaissance (from the French. Compose reference abstract. Humanity has its own biography: infancy, adolescence, maturity. Gothick style. Sandro Botticelli. Powerful spirituality. 15th century Florence. Antique style. Renaissance art in Italy.

"Art in the Renaissance" - Painting. Approximate chronological framework of the era of the XIV-XVI centuries. The renaissance originated in Italy. Botticelli. Pieter Brueghel the Elder. Dome of the Cathedral of St. Portrait of the Arnolfini couple. Architecture Cathedral of Santa Maria del Fiore, Florence. Sculpture. Saint Mark. High Renaissance. Raphael. The most mature work is the statue of David.

"The Art of the High Renaissance" - Mona Lisa (La Gioconda). Madonna Litta. Northern Renaissance. Rembrandt. Michelangelo Buonarroti. Durer became famous. High Renaissance in art Grade 7 New story. Self-portrait in youth. engravings. Erasmus of Rotterdam. Rafael Santi. The artist received great fame as the author of frescoes in the Sistine Chapel.

"The Art of the Northern Renaissance" - Pierre de Ronsard (1524-1585). Represents French Renaissance literature. Today we live, and tomorrow - who will predict? Writers Francois Rabelais (1494-1553). Music Flemish composer of the 15th century. G. Dufay. Northern Renaissance. Well educated: knew chemistry, geography, geometry. Van Eyck asserted the inherent value of the human personality, inner dignity.

"Renaissance Painting" - Northern Renaissance. Pieter Brueghel the Elder, The Blind, 1568, National Museum and the Capodimonte Gallery. Early Renaissance. Raphael. From Italian. cinquecento (five hundred). Proto-Renaissance. quattrocento - 1400s. Early Renaissance, High Renaissance. cinquecento - 1500s. Beginning of the Proto-Renaissance. trecento - 1300s.

"Renaissance lesson" - Lady with an ermine. Michelangelo. Christmas. "The whole world is a theater, and the people in it are actors." Page of an old book. Michelangelo Buonarroti 1475-1564. William Shakespeare. Bridges, valleys, groves, rivers And the air is blue. It has a reserve of strict tenderness. Monument to Cervantes. Why did the Renaissance begin? The look, full of curiosity, shines.

There are 30 presentations in total in the topic

« Quattrocento. Early Renaissance»- a presentation that will introduce the main achievements of the Early Renaissance in Italy. It is about three outstanding artists who are called the fathers of the Renaissance. These are the architect Brunelleschi, the sculptor Donatello and the painter Masaccio.

Quattrocento. Early Renaissance

Quattrocento. Early Renaissance

The year 1400 is called the Quattrocento in Italy. This is a very special time when the most powerful and the richest people competed for possession the best works art. Popes and dukes of the Italian city-republics sought to invite to their court best artists and poets. cradle Italian Renaissance is considered to be Florence. The rulers of this city, the richest bankers of Europe, the Medici, became patrons, collecting famous artists at your yard.

The uniqueness of the Quattrocento era lies in the fact that art at that time became a universal means of knowledge. Discoveries were made in order to bring the image of objects closer to what is reflected in the mirror. It was the sculptor and architect Filippo Brunelleschi who was famous for discovering the laws of perspective, which were theoretically substantiated by the architect, mathematician, writer, philosopher Leon Batista Alberti, and in practice were used by Brunelleschi's friends, the painter Masaccio and the sculptor Donatello.

Filippo Brunelleschi

After an unsuccessful participation in the competition for the decoration of the doors of the Florentine baptistery, in which Lorenzo Ghiberti turned out to be the winner, Filippo Brunelleschi decided to go to Rome, where, together with his friend, the sculptor Donatello, he enthusiastically studied ancient monuments. Delight antique sculpture and architecture did not prevent Brunelleschi from creatively using his observations, which he embodied in a truly Renaissance building. The arcade of the Orphanage on Piazza Annunziata in Florence combined a Roman arch and a Greek column, this arcade looks light and very harmonious. Usually at the lesson I offered the guys to compare appearance Gothic cathedral and Brunelleschi's Orphanage in relation to human proportions. This helped to demonstrate the embodiment of the idea of ​​humanism in architecture.

But this film has not been translated into Russian, but this does not prevent us from understanding what a wonderful masterpiece Filippo Brunelleschi created.

