The Master and Margarita. This is the first thing that comes to mind when they say the name of Mikhail Bulgakov. This is due to the popularity of the work, which raises the question of eternal values, such as good and evil, life and death, etc.
"The Master and Margarita" is an unusual novel, because the theme of love is touched upon in it only in the second part. It seems that the writer was trying to prepare the reader for the correct perception. The love story of the Master and Margarita is a kind of challenge to the surrounding routine, a protest against passivity, a desire to resist various circumstances.
Unlike the theme of Faust, Mikhail Bulgakov forces Margarita, and not the Master, to contact the devil and find herself in the world of black magic. It was Margarita, so cheerful and restless, who turned out to be the only character who dared to make a dangerous deal. To meet her lover, she was willing to risk anything. And so began the love story of the Master and Margarita.
Making a novel
Work on the novel began around 1928. Initially, the work was called "The Romance of the Devil". At that time, the novel did not even have the names of the Master and Margarita.
After 2 years, Bulgakov decides to thoroughly return to his main work. Initially, Margarita enters the novel, and then the Master. After 5 years, the well-known name "Master and Margarita" appears.
In 1937, Mikhail Bulgakov rewrote the novel anew. This takes about 6 months. The six notebooks he wrote became the first complete handwritten novel. A few later, he is already dictating his novel on a typewriter. A huge amount of work was completed in less than a month. Such is the history of writing. The Master and Margarita, the great novel, ends in the spring of 1939, when the author corrects a paragraph in the last chapter and dictates a new epilogue, which has survived to this day.
Later, Bulgakov had new ideas, but there were no corrections.
History of the Master and Margarita. Briefly about acquaintance
The meeting of two lovers was rather unusual. Walking down the street, Margarita carried a bouquet of rather strange flowers in her hands. But the Master was struck not by the bouquet, not by the beauty of Margarita, but by the endless loneliness in her eyes. At that moment, the girl asked the Master if he liked her flowers, but he replied that he preferred roses, and Margarita threw the bouquet into a ditch. Later, the Master will tell Ivan that love between them broke out suddenly, comparing it to a killer in an alley. Love really was unexpected and was not designed for a happy ending - after all, the woman was married. The master at that time was working on a book that was not accepted by the editors. And it was important for him to find a person who could understand his work, feel his soul. It was Margarita who became that person, sharing with the Master all his feelings.
It becomes clear where the sadness in the eyes of the girl comes from, after she admits that she went out that day to find her love, otherwise she would have been poisoned, because a life in which there is no love is joyless and empty. But the story of the Master and Margarita does not end there.
The birth of a feeling
After meeting with her lover, Margarita's eyes sparkle, the fire of passion and love burns in them. The Master is next to her. Once, when she sewed a black hat for her beloved, she embroidered a yellow letter M on it. And from that moment she began to call him Master, urging him on and predicting glory for him. Rereading the novel, she repeated phrases that sunk into her soul and concluded that her life was in that novel. But in it was the life of not only her, but also the Master.
But the Master did not manage to print his novel, he was subjected to sharp criticism. Fear filled his mind, developed Watching the grief of her beloved, Margarita also changed for the worse, turned pale, lost weight and did not laugh at all.
Once the Master threw the manuscript into the fire, but Margarita snatched what was left from the oven, as if trying to save their feelings. But this did not happen, the Master disappeared. Margarita is left alone again. But the story of the novel "The Master and Margarita" was Once a black magician appeared in the city, the girl dreamed of the Master, and she realized that they would definitely see each other again.
The appearance of Woland
For the first time, he appears before Berlioz, who in conversation reject the divinity of Christ. Woland tries to prove that both God and the Devil exist in the world.
Woland's task is to extract the genius of the Master and the beautiful Margarita from Moscow. He, with his retinue, provokes unholy acts in Muscovites and convinces people that they will go unpunished, but then he punishes them himself.