Donatello

The discovery of linear perspective made by Brunelleschi, his friend Donatello put into practice, creating his beautiful Renaissance sculptures. Donatello for the first time after a thousand-year medieval ban on the image of the nude creates his own David. He revives the round sculpture, casts in bronze an equestrian monument to the condottiere Gattamelata, uses linear perspective when creating numerous reliefs. On the site you will find information about Donatello with many illustrations

Masaccio

A young friend of Donatello and Brunelleschi, the artist Masaccio, became a revolutionary in painting. Not even having lived for thirty years, this painter picked up and developed what Giotto had started back in the era of the Proto-Renaissance. Using the discovery of his friend Brunelleschi, Masaccio creates the image of the "Trinity" in perspective, so masterfully that those looking at this work had the illusion of real space. Masaccio uses portrait features for the first time real people when depicting saints and biblical characters. The figures on the frescoes in the Brancacci Chapel in Florence are voluminous, thanks to the artist's masterful use of chiaroscuro.

You will find a continuation of the story about the Early Renaissance in Italy in the presentation

Presentation introduces art greatest era in the history of art, not only Italian, but world.

At the end of his short story about outstanding artists Quattrocento I would like to offer a small book list for art:

• Argan J.K. History of Italian Art. - M .: JSC Publishing House "Rainbow", 2000
• Beckett V. History of painting. - M .: Astrel Publishing House LLC: AST Publishing House LLC, 2003
• Vipper B.R. Italian Renaissance 13th - 16th century. - M.: Art, 1977
• Dmitrieva N.A. Short story arts. From ancient times to the 16th century. Essays. - M.: Art, 1988
• Emokhonova L.G. World Art. Tutorial for stud. Avg. Ped. Proc. Institutions. - M .: Publishing Center "Academy", 1988
• Muratov P.P. Images of Italy. - M.: Respublika, 1994

I will be glad if my work is in demand!

All the best!

The center of the Renaissance is the city of Florence in northern Italy.

The revival originated in the second half of the XV -
XVI centuries.
Later spread to other European
countries.

During the Renaissance, new genres of painting appeared, such as the portrait.

It arose on the basis of humanism.
Humanism proclaimed the highest value
man and his good. Humanists believed that
everyone has the right to develop freely
as a person, realizing their abilities.

Stages

Proto-Renaissance
Early Renaissance
High Renaissance
Late Renaissance

Proto-Renaissance

Literature
Dante Alighieri.
"The Divine Comedy".
Written in Italian
language, not Latin.
(Latin is the language of learning).
Painting
Giotto conveyed volume
figures and chiaroscuro. Technique
mosaics replaced with frescoes.
(Fresco - painting on wet
plaster).

Early Renaissance

Architecture
Filippo Brunelleschi - founder
Renaissance architecture, one of
founders of the theory of scientific perspective.
After him main feature in architecture
almost all the churches of Europe became the central
dome. There would be no Brunelleschi without the dome
the main creation of Michelangelo - the dome
over St. Peter's Basilica in Rome.
Brunelleschi initiated the creation
domed temple based on an antique
orders.
An order is a system of measurements.

Architecture
Creating a new type
city ​​palaces -
palazzo,
served
model for
public buildings
later time.

Sculpture
Donatello -
the greatest sculptor
XV century. First co
Roman times
empire created
sculpture
naked
human body and
first equestrian statue
condottiere
Gattamelates.

Painting
Sandro Botticelli
Was close to the Medici court and
humanist circles in Florence.
Works on religious and
mythological themes noted
soulful poetry, game
linear rhythms, subtle coloring.
Influenced by social upheavals
1490s art by Botticelli
becomes tense and dramatic.

High Renaissance painting

Leonardo da Vinci
The Universal Genius of the Renaissance
"La Gioconda"
"The Last Supper"

Raphael
Madonna master. created a picture
"Sistine Madonna"
Fresco "School of Athens".

Michelangelo
He considered sculpture as the main art.
Painted the ceiling and altar
wall of the sistine
chapels. (Rome. Vatican).
Designed the dome of St. Peter's Basilica
in Rome.