Long-awaited meeting
On the day when Margarita had a dream, she met Azazello. It was he who hinted to her that a meeting with the Master was possible. But she was faced with a choice: turn into a witch or never see her beloved. For a loving woman, this choice did not seem difficult, she was ready for anything, just to see her beloved. And as soon as Woland asked how he could help Margarita, she immediately asked for a meeting with the Master. At that moment, her lover appeared before her. It would seem that the goal has been achieved, the story of the Master and Margarita could have ended, but the connection with Satan does not end well.
Death of the Master and Margarita
It turned out that the Master was out of his mind, so the long-awaited date did not bring joy to Margarita. And then she proves to Woland that the Master is worthy to be cured, and asks Satan about it. Woland fulfills Margarita's request, and he and the Master return to their basement again, where they begin to dream about their future.
After that, the lovers drink Falerno wine brought by Azazello, not knowing that it contains poison. They both die and fly away with Woland to another world. And even though the love story of the Master and Margarita ends here, the love itself remains eternal!
Unusual love
The love story of the Master and Margarita is quite unusual. First of all, because Woland himself acts as an assistant to the lovers.
The fact is that when love visited, events began to take shape not at all as we would like. It turns out that the whole world around is for the couple not to be happy. And it is at this moment that Woland appears. The relationship of lovers depends on the book written by the Master. At that moment, when he tries to burn everything written, he still does not realize that the manuscripts do not burn, due to the fact that they contain the truth. The master returns after Woland gives the manuscript to Margarita.
The girl completely surrenders to a great feeling, and this is the biggest problem of love. The Master and Margarita reached the highest level of spirituality, but for this Margarita had to give her soul to the Devil.
Using this example, Bulgakov showed that each person must make his own destiny and not ask for any help from higher powers.
The work and its author
The master is considered an autobiographical hero. The age of the Master in the novel is about 40 years old. Bulgakov was at the same age when he wrote this novel.
The author lived in the city of Moscow on Bolshaya Sadovaya Street in the 10th building, in the 50th apartment, which became the prototype of the “bad apartment”. The Music Hall in Moscow served as the Variety Theatre, which was located near the “bad apartment”.
The second wife of the writer testified that the prototype of the Behemoth cat was their pet Flyushka. The only thing that the author changed in the cat was the color: Flushka was a gray cat, and Behemoth was black.
The phrase "Manuscripts do not burn" was used more than once by Bulgakov's favorite writer, Saltykov-Shchedrin.
The love story of the Master and Margarita has become a real one and will remain the subject of discussion for many centuries to come.
"The Master and Margarita" is Bulgakov's work, in which the author reveals several themes at the same time.
One of them is the theme of love. The author reveals it in a storyline that describes the relationship between the Master and Margarita.
By social status, these are different heroes. The master is poor. He describes himself as a "beggar". Once he belonged to the middle class, but over the years his life has changed. The former historian worked in the museum a few years ago. He was alone. In Moscow, the Master had neither relatives nor acquaintances. But one day he won a large sum of money. This led to changes in his life. The master rented a small apartment for himself, bought books.
Margarita, on the contrary, was rich. Together with her husband, they lived in a luxurious mansion. Margarita could afford absolutely everything. Only one was not in her life - family happiness. Margarita respected her husband, but did not love him.
But such different fates did not prevent them from falling in love with each other. The Master and Margarita met for the first time on the street. The master was walking along Tverskaya and suddenly noticed Margarita. She struck him at first sight. Margarita carried a bouquet of yellow flowers in her hands. And although the Master decided that this was a bad sign, he nevertheless followed the woman.
Each of the characters showed their love in different ways. The Master's love for Margarita practically did not manifest itself, but he loved her very much. The master was looking forward to meeting his beloved. Already in the morning he listened warily to every sound. From the very first minutes, the Master realized that Margarita was exactly the one he had been looking for all his life.
As for Margarita, her love for the Master manifested itself very clearly. He was the most important person in her life. After an unhappy marriage, only Margarita needed a master.
Margarita had no children, and she directed all her maternal love to the Master. She took care of him. When the Master wrote his novel, Margarita was there and inspired her beloved. Margarita supported the master when the writers rejected his novel. But most of all, Margarita's love manifested itself when the master disappeared. Margarita blamed herself for leaving, and then for not returning in time. Margarita tried to find out at least something about her lover. She had to return to her husband. So she lived for about six months. Margarita missed him and was waiting for at least some news. For the sake of the master, Margarita was ready for anything. She agrees to a deal with Woland as soon as it comes to the master. It is for the sake of her beloved that Margarita changes her lifestyle. She became a witch.
For her determination and love, Margarita received a reward. She reunited with the Master. They have found their happiness. But this happiness was found in the unreal world. The Master and Margarita found eternal shelter. But in reality, neither the master nor Margarita get happiness. The master died in the "house of sorrow", and Margarita died in her mansion, taking a step from one room to another. In reality, their love never got a happy ending.
This was a very strong love. Love forced these people to do many different things: the master - to create, Margarita - to leave her husband, to agree to a deal with Woland. Love completely changed the life of the Master and Margarita.
Thus, we can assume that Bulgakov managed to prove that true love really exists, and if such love comes to a person, it makes him do anything.
Pikalova Alexandra
In the novel "The Master and Margarita" the themes of history and religion, creativity and everyday life are closely intertwined. But the most important place in the novel is occupied by the love story of the master and Margarita. This storyline adds tenderness and poignancy to the work. Without the theme of love, the image of the master could not be fully revealed. The unusual genre of the work - a novel within a novel - allows the author to both distinguish and unite the biblical and lyrical lines, to develop them fully in two parallel worlds.
fatal meeting
Love between the master and Margarita broke out as soon as they saw each other. “Love jumped out between us, like a killer jumping out of the ground ... and hit us both at once!” - this is how the master tells Ivan Bezdomny in the hospital, where he ends up after the rejection of his novel by critics. He compares the surging feelings with lightning or a sharp knife: “This is how lightning strikes! This is how the Finnish knife strikes!
The master first saw his future beloved on a deserted street. She attracted his attention because she "carried in her hands disgusting, disturbing yellow flowers."
This mimosa became, as if a signal to the master, that in front of him was his muse, with loneliness and fire in his eyes.
Both the master and the unhappy wife of a rich but unloved husband, Margarita, were completely alone in this world before their strange meeting. As it turns out, the writer was previously married, but he does not even remember the name of his ex-wife, about whom he does not keep in his soul, neither memories nor warmth. And he remembers everything about Margarita, the tone of her voice, the way she spoke when she came, and what she did in his basement room.
After their first meeting, Margarita began to come every day to her lover. She helped him in the work on the novel, and she herself lived by this work. For the first time in her life, her inner fire and inspiration found their purpose and application, just as the masters listened and understood for the first time, because from the first meeting they spoke as if they parted yesterday.
The completion of the master's novel was a test for them. But already born love was destined to pass it, and many other tests, in order to show the reader that a true kinship of souls exists.
The Master and Margarita
The true love of the master and Margarita in the novel is the embodiment of the image of love in the understanding of Bulgakov. Margarita is not just a beloved and loving woman, she is a muse, she is the inspiration of the author and his own pain, materialized in the image of Margarita the witch, which in righteous anger destroys the apartment of an unjust critic.
The heroine loves the master with all her heart, and seems to breathe life into his small apartment. She gives her inner strength and energy to the novel of her lover: “she sang and loudly repeated certain phrases ... and said that her life was in this novel.”
The refusal to publish the novel, and later the devastating criticism of the passage, it is not known how it got into print, hurts both the master and Margarita equally painfully. But, if the writer is broken by this blow, then Margarita is seized by insane rage, she even threatens to "poison Latunsky." But the love of these lonely souls continues to live its own life.
Test of love
In The Master and Margarita, love is stronger than death, stronger than the master's disappointment and Margarita's anger, stronger than Woland's tricks and the condemnation of others.
This love is destined to pass the flame of creativity and the cold ice of critics, it is so strong that it cannot find peace even in heaven.