Giorgione Titian

Late Renaissance

In the second half of the 16th century, Italy grew
the decline of the economy and trade, Catholicism
joined the fight against humanistic culture,
experienced a deep crisis and art.
Mannerism - a trend in Western European
art second half of the XVI century. Was
a kind of transitional style between
Renaissance and Baroque art.

Northern Renaissance

Countries
Germany;
Netherlands;
France;
England;
Spain

New genres of painting are emerging: landscape,
portrait, everyday painting.

Netherlands
Jan Van Eyck -
improved technique
oil painting, which
replaced tempera. Tempera -
paint painting,
whose binder
serve as emulsions: natural
(whole egg, plant juice)
or artificial (water
glue solution with oil).
The Ghent Altar consists of
three parts - triptych.

Pieter Brueghel the Elder (Peasant).
"Blind".

Germany
Dürer is the first
Northern artists
revival mastered the technique
copper engraving.
Engaged in printing
graphics.

slide 1

RENAISSANCE
Michelangelo. Creation of Adam. OK. 1511, fresco, Sistine Chapel, Vatican.
The presentation was prepared by Ol'eva Olga Valerievna, teacher of history and social studies, secondary school No. 1353

slide 2

PLAN:
1 BACKGROUND AND FEATURES OF REVIVAL
2 PERIODIZATION OF THE RENAISSANCE
3 DEVELOPMENT OF SCIENCE DURING THE RENAISSANCE: - humanism - natural science knowledge
4 HIGH RENAISSANCE PAINTING: - Florentine school - Venetian school - northern renaissance
5 RENAISSANCE ARCHITECTURE
6 THE SIGNIFICANCE OF THE RENAISSANCE

slide 3

REVIVAL - an era in the history of the spiritual development of European peoples in the XIV - XVI centuries, associated with the rise of secular art, literature, and science in content. RENAISSANCE (French Renaissance, Italian Rinascimento; from "ri" - "again" or "newly born") - the second name of the Renaissance.
PECULIARITIES OF THE REVIVAL: great interest in the human personality, its boundless creative possibilities; humanism - a system of views that proclaimed the highest value of a person and his public good; great interest in ancient (ancient Greek and Roman) culture, its revival and study.
REMEMBER how the human personality and ancient culture were treated in the Middle Ages?

slide 4

BACKGROUND OF THE RENAISSANCE
GREAT GEOGRAPHICAL DISCOVERIES
CRISIS OF FEODALISM (the old feudal relations fell into decay)
INCREASING THE INFLUENCE OF ENTREPRENEURS (merchants, bankers)
SUPPORT FROM THE STATE AUTHORITY (centralized state)
DEVELOPMENT OF URBAN CULTURE (the city is not a center of crafts and trade, but also Cultural Center)
INTEREST IN THE ANTIQUE HERITAGE FROM THE CATHOLIC CHURCH (Renaissance popes of the 15th-16th centuries)

slide 5

THINK in which country and why did the REVIVAL begin?
Italy has many wealthy and independent cities; Italy is located on the "ruins" of ancient Rome; support for the Renaissance by the Catholic Church (Renaissance popes).

slide 6

PROTO-RENAISSANCE (PRE-RENAISSANCE) second half of the XIII-XIV centuries.
MIDDLE AGES V-XV centuries.
REVIVAL XV-XVI centuries.
HUMANISM
EARLY RENAISSANCE (quattrocento) XV century.
HIGH RENAISSANCE (cinquecento) late 15th - early 16th century
LATE RENAISSANCE, middle and second half of the 16th century.
THE PERIODIZATION OF THE RENAISSANCE
NORTHERN RENAISSANCE (XV-XVI centuries) - the Netherlands, France, Germany, England.

Slide 7

HUMANISM is a system of views that proclaims the highest value of man and his public good.
COMPLETE THE TABLE (page 41 of the textbook)
ERASMUS OF ROTTERDAM THOMAS MORE NICCOLO MACHIAVELLI FRANCOIS RABLAY MIGUEL SERVANTES WILLIAM SHAKESPEARE
Erasmus of Rotterdam (1469-1536)
Thomas More (1478-1535)
William Shakespeare (1564-1616)
Niccolò Machiavelli (1469-1527)