The heroes are very different, the master is calm, thoughtful, he has a soft character and a weak, vulnerable heart. Margarita is strong and sharp, more than once describing her, Bulgakov uses the word "flame". Fire burns in her eyes and brave, strong heart. She shares this fire with the master, she breathes this flame into the novel, and even the yellow flowers in her hands resemble lights against the background of a black coat and a slushy spring. The master embodies reflection, thought, while Margarita embodies action. She is ready for anything for the sake of her beloved, and sell her soul, and become the queen of the devil's ball.
The strength of the feelings of the master and Margarita is not only in love. They are so close spiritually that they simply cannot exist separately. Before their meeting, they did not experience happiness, having parted after - they would not have learned to live separately from each other. Therefore, probably, Bulgakov decides to end the life of his heroes, in return giving them eternal peace and solitude.
conclusions
Against the backdrop of the biblical story of Pontius Pilate, the love story of the master and Margarita seems even more lyrical and poignant. This is love for which Margarita is ready to give her soul, since she is empty without a loved one. Being insanely lonely before their meeting, the heroes gain understanding, support, sincerity and warmth. This feeling is stronger than all the obstacles and bitterness that befalls the fate of the main characters of the novel. And it is this that helps them to find eternal freedom and eternal rest.
The description of love experiences and the history of the relationship of the main characters of the novel can be used by students of grade 11 while writing an essay on the topic “Love of the Master and Margarita”
Artwork test
The novel "The Master and Margarita" is dedicated to the history of the master - a creative person who opposes the world around him. The history of the master is inextricably linked with the history of his beloved. In the second part of the novel, the author promises to show "true, faithful, eternal love." The love of the master and Margarita was just like that.
What does it mean, according to M. Bulgakov, “true love”? The meeting of the Master and Margarita was accidental, but the feeling that connected them until the end of their days was not accidental. No wonder they recognize each other by the “deep loneliness” in their eyes. This means that even without knowing each other, they felt a great need for each other. That is why a miracle happened - they met.
“Love hit us both at once,” says the master. True love powerfully invades the lives of those who love and transforms it! Everything everyday, ordinary becomes bright and significant. When Margarita appeared in the basement of the master, all the little things of his meager life began to seem to glow from within, and everything faded when she left.
True love is selfless love. Before meeting with the master, Margarita had everything need to woman for happiness: a handsome, kind husband who adored his wife, a luxurious mansion, finance. “In a word…was she happy? - asks the writer. - Not a single minute! .. Well need to was this woman? ., she needed him, the master, about not a Gothic mansion at all, and not a separate garden, and not money. All material wealth turns out to be insignificant compared to the opportunity to be close to your loved one. When Margarita did not have love, she was even ready to commit suicide. But at the same time, she does not want to harm her husband and, having made a decision, she acts honestly: she leaves him a farewell note, where she explains everything.
True love, therefore, cannot harm anyone, it will not build its happiness at the expense of the misfortune of another person.
Follow me, reader! Who told you that there is no true, true, eternal love in the world? .. Follow me, my reader, and only me, and I will show you such love! M. Bulgakov In the history of classical literature, there are many works that have become a reflection of the era. But one of them occupies a special position. This is the creation of the hands of the great master of the word) and to this day remains a cult for a whole series of generations. It is absolutely clear that we are talking about the novel by M. A. Bulgakov “The Master and Margarita”. This work is a mystical unity
Everyday historical reality and bold, even outright fantasy. Most likely, it is this feature that does not allow putting the novel on a par with the works of other great classics. M. Bulgakov can safely be called a revolutionary in literature. Religious motifs permeate the ideological outline of the novel with a thin thread, where social and political issues still come to the fore. However, one should not dwell on consideration of such large-scale problems. We are now more interested in another topic. There is no doubt that in the vast majority of works known to mankind today, one way or another, one of the central provisions is the question of the possibility of developing relations between a man and a woman. This is a classic. But M. Bulgakov is original here too. His story is full of mysteries, but at the same time it is clear, logical and strict. The appearance of heroes, as well as their further fate, is very spontaneous, unexpected. We meet the Master only in the thirteenth chapter of the novel. He enters through the balcony into the ward of the poet Ivan Bezdomny. “Shaved, dark-haired, with a sharp nose, anxious eyes and with tufts of hair hanging over his forehead, a man about thirty years old,” writes M. Bulgakov about the Master. A typical portrait in a rather atypical situation. It has long been known that the strongest feeling is born in time. Passion, which instantly flared up like a fire, just as quickly goes out. An example can serve not only cases from life, but also literary plots. So, for example, in one of the brightest and most famous works of I. Bunin “Sunstroke”, the passion that pierced through the heroes, did not find the strength to develop into something more, disappeared, leaving only pleasant memories of itself. But such a development of events does not suit M. Bulgakov. He goes further: to the very heart, to the very soul, he wounds his heroes. “Love jumped out in front of us, like a murderer jumping out of the ground in an alley, hit us both at once ...” - says the Master about the fateful meeting with Margarita. They don't need time, they don't need proof and stupid compliments. Everything is clear without words. Consciousness seemed to have programmed for love, desperate love, devoted, gratuitous. The unexpected acquaintance of the characters may surprise the reader: their eyes met, and everything else became just a formality. “She came to me every day, but I started waiting for her in the morning,” Master says. Amazing devotion, if not for a small correction: “... she lived with another person ... and I was there then ... with this one ...” How is it? On the one hand, sincere love, on the other - impudent betrayal. However, in this story, justifying or condemning the heroes is an absolutely unnecessary exercise, because none of us knows if it was possible to act differently in such a situation ...
The action progresses rapidly. It can be said without exaggeration that the master's novel about Pontius Pilate played a key role in the relationship between the characters, determining and even controlling all subsequent events. Everything that happened to the heroes was completely and completely under the power of the fatal manuscript. The sacrificial relationship between the Master and Margarita is seen throughout the entire work. To the greatest extent, this, of course, is reflected in the actions of the heroine. And again we can observe the image of a Russian woman, beloved by the authors, who lives for the sake of love and loves for the sake of life, ready for hardship and torment in the name of her lover and a bright future together with him. The meeting of Margarita and Azazello in this context of the work turned out to be obvious and absolutely logical. “I was sent to invite you to visit tonight. - What are you talking about, what guests? “To a certain very distinguished foreigner,” the red-haired man said significantly, screwing up his eyes. Margarita was very angry... - Bastard! - she answered, turning around, and immediately heard the voice of a redhead behind her: - The darkness that came from the Mediterranean Sea covered the city hated by the procurator. Suspension bridges connecting the temple with the terrible Anthony Tower disappeared ... Yershalaim, the great city, disappeared ... ”. The risk was great. The cream and Satan's ball scam is brilliant. But, on the other hand, Margarita's life without the Master no longer had any meaning, and therefore there was nothing to lose. There remains an alternative: to suffer until the end of days, torment your soul with thoughts about him and live out minutes in cowardly expectation of a meeting, or smear your body with cream, and then, after waiting for a phone call, saddle a brush and take off over the streets of Moscow. For Margarita, the choice became obvious. Probably not in vain they say that only crazy people are capable of a real feeling. “I know what I'm getting into. But I do everything because of him, because I have no more hope for anything in the world. But I want to tell you that if you destroy me, you will be ashamed! Yes, shame! I'm dying for love!" Suffering and hellish torment had to endure the heroine. And now everything is behind, and the iron robe, and the deceased guests, and Frida. The meeting of the Master and Margarita was the logical finale of this solemn night: “Margarita immediately recognized him, groaned, clasped her hands and ran up to him. She kissed him on the forehead, on the lips, pressing against her prickly cheek, and the long-held tears now ran in streams down her cheek ... ”And only peace and tranquility, harmony and quiet joys lie ahead. I wonder what would have happened if the heroes had not met then? Maybe this story would have taken a different turn? Although, how do you know...
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Essay on literature on the topic: Fatal love of the Master and Margarita
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