Slide 8

NATURAL SCIENCE KNOWLEDGE
Ambroise Pare (1509-1590). French surgeon, considered one of the fathers of modern medicine.
ANATOMICAL STUDIES (in the Middle Ages the church forbade) DEVELOPMENT OF SURGERY
THE MEDICINE
John Banister lectures on anatomy in London. 1581

Slide 9

NATURAL SCIENCE KNOWLEDGE
Nicolaus Copernicus (1473-1543). Creator of the heliocentric system of the world.
HELIOCENTRIC SYSTEM OF THE WORLD (geocentric in the Middle Ages)
ASTRONOMY
Heavenly spheres in the Copernican manuscript.
Helios - Sun (Greek)
Geo - Earth (Greek)

Slide 10

NATURAL SCIENCE KNOWLEDGE

Projects by Leonardo da Vinci.
He came close to the creation of a science based on EXPERIMENT.

slide 11

NATURAL SCIENCE KNOWLEDGE
Michel Nostradamus (1503-1566). French astrologer.
ASTROLOGY ALCHEMY
An alchemist in search of the philosopher's stone.
PHILOSOPHICAL STONE - a substance necessary for the transformation of metals into gold, as well as for the creation of the elixir of life.
THOUGHT, did the research of astrologers and alchemists help in the development of scientific knowledge?

slide 12

HIGH RENAISSANCE ART

slide 13

COMPARE THE ART OF THE MIDDLE AGES AND THE RENAISSANCE.
COMPARISON QUESTIONS MEDIEVAL ART RENAISSANCE ART
IS THE AUTHOR'S PERSONALITY (INDIVIDUALITY) VISIBLE IN THE WORKS
THE PURPOSE OF ART
CHARACTER OF ART

Slide 14

FLORENTINE SCHOOL OF PAINTING
Leonardo da Vinci (1452-1519). Self-portrait.
Raphael Santi (1483-1520). Self-portrait.
Michelangelo Buonarroti (1475-1564).
TITANS REVIVAL

slide 15

Leonardo da Vinci. Mona Lisa (La Gioconda). 1503 - 1505, Louvre, Paris.
LEONARDO DA VINCI (1452-1519)

slide 16

Rafael Santi. Sistine Madonna. 1513 - 1514, Art Gallery, Dresden.
RAPHAEL SANTI (1483-1520)

Slide 17

Rafael Santi. Athens school. 1509 - 1510, Vatican (papal) palace.
PLATON (Leonardo da Vinci)
ARISTOTLE
HERACLITOUS (Michelangelo)
Apelles (Raphael)

Slide 18

Michelangelo Buonarroti (1475-1564).
MICHELANGELO. David. 1501-1504, marble. Florence, Academy of Fine Arts.

Slide 19

VENICE SCHOOL OF PAINTING
Titian Vecellio (c. 1488-1576). Self-portrait.
WORLDWIDE PROBLEMS WAS LESS CONCERNED (unlike the Florentine school) FOCUSED ON SOLVING ARTISTIC PROBLEMS OF CREATIVITY TO A MUCH MORE DEGREE OF PAINTERS THAN THINKERS AND SCIENTISTS
TITANS REVIVAL

Slide 20

TITIAN Penitent Magdalene 1560 St. Petersburg, Hermitage.
TITIAN VECELLIO (c.1488-1576)

slide 21

NORTHERN REVIVAL
Albrecht Durer (1471-1528). Self-portrait.
Pieter Bruegel the Elder (c. 1525-1520).
Hans Holbein the Younger (1497-1543). Self-portrait.
TITANS REVIVAL

slide 22

NORTHERN REVIVAL
WE ARE LESS AFFECTED BY ANTIQUE ART THEY SING TO THE ORDINARY (INCOMPLETE) HUMAN DESCRIPTION OF HOUSEHOLD DETAILS, ORDINARY LIFE
HANS HOLBEIN THE JUNIOR Portrait of the merchant Georg Giesze. 1532 Berlin, art gallery.

slide 23

ALBRECHT DUERER The Four Horsemen (from the Apocalypse series). 1498 Woodcut Art Museum, Karlsruhe, Germany.
ALBRECHT DURER (1471-1528)
MOR (plague, disease)
WAR
HUNGER
DEATH

slide 24

REVIVAL ARCHITECTURE
CATHEDRAL OF SANTA MARIA DEL FIORE (Florence, Italy). XIV-XV centuries